Emmanuelle and her architect husband continue their amoral lifestyle in the Seychelles. But when a casual dilliance between her and a film director starts to turn serious her husband shows ... See full summary »
Journey with Emmanuelle and the world's most exquisite models deep into the Amazon jungle to the heart of paradise. Beauty can be dangerous and the women soon find themselves captive to a ... See full summary »
Beautiful fashion photographer Emmanuelle (Ludmilla Ferraz) arrives on the beaches of Brazil for a shoot where she'll be working with some of Rio's top supermodels. While on the job, ... See full summary »
Simone de Morais
In order to escape from her former lover Marc, Sylvia goes to Brazil where Dr. Santamo transforms her into the beautiful Emmanuelle. With this new identity comes a sexual awakening which is... See full summary »
[American version.] Emmanuelle has a streak of bad luck that starts when she is stripped by a mob of adoring fans at the Cannes Film Festival. Her rotten luck continues when the dictator of... See full summary »
Dana Burns Westburg
Emmanuelle returns to her husband in Hong Kong and proceeds to have several extramarital affairs -- with his knowledge, of course. Her husband's lover and American guest are both very ... See full summary »
The first portion of this film is a documentary on the adults-only entertainment industry prevelent in London's Soho District. The second details the trials and tribulations of a struggling photographer, his unsatisfied wife, and their friend Emmanuelle, as they try to make it big in Soho. They decide their ticket to success will come by blackmailing a wealthy adult film tycoon. Written by
Jonathan Ruskin <JonRuskin@aol.com>
The only really worthwhile part of this movie is the beginning which is kind of mini-documentary on London's Soho district in the late 70's and early 80's (which was kind of a slightly tamer version of New York City's 42nd Street during that same era). It has one of those ridiculous moralistic-sounding narrators whose prattle about the "vice" in Soho is pretty ironic considering that the makers of this film were as responsible for the "vice" in the Soho of that time as anyone. After the documentary opening, however, the film settles down into a very boring fictional story about a nudie photographer, his wife (Julie Lee), and their close friend "Emanuelle" (Mandy Miller). While the husband and "Emanuelle" plot to take a revenge on a pornographer who has been ripping them off, the wife participates in some kind of all-nude theatrical revue, and the "plot" goes absolutely nowhere from there.
Obviously, this has nothing to do with either the pretentious French "Emmanuelle" series featuring Sylvia Kristel or the sleazy Italian rip-off "Black Emanuelle" series made famous by Laura Gemser and Joe D'Amato. This is instead a strictly British film by English porn magnates David Sullivan and John N. East. Unfortunately, this was made after Mary Millington had committed suicide, Suzy Mandel had gone on to small parts in Hollywood movies ("The Private Eyes") and starring roles in American hardcore features ("Blonde Ambition"), and Anna Bergman had gone back to Sweden to work with her famous father on films like "Fanny and Alexander". So Sullivan and East were reduced to some real "scrubbers" here and/or "actresses" who generally couldn't act their way out of an 8 mm porn loop. Mandy Miller is very bad, and Julie Lee is even worse, but, to be fair, the male actors (including producer East himself) don't fare much better.
The continental films of this era tended to be softcore with hardcore "inserts" featuring none of the original talent. In typical, more puritanical British fashion this is basically just a "nudie" film as far as Miller and Lee are concerned but with softcore sex "inserts" of other anonymous actresses to spice it up (at least by British standards). The problem with a lot of these sex films though, however graphic they are, is that there is literally NOTHING of interest in them beyond the strictly prurient. This is a pretty weak effort compared to both the continental "Emmanuelle"/"Emanuelle" films and also compared to Sullivan and East's earlier modest efforts like "Come Play with Me" and "The Playbirds". Not really recommended.
PS--If you are considering buying the "remastered" DVD of this, keep in mind that the "master" it was re-mastered from is apparently a crappy old VHS tape with tracking problems.
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