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Patlabor 2: The Movie (1993)
"Kidô keisatsu patorebâ: The Movie 2" (original title)

7.6
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Ratings: 7.6/10 from 2,441 users  
Reviews: 19 user | 12 critic

When a terrorist attack is blamed on the Air Force, Special Vehicle Unit 2 gets caught in the middle of a growing political conflict.

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Title: Patlabor 2: The Movie (1993)

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Cast

Cast overview, first billed only:
Mîna Tominaga ...
Noa (voice)
...
Noa (1995) (voice)
Julie Ann Taylor ...
Noa (2006) (voice)
Toshio Furukawa ...
Asuma (voice)
David Jarvis ...
Asuma (1995) (voice)
Doug Erholtz ...
Asuma (2006) (voice)
Ryûnosuke Ôbayashi ...
Gotoh (voice)
Peter Marinker ...
Gotoh (1995) (voice) (as Peter Marincker)
...
Gotoh (2006) (voice)
Yoshiko Sakakibara ...
Nagumo (voice)
Sharon Holm ...
Nagumo (1995) (voice)
...
Nagumo (2006) (voice) (as Karen Thompson)
Michihiro Ikemizu ...
Oota (voice)
...
Oota (1995) (voice) (as Martin McDougal)
...
Oota (2006) (voice)
Edit

Storyline

A Japanese police unit who use giant anthropomorphic robots (called Labors) is caught up in a political struggle between the civilian authorities and the military when a terrorist act is blamed on an Air Force jet. With the aid of a government agent, the team gets close to a terrorist leader to stop things from going out of control when after the military is impelled to impose martial law. Written by <smckim@hollywoodreporter.com>

Plot Summary | Add Synopsis


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Release Date:

7 August 1993 (Japan)  »

Also Known As:

Patlabor 2  »

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Did You Know?

Trivia

The film sparked controversy less than two years after it was released when on March 20, 1995, the religious cult released sarin gas on several lines of the Tokyo Metro subway, killing a dozen people, injuring fifty and inflicting temporary vision problems to a thousand other commuters. The film scene in question was when a group of airships flew over Tokyo and crashed, releasing colored gas that was shortly deemed harmless. See more »

Quotes

Shinobu Nagumo: Suppose ye I have come to bring peace on Earth? I tell ye nay, but rather division. Henceforth, there shall be five in one house divided: three against two, and two against three. The father shall be divided against the son, and the son against the father. The mother against the daughter, and the daughter against the mother.
Tsuge: I remember us reading that together.
Shinobu Nagumo: But you've forgotten it's what you wrote to me after you returned from the UN fiasco. It seemed the words had taken on a new meaning ...
See more »

Connections

Followed by WXIII: Patlabor the Movie 3 (2002) See more »

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User Reviews

 
Hollywood-worthy screenplay!
8 October 2002 | by (Denmark) – See all my reviews

"Japanese cartoons are for kids"...

This is yet another movie to show to people who wrongfully believe that!

A movie like "Ghost in The Shell" and the series "Neon Genesis Evangelion" have proven to contain more plot in the screenplay, and even afterthought in the mind of the audience, than most Hollywood-movies I know of. "Patlabor 2" is definitely another addition to my list of movies I would say disproves the first sentence in this comment.

As other commenters have noted, "Patlabor 2" resembles a Tom Clancy political thriller. The storytelling was so good that it got my heart racing in some scenes, and that is saying a lot from my point of view (Trust me on that one - I've seen "The Others" and similar movies, without moving a muscle when the rest of the theatre screamed).

If the story was tightened here, and the plot was elaborated there, "Patlabor 2" could be made into a Hollywood-movie as a frame-by-frame copy! I really mean that - There is always room for improvement, but in my opinion there are only very minor blemishes to the flow of the movie. I enjoyed every second, although some other commenters found the "slow parts" boring or irrelevant.

The music (or lack thereof) is also definitely worth a mention. It's hard to describe - I just couldn't imagine it being any different for this movie. The reason I write lack of music is because there are scenes where any Hollywood-producer would have slapped on some generic classical music, but in this case there is none. For example there is a scene after a climax where you just see different parts of the cityscape, with snow falling, and there is no sound at all. THAT's movie-magic. It's part of what draws me to this strange, exotic type of movies - it's so different than what most of us are used to.

Recreate the visuals using a film-camera, actors and a special-effects crew, copy+paste the music, label it "made in Hollywood" and you've got yourself a blockbuster-hit!

Japanese cartoons are for kids - not. If you have a brain, and an attention-span bigger than your average action-monkey, this movie is for you.


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