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"Clutch Cargo" (1959)
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Overview
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Release Date:
9 March 1959 (USA)
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Now for something really different!
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Cast
(Series Cast [3]) | Richard Cotting | ... | Clutch Cargo (51 episodes, 1959) |
 | Hal Smith | ... | Spinner / ... (51 episodes, 1959) |
| Margaret Kerry | ... | Paddlefoot (39 episodes, 1959) |
Series Directed by | |||
| Phil Booth | (unknown episodes) | ||
Series Writing credits | ||
| Clark Haas | (49 episodes, 1959) | |
Series Produced by | |||
| Dick Brown | .... | producer (unknown episodes) | |
Series Original Music by | |||
| Paul Horn | (unknown episodes) | ||
Series Cinematography by | |||
| Edwin Gillette | (unknown episodes) | ||
Series Art Direction by | |||
| Clark Haas | (unknown episodes) | ||
Series Animation Department | |||
| Sparky Moore | .... | layout artist (unknown episodes) | |
Production CompaniesDistributors
- Alpha Video Distributors (????) (USA) (DVD) (season 1)
- BCI Eclipse (2005) (USA) (DVD)
- Reel Media International (2005) (worldwide) (all media)
- Reel Media International (2007) (worldwide) (all media)
- Toon Tracker (????) (USA) (VHS)
- VCI Home Video (2005) (USA) (DVD)
Additional Details
Runtime:
4 min
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Aspect Ratio:
1.33 : 1 See more »
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Movie Connections:
Referenced in "Mystery Science Theater 3000: Catalina Caper (#3.4)" (1990)See more »
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Time heals wounds. Maybe that is why I gave this cartoon such a high rating. Correct me if I'm wrong, but doesn't Clutch Cargo look like Leslie Nielson, Officer Dribble of NAKED GUN? CLUTCH CARGO aired early in the morning in Buffalo, NY on WGR (channel 2) back in the early 1960s. Being less than 5-minutes, an episode could fit almost anywhere there was a moment of dead air, not that it was that much of an improvement. But seriously now, these episodes were fun to watch. Each episode was very short and the animators were very clever in masking the lack of animation by using bushes or any other obstacle to hide the lack of movement in their legs as they walked. It was a unique blend of incredibly good artwork combined with incredibly bad animation. What really set this cartoon apart from the rest was the real live acting moving lips which were super-imposed on the cartoon characters' faces. This was a really neat novelty at the time.