When a man (Robbins) believes he has discovered that his wife is having an affair with his boss, it sets off a chain reaction of events. First he wanders into a ghetto where a robber (... See full summary »
John C. McGinley
Ed Lover and Doctor Dre are two inept barbers. Deciding that maybe they ought to find another line of work, they join the police. A big mistake, as far as their duty sergeant, Sgt Cooper is... See full summary »
Terry is an up and coming comedian, but believes politics will get him the big breaks and more time at the popular Dukie's Comedy Club. Just so happens that Terry is 'sleeping' with Ruby ... See full summary »
Dr. RJ Stevens is a talk show host who visits his family in the deep south. While there he reunites with his brother Otis, his sister Betty, his cousin/rival Clyde and his childhood love interest Lucinda Allen.
Malcolm D. Lee
James Earl Jones
In the mid-1990s, two inmates bury the burned bodies of two lifers at Mississippi's infamous Parchman Farm; a third old-timer relates their story. They'd served 65 years for a murder they didn't commit, framed by a local sheriff while buying moonshine whiskey for a Manhattan club owner to whom they owed money. In flashbacks we see this odd couple thrown together (Ray is a fast-talking con man, and Claude is a serious man about to start work as a bank teller), the loss of Ray's watch (sterling silver, from his daddy), the murder and trial, the hardships of Parchman, and the love-hate relationship of Claude and Ray as they spend 65 years bickering and looking for a way to escape. Written by
In the scene when Ray(Eddie Murphy) and Claude(Martin Lawrence) were interrogated, Claude said, "Whats the worse that could happen". Later in 2001, Martin Lawrence starred in a comedy film titled Whats The Worst That Could Happen(2001). See more »
In the scene where Jangle Leg introduces himself to Claude, they are seated beside each other with Ray sitting beside Jangle Leg. Then the camera switches to a shot of Ray. If you look below Ray you can see Jangle Leg seated below him. See more »
You don't want me to come down there. I ain't nice like the boss; I'll slap the black off your ass! Get to work!
See more »
Bloopers are shown during the closing credits. See more »
I cannot even begin to count how many `comedies' I have sat through that try to reach for the `timeless' formula by interjecting some lame dramatics to engage the audience even more than the comedy ever could. It's a practice as old as time in Hollywood. Most of these movies fail miserably.
You leave the theater thinking `It was funny enough, why couldn't it just stay silly?' My friends, I'm with you on every page. It's a slippery slope to juggle the two genres.
`Life' is the millionth attempt at warm-hearted comedy. It tries to make you pee your pants with its jokes, and yet slap your emotions around with the drama. And damn the odds, it fits like a glove. `Life' is also a film that defies much criticism. You either love stars Eddie Murphy and Martin Lawrence, or you don't. I'm in the first category. As the main characters, the two comedians prove just how valuable they are. Murphy is coming off a uniquely horrific year. `Dr. Dolittle' was a smash, but a career setback to say the least. `Holy Man' was an unmitigated disaster, but one that didn't effect Murphy with any real damage. The greatest gift `Life' gives to Murphy is a chance to show off range. Murphy is a very talented actor, and this movie makes you wish he would try a straight drama for once. Murphy can be devastatingly funny. But he can also be very dramatically convincing. With each new movie, Murphy grows as an actor. I really think he's set for brighter things. Martin Lawrence shares many of the same attributes as Murphy. He's terribly funny, and yet able to win your heart with a depth most comedians don't have. `Life' has Lawrence with the quieter role. He uses that chance to provide the film with a backbone. He eventually comes out the best rounded character in the fractured storytelling. It's a good performance, but even better, it's a brilliant pairing with Eddie Murphy. The two are seamlessly funny. Squeezing every moment for comic and emotional juice. It's refreshing to watch a movie with two actors who seem to be trying something different, all the while living up to previous expectations. Ted Demme is a solid director, a thought that immediately puts me in the minority. His `Who's The Man?' was a strictly silly romp, but was actually funny. `The Ref' was the critically lauded and sharp black comedy. `Beautiful Girls' is a film that every time I sit down to watch, feels as comfortable as an old cardigan. He's yet to falter in my eyes. I like his attention to detail, and his gift for trusting his actors. `Life' wouldn't work as well as it does without a specific amount of direction and free will. Demme manages to keep the film on track without ever succumbing to an over-reliance on improv. The best scenes in `Life' are the quiet ones: the gay inmate who's release from prison provides a dilemma, the passage of time montage, and Lawrence's moment with the freshly baked pies(which is actually comical, but who's counting?). The film seems like it was longer at one point, but the film on display here really pleased me. I would recommend this film to anybody that has lost faith in Eddie Murphy.------------- 9
28 of 38 people found this review helpful.
Was this review helpful to you?