Homer is an orphan in remote St. Cloud, Maine. Never adopted, he becomes the favorite of orphanage director Dr. Larch, who imparts his full medical knowledge on Homer, who becomes a skilled, albeit unlicensed, physician. But Homer yearns for a self-chosen life outside the orphanage. When Wally and pregnant Candy visit the orphanage Dr. Larch provides medically safe, albeit illegal, abortions Homer leaves with them to work on Wally's family apple farm. Wally goes off to war, leaving Homer and Candy alone together. What will Homer learn about life and love in the cider house? What of the destiny that Dr. Larch has planned for him? Written by
Martin Lewison <MLewison@utk.edu>
The orphan that gets into the pie dough and eats all of it and is shown throwing up all over the orphanage is named 'Steerforth'. Steerforth is the name of one of the main character's friends in the Charles Dickens book "David Copperfield" which Homer reads to the children in their bedroom. See more »
As Wally and Candy arrive at the orphanage, Curly can be seen running down the steps to approach their car. He looks as if he's helping to open the door, directly in front of Candy. However in the next shot Curly's seen running in from the left to introduce himself to Candy. See more »
[Opening narration; a couple of snippets of interspersed dialog are omitted]
Dr. Wilbur Larch:
In other parts of the world young men leave home and travel far and wide in search of a promising future. Their journeys are often fueled by dreams of triumphing over evil, finding a great love, or the hopes of fortunes easily made. Here in St. Cloud's not even the decision to get off the train is easily made, for it requires an earlier, more difficult decision - add a child to your life, or leave one ...
[...] See more »
King Kong, Original 1933 Score
("The Snake", "The Bird", "The Swimmers")
Composed by Max Steiner
Performed by The Moscow Symphony,
Conducted by William T. Stromberg
Published by Bourne Co. (ASCAP)
Courtesy of NAXOS of America See more »
This is one of my favourite films (if not my favourite), so I cannot be altogether objective, but I must say I find it an eye-opener. It's a lesson on tolerance carried out by a really talented cast and crew.
Everyone fits in his/her role, although the movie is more Maguire's than anyone else's. He's definitely a natural, and while other actors in the business try to impress the audience and make the most to show their talent, Maguire acts with subtlety and thoughtfulness.
The film might seem a bit slow for some people accustomed to more pacey and epic films. However, those who have read the novel will realize just how fast everything goes.
Rachel Portman's score is truly beautiful: probably one of her best.
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