Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Every man's dream comes true for William Thacker, an unsuccessful Notting Hill bookstore owner, when Anna Scott, the world's most beautiful woman and best-liked actress, enters his shop. A little later, he still can't believe it himself, William runs into her again - this time spilling orange juice over her. Anna accepts his offer to change in his nearby apartment, and thanks him with a kiss, which seems to surprise her even more than him. Eventually, Anna and William get to know each other better over the months, but being together with the world's most wanted woman is not easy - neither around your closest friends, nor in front of the all-devouring press. Written by
Julian Reischl <firstname.lastname@example.org>
The house with the blue door used in the movie was sold the year following the release of the movie. The original blue door was removed and auctioned. The replacement door was painted black so that no one would recognize it. Soon however, someone later spray painted on the wall next to the door, "This is the Hollywood door." A different house was used when Thacker and Anna are practicing her lines on the roof. See more »
Although Bella is in a wheelchair and complains of the fact that her house needs ramps for her to get around, there is a step without a ramp leading to her front door. In one scene she is seen about to leave the house in her wheelchair, unassisted. See more »
IN OUR LIFETIME
Written by John McElhone (as Gerry McElhone) and Sharleen Spiteri
Performed by Texas
Used by permission of EMI 10 Music Ltd
Courtesy of Mercury Records Ltd (London)
Licensed from PolyGram Film and TV Licensing UK See more »
Notting Hill proves one thing -- jokes lie in the oddest places. This film is an excellent vehicle for Julia Roberts to put her own life as an actress under the microscope. While Roberts' "Anna Scott" character isn't an autobiographical figure, the Scott character allows for some biting satire at the life of Roberts herself. Need I mention some excellent one liners in the film like the sister of Hugh Grant... "I feel like we are sisters", an excellent throw-back to "My Best Friend's Wedding"... or my favourite, a discussion about nude body doubles just before a nude Julia Roberts (or a Julia Roberts body double) crosses the screen.
Apart from the small bit of satire, Grant's character plays on the emotions of every guy who has ever unexplainably fell in to, threw orange juice-on, lost out on, and fell back in to love. Roberts character can only help us understand how such a relationship as the one her and Grant share in the movie, could be "Surreal, but nice."
A sweet film surely not to be missed!
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