| Silvia Dionisio | ... | Juliet | |
| Werner Pochath | ... | David | |
| Zora Kerova | ... | Anna | |
| Gianluigi Chirizzi | ... | Peter | |
| Carlo De Mejo | ... | Ernie | |
| Giancarlo Maestri | ... | The Policeman | |
| Fausto Lombardi | ... | Phil | |
| Gino Milli | ... | The Conductor | |
| Antonio Maimone | ... | Mr. Hobbes (as Antonino Maimone) | |
| Roberto Caporali | ... | Evelyn's Father | |
| Gianfranca Dionisi | ... | Evelyn's Mother | |
| Rita Livesi | ... | Mary | |
| Gianfilippo Carcano | ... | Harold | |
| Andrea Scotti | ... | Willis | |
| Cesare Gelli | (as Cesare Galli) | ||
| Fiammetta Flamini | ... | Evelyn | |
| Venantino Venantini | ... | Mike | |
| rest of cast listed alphabetically: | |||
| Nick Alexander | ... | The Conductor (voice: English version) (uncredited) | |
| Carolyn De Fonseca | ... | The Mum (voice: English version) (uncredited) | |
| Edward Mannix | ... | The Dad (voice: English version) (uncredited) | |
| Susan Spafford | ... | Juliet (voice: English version) (uncredited) | |
| Pat Starke | ... | Evelyn (voice: English version) (uncredited) | |
| Frank von Kuegelgen | ... | David (voice: English version) (uncredited) | |
Directed by | |||
| Ferdinando Baldi | |||
Writing credits(in alphabetical order) | ||
| George Eastman | (as Luigi Montefiori) | |
Produced by | |||
| Armando Todaro | .... | executive producer | |
Original Music by | |||
| Marcello Giombini | |||
Cinematography by | |||
| Giuseppe Aquari | |||
Film Editing by | |||
| Alessandro Lucidi | |||
Art Direction by | |||
| Gastone Carsetti | |||
Costume Design by | |||
| Alberto Verso | |||
Makeup Department | |||
| Giulio Natalucci | .... | makeup artist | |
| Luciano Vito | .... | hair stylist | |
Production Management | |||
| Vincenzo Testa | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Giampiero Mele | .... | assistant director | |
Art Department | |||
| Romana Arredamento | .... | set dresser | |
Sound Department | |||
| Nick Alexander | .... | dubbing editor | |
| Franco Borni | .... | sound recordist | |
| Romano Checcacci | .... | re-recording engineer | |
Camera and Electrical Department | |||
| Sandro Borni | .... | still photographer: action stills | |
| Mariano Cafiero | .... | assistant camera | |
| Luigi Filippo Carta | .... | camera operator | |
| Michele Pellegrini | .... | gaffer (as Michelle Pellegrini) | |
| Osvaldo Taloni | .... | key grip | |
Costume and Wardrobe Department | |||
| Vanda Caprioli | .... | seamstress | |
Editorial Department | |||
| Luisa Maria Letti | .... | first assistant editor | |
Other crew | |||
| Rosaria Cilento | .... | script supervisor (as Maria Rosaria Cilento) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section |
I actually liked Terror Express quite a bit. It's a complete Last House ripoff set totally on a moving train with three miscast actors playing psychos raping and murdering passengers. Actually, the thought of Carlo De Mejo as a scummy sleazeball seemed quite amusing to me, and gay actor Werner Pochath seemed strangely convincing as a sexually frustrated ex-con. Venantini Venantini and Zora Kerova make a pretty hilarious couple, and Silvia Dionisio gets naked enough to please most fans. A few people who acted in BURIAL GROUND around the same time also pop by, including that Pauly Shore-lookin guy who kept saying "Give me some more Cartridges." Granted there's lots of rape scenes, sex, and general depravity, but the film is generally really slow going and lacking in action or violence. Funny things to watch for: Nick Alexander doing a dopey pseudo-British accent as the voice of the pimp/train conductor, and Carlo De Mejo, Zora Kerova, and some other guy making a "Sex Sandwich" while standing up naked in a cramped compartment. I never thought I'd see this! that's for sure!
I also noticed Marcello Giombini's musical score really sounded like a big ripoff of the musical score for THE WARRIORS, complete with all the little synthesized musical stings combined with shots of the train... Ferdinando Baldi's movies rock, I wonder why nobody really seems to give a c**p about his work. I really liked Viva Django, which actually topped the original in most ways, and this film is definitely worth checking out; granted it's no Hitch Hike.