A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ... See full summary »
"Sugar" Ray is the owner of an illegal casino, who contend with the pressures of vicious gangster and corrupt policemen who want to see him go out of business. In the world of organized ... See full summary »
Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out... See full summary »
Maximillian is the only survivor from a race of vampires on a Caribbean Island, and as a vampire, he must find a mate to keep the line from ending. He knows that a child had been born to a ... See full summary »
Professor Sherman Klump is getting married. And the Klump family could not be more delighted for him. But Buddy Love, his Mr. Hyde alter-ego from the first film, is back and trying to make ... See full summary »
In the mid-1990s, two inmates bury the burned bodies of two lifers at Mississippi's infamous Parchman Farm; a third old-timer relates their story. They'd served 65 years for a murder they didn't commit, framed by a local sheriff while buying moonshine whiskey for a Manhattan club owner to whom they owed money. In flashbacks we see this odd couple thrown together (Ray is a fast-talking con man, and Claude is a serious man about to start work as a bank teller), the loss of Ray's watch (sterling silver, from his daddy), the murder and trial, the hardships of Parchman, and the love-hate relationship of Claude and Ray as they spend 65 years bickering and looking for a way to escape. Written by
Ray and Claude arrive at the Mississippi prison in 1932. They spend give 65 years in jail, meaning the last year the movie takes place in is 1997. And Ray says in that year that he's 90 years old, meaning he was born in 1907 (Claude was also probably born in that year or somewhere close to it). So they were 25 when they came to jail, 37 when they are shown in the 1944, and 65 when they are shown in 1972. See more »
About halfway through the film, the prisoners are watching a newsreel about World War II. After that, Can't Get Right arrives, and is scouted by the Pittsburgh Crawfords. The team existed from 1930-1938, three years before the US entered World War II. See more »
You don't want me to come down there. I ain't nice like the boss; I'll slap the black off your ass! Get to work!
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Bloopers are shown during the closing credits. See more »
I cannot even begin to count how many `comedies' I have sat through that try to reach for the `timeless' formula by interjecting some lame dramatics to engage the audience even more than the comedy ever could. It's a practice as old as time in Hollywood. Most of these movies fail miserably.
You leave the theater thinking `It was funny enough, why couldn't it just stay silly?' My friends, I'm with you on every page. It's a slippery slope to juggle the two genres.
`Life' is the millionth attempt at warm-hearted comedy. It tries to make you pee your pants with its jokes, and yet slap your emotions around with the drama. And damn the odds, it fits like a glove. `Life' is also a film that defies much criticism. You either love stars Eddie Murphy and Martin Lawrence, or you don't. I'm in the first category. As the main characters, the two comedians prove just how valuable they are. Murphy is coming off a uniquely horrific year. `Dr. Dolittle' was a smash, but a career setback to say the least. `Holy Man' was an unmitigated disaster, but one that didn't effect Murphy with any real damage. The greatest gift `Life' gives to Murphy is a chance to show off range. Murphy is a very talented actor, and this movie makes you wish he would try a straight drama for once. Murphy can be devastatingly funny. But he can also be very dramatically convincing. With each new movie, Murphy grows as an actor. I really think he's set for brighter things. Martin Lawrence shares many of the same attributes as Murphy. He's terribly funny, and yet able to win your heart with a depth most comedians don't have. `Life' has Lawrence with the quieter role. He uses that chance to provide the film with a backbone. He eventually comes out the best rounded character in the fractured storytelling. It's a good performance, but even better, it's a brilliant pairing with Eddie Murphy. The two are seamlessly funny. Squeezing every moment for comic and emotional juice. It's refreshing to watch a movie with two actors who seem to be trying something different, all the while living up to previous expectations. Ted Demme is a solid director, a thought that immediately puts me in the minority. His `Who's The Man?' was a strictly silly romp, but was actually funny. `The Ref' was the critically lauded and sharp black comedy. `Beautiful Girls' is a film that every time I sit down to watch, feels as comfortable as an old cardigan. He's yet to falter in my eyes. I like his attention to detail, and his gift for trusting his actors. `Life' wouldn't work as well as it does without a specific amount of direction and free will. Demme manages to keep the film on track without ever succumbing to an over-reliance on improv. The best scenes in `Life' are the quiet ones: the gay inmate who's release from prison provides a dilemma, the passage of time montage, and Lawrence's moment with the freshly baked pies(which is actually comical, but who's counting?). The film seems like it was longer at one point, but the film on display here really pleased me. I would recommend this film to anybody that has lost faith in Eddie Murphy.------------- 9
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