| Photos (See all 13 | slideshow) | Videos (see all 2) |
| Natasha Gregson Wagner | ... | Lou | |
| Heather Graham | ... | Carla | |
| Angel David | ... | Tommy | |
| Frederique Van Der Wal | ... | Carol | |
| Robert Downey Jr. | ... | Blake |
Directed by | |||
| James Toback | |||
Writing credits(WGA) | ||
| James Toback | (written by) | |
Produced by | |||
| Daniel Bigel | .... | executive producer | |
| Chris Hanley | .... | producer | |
| Michael Mailer | .... | executive producer | |
| Gretchen McGowan | .... | line producer | |
| Edward R. Pressman | .... | producer | |
Cinematography by | |||
| Barry Markowitz | |||
Film Editing by | |||
| Alan Oxman | |||
Casting by | |||
| Sheila Jaffe | |||
| Georgianne Walken | |||
Production Design by | |||
| Kevin Thompson | |||
Set Decoration by | |||
| Alisa Grifo | |||
Makeup Department | |||
| Chris Bingham | .... | assistant hair stylist | |
| Chris Bingham | .... | assistant makeup artist | |
| Meredith Soupios | .... | key hair stylist | |
| Meredith Soupios | .... | key makeup artist | |
Production Management | |||
| Wendi Friedman | .... | executive in charge of production: Pressman, L.A. | |
| Jordan Gertner | .... | executive in charge of production: Muse (as Jordon Gertner) | |
| Erin O'Rourke | .... | executive in charge of production: Pressman, N.Y. | |
| Timothy Wayne Peternel | .... | executive in charge of production: Muse (as Timothy W. Peternel) | |
| Pamela Thur | .... | unit production manager | |
| Robert Warmflash | .... | post-production supervisor | |
| Gregory G. Woertz | .... | executive in charge of production (uncredited) | |
Art Department | |||
| Whitney Delgardo | .... | set dresser | |
| Anthony Gasparro | .... | prop master | |
| Charles Lassiter | .... | artist: paintings by | |
| Andrea Stanley | .... | set dresser | |
Sound Department | |||
| Paul Drenning | .... | adr engineer: Los Angeles | |
| Ben Jacob | .... | production mixer (as Itamar Ben Jacob) | |
| Stanley Kastner | .... | sound re-recording mixer | |
| William Markle | .... | sound post-production mixer (as Bill Markle) | |
| William Markle | .... | supervising sound editor (as Bill Markle) | |
| Brian Miksis | .... | production mixer | |
| Steven J. Rogers | .... | boom operator (as Steve Rogers) | |
| David Rovin | .... | assistant sound editor | |
| Ted Swanscott | .... | adr engineer: London (as Ted Swampscott) | |
| Joe Zito | .... | boom operator | |
Stunts | |||
| Danny Aiello III | .... | stunt coordinator (as Danny Aiello Jr.) | |
Camera and Electrical Department | |||
| Myles Aronowitz | .... | still photographer | |
| Carlos Bible | .... | camera production assistant | |
| Steve Blazo | .... | still photographer | |
| Rick Compeau | .... | additional grip | |
| Addison Cook | .... | daily grip | |
| Randy Gallagher | .... | swing | |
| Rob Koch | .... | first assistant camera (as Robert Koch) | |
| John P. McCabe | .... | gaffer (as John McCabe) | |
| Stian Nilsen | .... | key grip | |
| James Thorne | .... | best boy electric | |
| Carlos Torruella | .... | second assistant camera | |
Casting Department | |||
| Carmel Kubasik | .... | casting associate | |
Costume and Wardrobe Department | |||
| Renata Chaplynsky | .... | wardrobe | |
Editorial Department | |||
| Sean Campbell | .... | apprentice editor | |
| Charlene Hamer | .... | associate editor (as Char Hamer) | |
| Fred Hyde | .... | color timer | |
| Patricia Sztaba | .... | negative matchback | |
| Stan Sztaba | .... | negative matchback (as Stan) | |
| Joe Violante | .... | advisor: Technicolor | |
Music Department | |||
| Gwen Bethel | .... | music clearances: Clear Music | |
| Barry Cole | .... | music supervisor | |
| Louise Hammar | .... | assistant music supervisor (as Louise Hammer) | |
Transportation Department | |||
| Christopher Kornak | .... | transportation coordinator | |
| Marcus Osborne | .... | talent driver | |
Other crew | |||
| Andrea Ashton | .... | assistant production coordinator | |
| Celine Beitchman | .... | office production assistant | |
| Joe Bilella | .... | manager: Robert Downey Jr. | |
| Anthony Boas | .... | assistant location manager | |
| Eileen Cabiling | .... | production coordinator | |
| Carlos Davila | .... | set production assistant | |
| Catherine Gore | .... | script supervisor | |
| Earl Hightower | .... | assistant: Robert Downey Jr. | |
| James A. Janowitz | .... | legal counsel: Pryor, Cashman, Sherman & Flynn | |
| Roger Kass | .... | legal counsel: Pryor, Cashman, Sherman & Flynn | |
| Richard Mancuso | .... | production accountant | |
| Stuart Miller | .... | production assistant: N.Y. (as Stuart Ian Miller) | |
| Patricia Moreno | .... | choreographer | |
| Angelica Munson | .... | executive assistant: Mr. Pressman, N.Y. | |
| Jeannene Orofino | .... | office intern | |
| Karen Robson | .... | legal counsel: Pryor, Cashman, Sherman & Flynn | |
| Laurie Rodia | .... | office intern | |
| Sam Rohn | .... | location scout (as Samuel J. Rohn) | |
| Mary Elizabeth Rusnak | .... | office intern | |
| Abigail Ruth | .... | craft service | |
| Tibi Scheflow | .... | location scout | |
| Vincent Taylor | .... | parking coordinator | |
| Kim Vasquez | .... | office intern | |
| W. Wilder Knight II | .... | legal counsel: Pryor, Cashman, Sherman & Flynn | |
| Maria Christina Williams | .... | payroll master (as Maria-Christian Williams) | |
| Emily Zalenski | .... | executive assistant: Mr. Pressman, L.A. | |
| Paige-Leigh Zazzali | .... | production secretary | |
Thanks | |||
| Beverly Bentley | .... | special thanks | |
| Roberta Brambilla | .... | special thanks | |
| Gabriel Dadoit | .... | special thanks | |
| Wendy Kreloff | .... | special thanks | |
| Bob Mastronardi | .... | special thanks (as Bob Mastonardi) | |
| Annie Pressman | .... | special thanks | |
| Lynn Pressman-Raymond | .... | special thanks (as Lynn Pressman Raymond) | |
| Topper Quinn | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
...which was good, but a little of nothing goes a long way. It had some potential, but everyone in the movie was so repellent (even though Downey was made to be the real bad guy) it was difficult to appreciate. The sex scene (which garnered the NC-17) was unbelievable; even laughter wouldn't be possible if someone went experienced the trauma that the characters went through. I think the whole point of it, despite so little of such, was to shock.
I don't know. You decide.