Screwball romance involving a woman (Makkena) who gets fired from her job as a bank teller when her friends arrange for a stripper to appear at the bank for her birthday. She then meets a ... See full summary »
Stuck in a Christian 'rehabilitation' camp, Ming recalls his double life, a whirlwind of sex and drugs as a rent boy, and a sedate, romantic life with the older and more conservative Yen. ... See full summary »
Young Beetle Hobbs wants out of his small town and sees his ticket in Grady Wilson. Set in the desolate Smoky Mountains, Grady has recently left the big city to become the proprietor of a ... See full summary »
David J. Bonner,
After a series of Hollywood flops, famed director Harris Chappell (Jeffrey Tambor) returns to New York to relaunch his Broadway career. But Chappell's triumphant comeback begins to spiral ... See full summary »
A young man named Victor realizes the shortcomings of the Utopian ideals on the hippie commune where he was raised. Victor's mother is funding the commune where the guru Insley hypnotizes ... See full summary »
Mark Boone Junior
With her husband away indefinitely, a young mother struggles to nurture her son in the face of poverty, isolation and incarceration. FLUTTER explores the truest love on earth-the love of a mother and child.
Screwball romance involving a woman (Makkena) who gets fired from her job as a bank teller when her friends arrange for a stripper to appear at the bank for her birthday. She then meets a man (Hickey) whom she had earlier seen jump off a bridge and had assumed had committed suicide. With nothing else to do, she follows him to Texas. Along the way she slowly comes to realize he is gay and is despondent over the AIDS-related death of his former lover. Written by
John Sacksteder <firstname.lastname@example.org>
In the course of 90+ minutes, "Finding North" manages to never develop or execute more than 1-2 believable scenes. While you can sympathize with Travis' grief and Rhonda's frustration, the script is so poorly written and full of nonsensical situations (a male stripper performing in the middle of a bank branch lobby???) that it's impossible to take any part of the film seriously.
Wendy Makkena is way too broad as Rhonda (her Brooklynese belongs in a freshman college acting class), while the talented stage actor John Benjamin Hickey (of "Love, Valour, Compassion!") tries his best to wring something worthwhile out of the increasingly tiresome Travis. Only Molly McClure as Aunt Bonnie (Travis' dead partner's guardian as a child) strikes a note of authenticity in her performance. Her brief appearance has more impact than the rest of the film combined.
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