The movie opens in a Los Angeles convenience store one late Monday night, where a smalltime drug dealer named Nick (Aaron Eckhart) is trying to decide what coffee brand to buy. His ex-lover...
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Butch "Bullet" Stein is a Jewish junkie from the mean streets of Brooklyn, is paroled after eight years in prison. Butch rips off a runner for local drug dealer, Tank, and is soon right ... See full summary »
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Erik Van Looy
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Tom and Aysha are at the economic bottom of the LA scene; no money, on drugs, and selling themselves to exist. Tom brains his drug dealer, steals his drugs and the two split town by bus and... See full summary »
The movie opens in a Los Angeles convenience store one late Monday night, where a smalltime drug dealer named Nick (Aaron Eckhart) is trying to decide what coffee brand to buy. His ex-lover Dallas (Paulina Porizkova) and fellow hitman Billy Hill (James LeGros) are getting impatient and tell him to hurry up. Conflicts between Nick and the cashier (Luck Hari) ensue, resulting in Dallas shooting the cashier dead. Though the three attempt to cover up the crime, they are forced to also shoot a police officer (Bari K. Willerford) when he discovers blood on the ground. Written by
When Casey checks his watch at the airport, the day and title of the movie, Thursday, is at the top of the face of the watch. See more »
When Casey walks onto his front lawn to get the morning paper he takes at least 9 steps in the grass. Then he gets caught off guard when in the sprinkler comes on, and he takes only 3 little hops to get back onto the sidewalk. See more »
Don't worry. I'm not gonna kill you til you cum. I'll let you betray your wife thoroughly.
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Former drug dealer gone straight has a REALLY bad day...
Loved the movie, could kick myself for not buying it right away when the Unrated version was (briefly) re-released on DVD and generally available.
Similar in flavor to "Pulp Fiction," but I wouldn't call it a knock-off, as so many have. Tarantino and Woods both have a talent for realistic, believable dialogue by colorful but still believable characters in a genre where it's seldom seen. But, in this movie Woods also shows a flair for using the absurd, and annoying, realities of everyday life to move the plot along. Woods, like great comedians, exposes the little frustrations of life that we all experience but few will admit to, and deals with them in politically incorrect, yet satisfying, finality.
This movie is well worth watching: sex, blood, outrageous dialogue supported by even more outrageous action, corruption, redemption, and the satisfaction of finally seeing a loud-mouthed, nagging wife at a loss for words when she is forced to confront the fact that there's more to her husband than just the long list of imagined faults she's dreamed up.
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