6.7/10
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125 user 75 critic

Life (1999)

In 1932, two strangers are wrongfully convicted and develop a strong friendship in prison that lasts them through the 20th century.

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Nominated for 1 Oscar. Another 1 win & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Goldmouth (as Michael 'Bear' Taliferro)
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Can't Get Right
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Superintendant Abernathy
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Storyline

In the mid-1990s, two inmates bury the burned bodies of two lifers at Mississippi's infamous Parchman Farm; a third old-timer relates their story. They'd served 65 years for a murder they didn't commit, framed by a local sheriff while buying moonshine whiskey for a Manhattan club owner to whom they owed money. In flashbacks we see this odd couple thrown together (Ray is a fast-talking con man, and Claude is a serious man about to start work as a bank teller), the loss of Ray's watch (sterling silver, from his daddy), the murder and trial, the hardships of Parchman, and the love-hate relationship of Claude and Ray as they spend 65 years bickering and looking for a way to escape. Written by <jhailey@hotmail.com>

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Comedy | Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong language and a shooting | See all certifications »

Parents Guide:

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Details

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Release Date:

16 April 1999 (USA)  »

Also Known As:

Até que a Fuga os Separe  »

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Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend USA:

$20,414,775, 18 April 1999, Wide Release

Gross USA:

$63,844,974, 8 August 1999

Cumulative Worldwide Gross:

$73,521,587
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When Ray and Claude are standing on a box of bottles, Claude mentions that a one of his toes has slipped into one of them. This actually happened during the take, but Martin Lawrence kept going, despite Eddie Murphy's laughing, which is genuine. See more »

Goofs

When Winston Hancock cuts Sheriff Pike's face, the cut goes from his ear towards his mouth. Later, when the sheriff meets Ray and Claude, the bandage is vertical, going from below his eye to the side of his jaw. See more »

Quotes

Claude Banks: You know, I'm finally starting to wrap my mind around this shit. We're in here for life. We're gonna die in here! We might as well go up to the cometary, picks out a plot and start digging.
Rayford Gibson: Now, you listen to me. My daddy died in a place just like this cause of that shit you're talking about. He gave up hope and he hung hisself! And I'm not going out like that!
Claude Banks: Well, maybe you're just a chip off the old block, Ray.
Rayford Gibson: You take that back or we're no longer friends.
Claude Banks: News flash, Ray! We ain't never ...
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Crazy Credits

Bloopers are shown during the closing credits. See more »

Connections

Referenced in Bad Girls: Episode #6.4 (2004) See more »

Soundtracks

Fortunate
Written and Produced by R. Kelly
Performed by Maxwell
Courtesy of Columbia Records
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Frequently Asked Questions

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User Reviews

 
Life is a serious matter
30 June 2001 | by See all my reviews

After reading the user comments on this movie, it appears that the main complaint is that it is not the rollicking laugh-a-minute comedy that fans of the two leads expected. Once you let that expectation go, this is a great movie! It succeeds as a drama with comic tone. There have been some great ones that do this, and we mistakenly classify them as comedies. For example, M*A*S*H, Mr. Roberts, It's a Wonderful Life. These are pictures that provide comic overtones to people struggling to get through a very serious and overwhelming event: war, contemplated suicide, and in the case of Life, life imprisonment.

I was surprised at how good Murphy is in this flick.Not one of my favorites, he convinces as he ages and grows under the burden his character carries, that of an entire life stolen from him. And he survives with a certain dignity. Lawrence is almost as good, but he does labor a bit with the dramatic parts, seeming a bit uncomfortable shedding his comic bent. Note that when these characters are shown as old men, Murphy actually becomes an old man, Lawrence is still a young man in oldster's make-up.

Let's not overlook an interesting small role expertly understated by Ned Beatty, and the charm of Bokeem Woodbine as Can't Get Right. Life is well-mounted and the sets are as convincing as any I've seen. Comedies are rarely as dirty and sweaty as this movie.

I thoroughly enjoyed this picture, realizing early on that it was a very serious movie wrongly hyped as a comedy.


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