The movie opens in a Los Angeles convenience store one late Monday night, where a smalltime drug dealer named Nick (Aaron Eckhart) is trying to decide what coffee brand to buy. His ex-lover... See full summary »
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
Nick Hume is a mild-mannered executive with a perfect life, until one gruesome night he witnesses something that changes him forever. Transformed by grief, Hume eventually comes to the disturbing conclusion that no length is too great when protecting his family.
The movie opens in a Los Angeles convenience store one late Monday night, where a smalltime drug dealer named Nick (Aaron Eckhart) is trying to decide what coffee brand to buy. His ex-lover Dallas (Paulina Porizkova) and fellow hitman Billy Hill (James LeGros) are getting impatient and tell him to hurry up. Conflicts between Nick and the cashier (Luck Hari) ensue, resulting in Dallas shooting the cashier dead. Though the three attempt to cover up the crime, they are forced to also shoot a police officer (Bari K. Willerford) when he discovers blood on the ground. Written by
The details of Dallas' version of Nick and Casey's last job differ from that of Casey's version. According to Dallas' story, told to her by Nick, Ball-Peen's apartment was very colorful, luxurious and lavish. And the woman who comes out of the bedroom was, at least, pretty. In the version Casey tells, the apartment was drab, run-down and dirty. The woman from the bedroom looks like a drug addict wearing a bath robe and disheveled hair. See more »
When Casey and Ice are smoking marijuana in the kitchen, the lighter disappears and reappears between cuts. See more »
Former drug dealer gone straight has a REALLY bad day...
Loved the movie, could kick myself for not buying it right away when the Unrated version was (briefly) re-released on DVD and generally available.
Similar in flavor to "Pulp Fiction," but I wouldn't call it a knock-off, as so many have. Tarantino and Woods both have a talent for realistic, believable dialogue by colorful but still believable characters in a genre where it's seldom seen. But, in this movie Woods also shows a flair for using the absurd, and annoying, realities of everyday life to move the plot along. Woods, like great comedians, exposes the little frustrations of life that we all experience but few will admit to, and deals with them in politically incorrect, yet satisfying, finality.
This movie is well worth watching: sex, blood, outrageous dialogue supported by even more outrageous action, corruption, redemption, and the satisfaction of finally seeing a loud-mouthed, nagging wife at a loss for words when she is forced to confront the fact that there's more to her husband than just the long list of imagined faults she's dreamed up.
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