When a man (Robbins) believes he has discovered that his wife is having an affair with his boss, it sets off a chain reaction of events. First he wanders into a ghetto where a robber (... See full summary »
John C. McGinley
A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ... See full summary »
In the mid-1990s, two inmates bury the burned bodies of two lifers at Mississippi's infamous Parchman Farm; a third old-timer relates their story. They'd served 65 years for a murder they didn't commit, framed by a local sheriff while buying moonshine whiskey for a Manhattan club owner to whom they owed money. In flashbacks we see this odd couple thrown together (Ray is a fast-talking con man, and Claude is a serious man about to start work as a bank teller), the loss of Ray's watch (sterling silver, from his daddy), the murder and trial, the hardships of Parchman, and the love-hate relationship of Claude and Ray as they spend 65 years bickering and looking for a way to escape. Written by
When Ray and Claude are standing on a box of bottles, Claude mentions that a one of his toes has slipped into one of them. This actually happened during the take, but Martin Lawrence kept going, despite Eddie Murphy's laughing, which is genuine. See more »
In the scene where Jangle Leg introduces himself to Claude, they are seated beside each other with Ray sitting beside Jangle Leg. Then the camera switches to a shot of Ray. If you look below Ray you can see Jangle Leg seated below him. See more »
[on a break; Ray and Claude have just come in]
Either one of you new fellas know how to read?
I know how to read, why?
I've been carrying this letter for four months now
You mean to tell me none of y'all can read?
Last fella what could read made parole about, what, Christmas.
[about his letter]
I don't even know who this come from.
[takes the letter]
Gimme that shit.
[turns to old inmate sitting next to him]
You can't read?
[old inmate replies "no"]
[...] See more »
Bloopers are shown during the closing credits. See more »
I found this film funny and inventive. Two adjectives that I have not been able to use for an Eddie Murphy film for a long time.
With a story line as good as this one, it was up to Eddie to see how he could develop it. If this film had a flaw, I think this was it. I believe had Mr Murphy decided to look really deeply into the role of Rayford Gibson, it could have been a possible "Oscar" role for him.
There are no doubts regarding Eddie Murphy's acting ability, yet sometimes I think he sacrifices the script and his role for a cheap laugh when it's not really necessary. It is possible that he is caught up in his own 'identity creation' of "Eddie Murphy: Comedy first, drama...maybe not!"
That said, Eddie Murphy and his worthy partner, Martin Lawrence successfully produce a comedy worth watching. I just hope that Eddie Murphy continues in this same vein. Please no more films like Beverly Hills Flop 3 and Holy Man!
Finally, a general point, which needs to be addressed, is that it is so strange how comedy films with far more substance, fail to do well financially. Moreover, there are films which fall short in quality, that can generate $100M+ for substandard, regurgitated, "comedy". "Life" which is struggling to reach the $65M mark falls into the former category. "Austin Powers: The Spy who Shagged Me" and "Big Daddy" definitely fall in the latter. The mind boggles!
Anyway, for those who have not seen "Life", go and see, you won't regret watching it.
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