The movie opens in a Los Angeles convenience store one late Monday night, where a smalltime drug dealer named Nick (Aaron Eckhart) is trying to decide what coffee brand to buy. His ex-lover... See full summary »
Shades is a film about (imaginary) Belgian serial killer Freddy Lebecq which producer Max Vogel, a former lawyer, is determined to make into an internationally co-produced, relatively big ... See full summary »
Erik Van Looy
A psychiatrist moves out west after he is brought up on charges of sexual misconduct, for which his adoring, female attorney eventually gets the charges dropped... with the hope that this ... See full summary »
Anthony Michael Hall
Grey Malcolm is a talented young assassin who's ready to get his life back. But before he can leave, he has one final assignment: kill a bank robber who has the city's underground up in ... See full summary »
Frank T. Wells has just been released from prison after serving a term for manslaughter. Frank's a reasonably honest man and a good rodeo rider. When he meets up with Scarlett, a bank ... See full summary »
Convicted corporate criminal Howard engineers a prison break as he and a number of fellow inmates are being transferred to a new facility. The escapees storm a shopping mall and take a ... See full summary »
Matt Earl Beesley
The movie opens in a Los Angeles convenience store one late Monday night, where a smalltime drug dealer named Nick (Aaron Eckhart) is trying to decide what coffee brand to buy. His ex-lover Dallas (Paulina Porizkova) and fellow hitman Billy Hill (James LeGros) are getting impatient and tell him to hurry up. Conflicts between Nick and the cashier (Luck Hari) ensue, resulting in Dallas shooting the cashier dead. Though the three attempt to cover up the crime, they are forced to also shoot a police officer (Bari K. Willerford) when he discovers blood on the ground. Written by
The sound of the air flowing through the water in the bong is fake (bubbling). At one point Casey is talking to Ice as you hear the bubbling sound. See more »
You can keep the smack and I'll take the money.
Money? What fucking money?
Looks like we're going around circles here.
[Puts a gun to his head]
I need two mill, Casey. Now let me...
Now let me explain something to you. I am not a drug dealer. It's been four years since I've seen any drugs. I'm an architect. I'm a little happy Republican who spends the majority of his time trying to figure out how to pay the fucking bills and how make my wife happy.
See more »
Want a film that's hip, loaded with attitude, funny and shocking at once, packed to the rafters with wild lowlifes? Skip Woods has delivered one, but about five years too late. We've seen everything in THURSDAY before, so you'd best enjoy this film without the baggage of seeing PULP FICTION - and that's a tall ask.
Compared to FICTION or RESERVOIR DOGS , THURSDAY is as flawed as you'd expect. Spontaneous raps about Star Trek, the sadistically amusing torture of a helpless, bound man, and drug-dealer flashbacks all ring a bell. It's derivative, but it's still fun.
Against the leagues of Tarantino ripoff's on the market, you could do much worse than THURSDAY. The day-in-a-life saga, and flexible pace are sometimes a blast. The violence makes you squirm and laugh, so at least it hits the mark, even when it aims low. And the havoc sown on the picturesque picket fence suburb is cruelly effective.
Going out of his way to shock, Woods' film goes wrong because for all his youthful arrogance, THURSDAY isn't half as original as he no doubt thinks. And be warned, the ending is a travesty. It's abysmal and uninspired enough to make you reassess the merits of the picture before the credits have even begun.
4 of 5 people found this review helpful.
Was this review helpful to you?