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The Big One (1997)

PG-13  |   |  Documentary, Comedy, Crime  |  10 April 1998 (USA)
7.1
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Ratings: 7.1/10 from 6,736 users  
Reviews: 38 user | 40 critic

On his book tour, Michael Moore exposes more wrongdoing by greedy big businesses and callous politicians around America.

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Cast

Credited cast:
...
Himself
Rest of cast listed alphabetically:
Elaine Bly ...
Herself - Random House Media Escort
Dan Burns ...
Himself - Radio Personality
Chip Carter ...
Himself - Forbes Campaign
...
Himself - Presidential Candidate (archive footage)
Jim Czarnecki ...
Himself (as Jim)
Brian Danitz ...
Himself (as Brian)
Robert Dornan ...
Himself - Congressman (archive footage)
Joel Feick ...
Himself - Radio Commentator
Steve Forbes ...
Himself - Presidential Candidate (archive footage)
Doug France ...
Himself - Random House Representative
Mary Gielow ...
Herself - Media Escort in Milwaukee
Bev Jacowski ...
Herself, Johnson Controls representative
Richard Jewell ...
Himself - Innocent Guy
Kevin Keane ...
Himself - Governor Thompson's Press Secretary
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Storyline

Our intrepid defender of the working man, Michael Moore, documents his 1996 "Downsize This!" book tour across the USA. Shot on-the-cheap with a video camera, we once again watch our hero interview the working man at yet another plant closing, while also trying to get past corporate security guards to interview the millionaire CEOs. Written by Tim G. <kas@interlog.com>

Plot Summary | Add Synopsis

Taglines:

I WANT YOU to help me kick corporate America's &*%! See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some strong language | See all certifications »
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Details

Official Sites:

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Country:

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Language:

Release Date:

10 April 1998 (USA)  »

Also Known As:

Cortando Custos  »

Filming Locations:

 »

Box Office

Opening Weekend:

$146,909 (USA) (10 April 1998)

Gross:

$649,370 (USA) (8 May 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the time elapsed since this film was made, Media Play, where Michael does one of his signings, has since gone out of business. See more »

Quotes

Audience Member: You should run for President! It would send a message!
Michael Moore: What message? Eat out more often?
See more »

Crazy Credits

Credits are interrupted with scenes concluding previous parts of the film, including a final appeal to the CEO of Nike to open a factory in the U.S. or pay Indonesians a living wage. See more »

Connections

References The X-Files (1993) See more »

Soundtracks

Mud Flap Boogie
(1990)
Performed by The World Famous Blue Jays
Written by Jay Sherman-Godfrey (as J. Sherman-Godfrey) & Jeremy Tepper (as J. Tepper)
Courtesy of Diesel Only Records
By kind permission of Kalamakeepsie Music/Rig Rock Songs, BMI administered by Bug
See more »

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User Reviews

 
Moore doesn't address the broader revolutions that would be required to make his ideas stick
12 October 1999 | by (toronto) – See all my reviews

The movie is frequently reminiscent of Letterman, visiting corporate headquarters with silly stunts - there's no way for the victims to win; even when they play along, as Phil Knight tries to, there's no room for rational argument. Moore is pretty engaging and energetic, but it soon becomes apparent that his movie has little ambition other than to string together such diverting moments and to hammer away at the main anti-downsizing theme. Astonishing that everyone makes the opposing case so poorly - it's a walk over; an overwhelming victory for the Forces Of Good. But Moore doesn't address the broader revolutions that would be required to make his ideas stick - the corporate heads are surely culpable, but if they didn't play along they'd be fired: it's investment-obsessed America (Beardstown Ladies and all) that keeps this crazy cycle going. Moore has a great gift for getting into the middle of activity and is a great raconteur, but for someone so relentlessly pure on hammering at the same anti-capitalist drum he leaves his own success conspicuously unexamined. The ragbag style is always entertaining though and the film has an appealing zippy pace - reservations aside, the uncertain encounter with Knight makes for a good climax.


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