As Carl Black gets the opportunity to move his family out of Chicago in hope of a better life, their arrival in Beverly Hills is timed with that city's annual purge, where all crime is legal for twelve hours.
When a man (Robbins) believes he has discovered that his wife is having an affair with his boss, it sets off a chain reaction of events. First he wanders into a ghetto where a robber (... See full summary »
John C. McGinley
Ed Lover and Doctor Dre are two inept barbers. Deciding that maybe they ought to find another line of work, they join the police. A big mistake, as far as their duty sergeant, Sgt Cooper is... See full summary »
Terry is an up and coming comedian, but believes politics will get him the big breaks and more time at the popular Dukie's Comedy Club. Just so happens that Terry is 'sleeping' with Ruby ... See full summary »
In the mid-1990s, two inmates bury the burned bodies of two lifers at Mississippi's infamous Parchman Farm; a third old-timer relates their story. They'd served 65 years for a murder they didn't commit, framed by a local sheriff while buying moonshine whiskey for a Manhattan club owner to whom they owed money. In flashbacks we see this odd couple thrown together (Ray is a fast-talking con man, and Claude is a serious man about to start work as a bank teller), the loss of Ray's watch (sterling silver, from his daddy), the murder and trial, the hardships of Parchman, and the love-hate relationship of Claude and Ray as they spend 65 years bickering and looking for a way to escape. Written by
Of the movies Eddie Murphy and makeup artist Rick Baker collaborated on, this is the only one where Eddie didn't play more than one character. The makeup was used to age the character rather than interact with another character played by the same actor. See more »
When Winston Hancock cuts Sheriff Pike's face, the cut goes from his ear towards his mouth. Later, when the sheriff meets Ray and Claude, the bandage is vertical, going from below his eye to the side of his jaw. See more »
After reading the user comments on this movie, it appears that the main complaint is that it is not the rollicking laugh-a-minute comedy that fans of the two leads expected. Once you let that expectation go, this is a great movie! It succeeds as a drama with comic tone. There have been some great ones that do this, and we mistakenly classify them as comedies. For example, M*A*S*H, Mr. Roberts, It's a Wonderful Life. These are pictures that provide comic overtones to people struggling to get through a very serious and overwhelming event: war, contemplated suicide, and in the case of Life, life imprisonment.
I was surprised at how good Murphy is in this flick.Not one of my favorites, he convinces as he ages and grows under the burden his character carries, that of an entire life stolen from him. And he survives with a certain dignity. Lawrence is almost as good, but he does labor a bit with the dramatic parts, seeming a bit uncomfortable shedding his comic bent. Note that when these characters are shown as old men, Murphy actually becomes an old man, Lawrence is still a young man in oldster's make-up.
Let's not overlook an interesting small role expertly understated by Ned Beatty, and the charm of Bokeem Woodbine as Can't Get Right. Life is well-mounted and the sets are as convincing as any I've seen. Comedies are rarely as dirty and sweaty as this movie.
I thoroughly enjoyed this picture, realizing early on that it was a very serious movie wrongly hyped as a comedy.
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