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| Kevin Gage | ... | Mike Gage | |
| Elizabeth Peña | ... | Toni Gage | |
| Brett Harrelson | ... | Steve Christian | |
| Robert Englund | ... | Jackson Roth | |
| Linda Cardellini | ... | Genevieve Gage | |
| Tucker Smallwood | ... | Captain Churchill Robbins | |
| Ivonne Coll | ... | Rose Stravelli | |
| Amy Smart | ... | Angela Stravelli | |
| Dee Snider | ... | Captain Howdy / Carleton Hendricks | |
| Amal Rhoe | ... | Tiana Moore | |
| Robert LaSardo | ... | Matt Myers | |
| Andrew Cooper | ... | Victim Bob (as Andy Cooper) | |
| Archie Smith | ... | Elderly Man | |
| Lois Hicks | ... | Mental Institution Nurse | |
| Carey Westbrook | ... | Sam the Orderly (as Carey Louis Westbrook) | |
| Jillian McWhirter | ... | Carol Anne Chalmers-Perez | |
| Pat Mahoney | ... | Wade Forrester | |
| Lisa Nelson | ... | Reporter #1 | |
| Sheila Ivy Traister | ... | Reporter #2 | |
| Barbara Champion | ... | Sunny MacIntosh | |
| Leslie Wing | ... | Madeline Roth | |
| Xanthe Cook | ... | Kelly Roth | |
| John Lindsey | ... | Newscaster | |
| Laurence Curry | ... | Patrolman Young (as Laurence A. Curry) | |
| Mark Bailey | ... | E.M.T. Dan Hauser | |
| rest of cast listed alphabetically: | |||
| Bob Abuse | ... | BiLE (Band) | |
| Jaymz Alexander | ... | BiLE (Band) | |
| R.H. Bear | ... | BiLE (Band) | |
| Lisa Crosato | |||
| Larry Curry Jr. | ... | Patrolman Young (as Laurence A. Curry) | |
| Krsztoff | ... | BiLE (Band) | |
| Fort LaCourt | ... | BiLE (Band) | |
| J. Cooch Lucchese | ... | BiLE (band) | |
| Brett Pirozzi | ... | BiLE (Band) | |
| Sin-D | ... | BiLE (Band) | |
| Michael Herst | ... | Patrolmen Harris (uncredited) | |
Directed by | |||
| John Pieplow | |||
Writing credits(in alphabetical order) | ||
| Dee Snider | writer | |
Produced by | |||
| David L. Bushell | .... | producer | |
| Joseph J. DiMartino | .... | executive producer | |
| Larry Meistrich | .... | executive producer | |
| Dee Snider | .... | producer | |
Original Music by | |||
| Anton Sanko | |||
Cinematography by | |||
| Goran Pavicevic | |||
Film Editing by | |||
| Jeff Kushner | |||
| Joe Woo Jr. | |||
Casting by | |||
| Lee Ann Groff | |||
Production Design by | |||
| Debbie DeVilla | |||
Art Direction by | |||
| Charles Kulsziski | |||
Set Decoration by | |||
| Lydia Marks | |||
Costume Design by | |||
| Jillian Kreiner | |||
Makeup Department | |||
| Michael Burnett | .... | special makeup effects artist | |
| Michael J. Chaille | .... | special makeup effects shop foreman | |
| Rebecca Gifford | .... | key makeup artist | |
| Sabine Roller | .... | key hair stylist | |
| Brett Stern | .... | special makeup effects artist | |
| Jeff Tatman | .... | makeup designer | |
| Jeff Tatman | .... | special makeup effects artist | |
Production Management | |||
| Ray Angelic | .... | unit production manager | |
| David L. Bushell | .... | unit production manager | |
| Peter T. DaPuzzo | .... | unit manager | |
| Jamey Pryde | .... | post-production supervisor | |
Art Department | |||
| Jo Ann Bender | .... | set dresser | |
| Max Biscoe | .... | art director: re-shoots | |
| Paula Davenport | .... | painter | |
| Chris DesMarais | .... | property master | |
| Chris Dysart | .... | scenic artist | |
| David Hedge | .... | construction coordinator | |
| Ari Krepostman | .... | intern | |
| Lisa McElroy | .... | set dresser | |
| John Monroe | .... | carpenter | |
| Janine Pesce | .... | assistant property master | |
| Renye Rees | .... | scenic artist | |
| Tony Smusz | .... | set dresser | |
| Laura VanTine | .... | storyboard artist | |
Sound Department | |||
| Eric A. Christoffersen | .... | stereo sound consultant: Dolby (as Eric A. Christofferson) | |
| Ajae Clearway | .... | assistant sound editor | |
| Ryan Collison | .... | foley artist | |
| Thomas A. Gulino | .... | foley editor | |
| Bobby Johanson | .... | adr engineer | |
| Gabriel Kitinski | .... | sound mixer | |
| Peter Kitinski | .... | boom operator | |
| George A. Lara | .... | foley engineer | |
| George A. Lara | .... | foley mixer | |
| Lisa J. Levine | .... | adr editor | |
| Eric McAllister | .... | editing room assistant | |
| James H. Nau | .... | sound effects editor | |
| Mary Ellen Porto | .... | dialogue editor | |
| Jacob Ribicoff | .... | adr editor | |
| Ahmad Shirazi | .... | supervising sound editor (as Maddy Shirazi) | |
| Dominick Tavella | .... | sound re-recording mixer | |
| Brian Vancho | .... | foley artist | |
| Ananda Yorty | .... | sound intern | |
Special Effects by | |||
| Dan Gates | .... | special effects makeup | |
| Tuck John Porter | .... | special effects lab technician | |
| Dirk Rogers | .... | special effects technician: M.B.P production | |
| Dirk Rogers | .... | lab technician: M.B.P. (uncredited) | |
Stunts | |||
| Matthew R. Anderson | .... | stunt double: Kevin Gage | |
| Perry Barndt | .... | utility stunts | |
| Michael Lee Baron | .... | stunt coordinator | |
| John Blenkhorn | .... | utility stunts | |
| John Cade | .... | assistant stunt coordinator | |
| Warren A. Stevens | .... | utility stunts | |
| Robert Wood | .... | stunt double: Howdy (as Bob Wood) | |
Camera and Electrical Department | |||
| Randy Allen | .... | grip | |
| William Ambrose | .... | best boy grip | |
| John Blenkhorn | .... | Steadicam operator | |
| Daryl Didier | .... | electrician | |
| Tom Fendley | .... | best boy electric | |
| Anthony Gotta | .... | gaffer: additional photography | |
| Jeff Hall | .... | gaffer | |
| Billy Holdson | .... | additional assistant camera | |
| Kevin Kansy | .... | grip | |
| Sanjay Kapoor | .... | first assistant camera | |
| Alexandra Kravetz | .... | second assistant camera | |
| Richard A. Ludt | .... | key grip | |
| David S. Marfield | .... | videographer | |
| Gene Page | .... | still photographer | |
| David Quint | .... | remote camera operator | |
| David A. Seekins | .... | second assistant camera | |
| Jessie Shows | .... | additional assistant camera | |
Casting Department | |||
| Mark Bailey | .... | extras casting | |
| David Heber | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Houston Sams | .... | assistant costume designer (as C. Houston Sams) | |
Editorial Department | |||
| Craig Cobb | .... | additional assistant editor | |
| Vivian Hengsteler | .... | negative cutter | |
| Paul Leonardo Jr. | .... | post-production coordinator | |
| Nadine Finzi Maybruck | .... | assistant editor | |
| Dan Muscarella | .... | color timer | |
| Michael Struk | .... | additional assistant editor | |
| Joe Woo Jr. | .... | additional editor | |
Music Department | |||
| Gwen Bethel | .... | music clearances | |
| Phil Carson | .... | executive in charge of music | |
| Louis Cerborino | .... | music editor | |
| Barry Cole | .... | music supervisor | |
| Denny McNerney | .... | score mixer | |
| Denny McNerney | .... | score recordist | |
| Gordon Minette | .... | orchestrator | |
Transportation Department | |||
| Dale Moser | .... | transportation coordinator | |
Other crew | |||
| Keith Alexander | .... | piercing consultant | |
| Liz Augustine | .... | body double: Linda Cardellini | |
| Sarah J. Brown | .... | script supervisor | |
| Leonard John Bruno | .... | promotions | |
| Andrea F. Cannistraci | .... | production legal | |
| Elaine Diamond | .... | computer graphic artist | |
| Steven T. Duke | .... | assistant location manager (as Steven Duke) | |
| Bill Greenfield | .... | set production assistant: re-shoots | |
| Susan Hartmann | .... | assistant production coordinator | |
| Elizabeth Holt | .... | production intern | |
| Jonathan Manzo | .... | location manager | |
| David S. Marfield | .... | writer/director: "porno" footage | |
| Robert Ortiz | .... | production coordinator | |
| David Pollack | .... | unit publicist | |
| Michael Rath | .... | production accountant | |
| Christopher I. Russell | .... | assistant production accountant | |
| Mary Sunshine | .... | post-production accountant | |
| Spring Sutter | .... | assistant post-production accountant | |
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That Twisted Sister's Dee Snyder wrote and produced this may have turned some people off from even giving it a try. It's also in no small part inspired by The Silence of the Lambs (from which it steals at least one scene) and Se7en, and as with other movies that have taken inspiration from those movies, such as 8mm, Feardotcom and Saw, took some flak for that too. The title is a stumper, I don't know what it means and it doesn't seem to suit the movie well. The shocking cover image is well chosen, though it might surprise some that a person's mouth sewn shut could be found in the opening scene of a movie from the early 1930s, Murders in the Zoo.
In truth, it's not all that bad. A young woman is lured to a party through an online chatroom and an IM from "Captain Howdy," and her friend turns up dead with signs of body modification-inspired torture. A large septum piercing found in the trunk of her car provides a clue (I didn't understand how it could have been accidentally left, or why it would have been planted). The cop learns a bit about "modern primitives" (I think there's a shot from the RE/ Search book of that name) and online chatrooms, still a danger to the unwary today.
Somewhat surprisingly, partway into the movie we get a "four years later" intertitle, and the discovery of a second set of victims seems awfully convenient. The ending confrontation is disappointing.
There are nods to other movies as well, as when a group of neighbors tries to lynch the bad guy, led by Jack (Robert Englund). This is quite reminiscent of the lynching of Freddie Krueger (Robert Englund again) by his neighbors in the Nightmare on Elm Street backstory.
I saw the version on video, and am not sure how the unrated DVD might differ.