William, a once obese and troubled teen, goes back to his family's home after being gone, without word, for ten years and finds it (and his family) haunted with his past. He had moved to ... See full summary »
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1952: Bishop Bilodeau visits a québécois prison to hear the confession of a boyhood friend jailed for murder 40 years ago. The inmates force the prelate to watch a play depicting what ... See full summary »
While working in a greenhouse, a man receives an insect bite after touching an exotic plant. Immediately, he falls ill and is taken to an emergency room where the doctors diagnose him as ... See full summary »
Ivan E. Roth,
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William, a once obese and troubled teen, goes back to his family's home after being gone, without word, for ten years and finds it (and his family) haunted with his past. He had moved to the city and become a fit, well-adjusted gay man, but during his visit home, he becomes unhinged as the newly remembered reasons for his miserable adolescence come to life in each of their presents. Written by
Tom Hunt Brooks <email@example.com>
[to her brother William:]
Could you get dressed, Willie, I wanna get out of here.
Where ya goin'?
Teen Sweet William:
There's a stupid dance at school.
You goin' to a dance? Oh, dear God in heaven!
[to granddaughter Rosemary]
Now, you know to count to six?
If you're gonna kiss a boy, you got to count to six while you're doin' it. And then stop! After six it's a sin.
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A lovely, intelligent film that challenges the viewer's assumptions about reality, while celebrating the power of memory and redemption. I have rarely been so moved by the beauty of a film, visually and verbally. The performances are real, the writing superb. It also boasts one of the most hilarious weddings in cinema history.
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