| Elizabeth McGovern | ... | Sara Kate | |
| Ernie Hudson | ... | Gaten Hill | |
| Zelda Harris | ... | Clover | |
| Loretta Devine | ... | Everleen | |
| Beatrice Winde | ... | Aunt Katie | |
| Ron Canada | ... | Gaten's brother-in-law | |
| Ntare Guma Mbaho Mwine | ... | Gaten's brother-in-law (as Ntare Mwine) | |
| Nan-Lyn Nelson | |||
| Dennis Neal | ... | Minister | |
| John Archie | ... | Trooper | |
| Terry Allen Jones | |||
| Dan Bright | ... | Doctor | |
| Carole Davis | ... | Carol | |
| Graham Brown | |||
| John Dossett | ... | Chase Porter | |
| Bill Cordell | |||
| Peggy Sheffield | |||
| Rus Blackwell | ... | Police Officer | |
| Kristian Truelsen | ... | Umpire | |
| Mark Brown | ... | White New Yorker | |
| Dana Crawford |
Directed by | |||
| Jud Taylor | |||
Writing credits(WGA) | ||
| Dori Sanders | (novel) | |
| Bill Cain | (teleplay) | |
Produced by | |||
| Njeri Karago | .... | producer | |
| Judi Ann Mason | .... | associate producer | |
| Richard Schlesinger | .... | co-producer | |
Original Music by | |||
| Lawrence Shragge | |||
Cinematography by | |||
| David Connell | |||
Film Editing by | |||
| Ron Wisman | |||
Casting by | |||
| Lynn Kressel | |||
Production Design by | |||
| Leslie Binns | |||
Set Decoration by | |||
| Barbara Peterson-Malesci | (as Barbara Peterson) | ||
Costume Design by | |||
| Donna Berwick | |||
Makeup Department | |||
| Rudolph Eavy III | .... | makeup artist | |
| Vicky Phillips | .... | hair stylist | |
| Carol Rasheed | .... | key makeup artist | |
Production Management | |||
| Felix Olivier | .... | production supervisor | |
| Richard Schlesinger | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| H.H. Cooper | .... | first assistant director | |
| Dale M. Nielsen | .... | second assistant director | |
Art Department | |||
| Stitch Crisp | .... | property master | |
| Michael Edling | .... | construction coordinator | |
| Ron Erdberg | .... | set dresser | |
| Mark Garner | .... | draughtsman | |
| Forrest 'Gil' Gillespie | .... | scenic artist | |
| Hans Hartman | .... | art department coordinator | |
| Robert Kopp | .... | greensman | |
| Jonathan B. Lewis | .... | property master (as Stitch) | |
| Jeffrey Mars | .... | scenic artist | |
| Greyson Miller | .... | lead man | |
| Jimmie Perdue | .... | scenic artist | |
| Manny Serrano | .... | set dresser | |
| Gene Siegmund | .... | carpenter | |
| Frank Sleeman | .... | carpenter | |
| Tim Steinouer | .... | set dresser | |
| Andrew Wert | .... | property assistant | |
| Douglas Winters | .... | carpenter (as Doug Winters) | |
| Dan Stewart | .... | carpenter (uncredited) | |
Sound Department | |||
| David Appleby | .... | sound re-recording mixer | |
| Todd Beckett | .... | sound re-recording mixer | |
| Scott Clements | .... | boom operator | |
| Michele Cook | .... | dialogue editor | |
| Peter J. Devlin | .... | sound | |
| Jim Hopkins | .... | special sound effects editor | |
| Tim O'Connell | .... | sound re-recording mixer | |
Special Effects by | |||
| Walter Kiesling | .... | special effects technician | |
| Steve Lanier | .... | special effects assistant | |
| Michael Schorr | .... | special effects (as Mike Shore) | |
Stunts | |||
| Nick Brandon | .... | stunt coordinator | |
| John Zimmerman | .... | stunt coordinator | |
| Kim Zimmerman | .... | stunt driver | |
Camera and Electrical Department | |||
| Brett Allen | .... | grip | |
| Michael Bonsignore | .... | dolly grip | |
| Jonathan Cupina | .... | grip | |
| Tom Dean | .... | electrician | |
| John Ferguson | .... | gaffer | |
| Chris Fisher | .... | focus puller | |
| Kent Griffin | .... | electrician | |
| Charles 'Tom' Hinson | .... | grip (as Tom Hinson) | |
| Alan Keffer | .... | camera loader | |
| Eric Lee | .... | still photographer | |
| Carson E. Mayne | .... | best boy | |
| Jeff Moore | .... | camera operator | |
| Derek Murphy | .... | electrician | |
| Gil Richardson | .... | grip | |
| Billy Sherrill | .... | key grip | |
| Michael J. Walsh | .... | electrician | |
Casting Department | |||
| Jeff Callender | .... | extras casting | |
| Marcia DeBonis | .... | casting associate | |
| Anna Liza Recto | .... | casting associate | |
Costume and Wardrobe Department | |||
| Claudia Combee | .... | set costumer | |
| Leslie Herman | .... | wardrobe supervisor | |
| Michelle Martini | .... | assistant costume designer | |
Editorial Department | |||
| Paul Whitehead | .... | assistant editor | |
Music Department | |||
| Richard Bronskill | .... | orchestrator | |
| Jeff Wolpert | .... | scoring mixer | |
Transportation Department | |||
| Danny Mortenson | .... | transportation coordinator | |
| Gary Thornton | .... | transportation captain | |
| Doug Wilson | .... | transportation co-captain | |
Other crew | |||
| Jeff Britt | .... | production assistant | |
| Kirsten Cobb | .... | production assistant | |
| Jeff Coopwood | .... | adr voice | |
| Maddy Elles-Hill | .... | location assistant | |
| Jason Gage | .... | production assistant | |
| John Garrett | .... | location manager | |
| Emilie Gibbs | .... | production coordinator | |
| Jim Grooms | .... | location assistant | |
| Sarah Gyllenstierna | .... | production assistant | |
| Elisia Harkins | .... | production assistant | |
| Joi Lee | .... | coach: Ms. Harris | |
| Jan Nizen | .... | production accountant | |
| Julie Oppenheimer | .... | script supervisor | |
| John Pierce | .... | production assistant | |
| Shronda Settle-Caudle | .... | assistant production coordinator | |
| Cheeba White | .... | craft service | |
| Tammy Blackburn | .... | animal trainer (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
At this point in time one must wonder what Zelda Harris is doing, for her performance in this movie is nothing short of outstanding. Similarly, and despite the potentially awkward ethereal plot device, delicately handled by Jud Taylor, Elizabeth McGovern delivers convincingly and makes talking to herself naturally believable.
Showing it's age, and McGovern's performance as a White Woman is at times uncomfortably (maybe even realistically) stiff, this movie excels in its great story, controlled direction, and strong character performances.
Seven out of Ten, for slightly diminished social relevance eleven years after its release date, but high marks for production, performances, and heart-warming interpersonal relationships.