Nick Beam's life couldn't get any worse. He discovers he has been living a lie and is on the verge of a nervous breakdown. So when T. Paul, a carjacker, attempts to rob him, it is the last ... See full summary »
John C. McGinley
Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out... See full summary »
A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ... See full summary »
In the mid-1990s, two inmates bury the burned bodies of two lifers at Mississippi's infamous Parchman Farm; a third old-timer relates their story. They'd served 65 years for a murder they didn't commit, framed by a local sheriff while buying moonshine whiskey for a Manhattan club owner to whom they owed money. In flashbacks we see this odd couple thrown together (Ray is a fast-talking con man, and Claude is a serious man about to start work as a bank teller), the loss of Ray's watch (sterling silver, from his daddy), the murder and trial, the hardships of Parchman, and the love-hate relationship of Claude and Ray as they spend 65 years bickering and looking for a way to escape. Written by
When Rayford (Eddie Murphy) is getting beat up in a fight, he says: "I know a bitch named Della who hits harder than you." This is a reference to Harlem Nights (1989), in which Murphy's character is beat up in a fight with a madame played by Della Reese. See more »
When Winston Hancock cuts Sheriff Pike's face, the cut goes from his ear towards his mouth. Later, when the sheriff meets Ray and Claude, the bandage is vertical, going from below his eye to the side of his jaw. See more »
Welcome to Mississippi. Here you will be provided with ample opportunity to repay your debt to society through the rigours of hard labour. We got fields need clearin', roads need buildin', and ditches need diggin'. You will eat only what you can grow. Your crop don't come in, you go hungry. This here is Camp 8; Camp 8 is for incorrigibles. So whatever you done to get here, believe me, I'm not impressed; I've seen it all before. We ain't go no fences here at Camp 8, we don't need no fences. We ...
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Bloopers are shown during the closing credits. See more »
I usually am not a fan of Eddie Murphy, but I thoroughly enjoyed the interweaving of comedy and drama in "Life." At first glance the title seems to refer to the life sentence wrongly given to the two men. As the story unfolds, the viewer sees the "life" they must make for themselves in the spartan setting of a prison in Mississippi. The end of the film should bring the viewer to question what he has done with his life and how much he has depended on "props" for a meaning to his own life.
Many who submitted comments compared "Life" with "The Shawshank Redemption," but a more likely comparison is "Cool Hand Luke," which starred Paul Newman in a similar story also set in a Mississippi prison. The comic gags, such as the warden's curvaceous daughter, were taken from "Cool Hand Luke." Overall, the film is rich in meaning as it shows how life in general is an interweaving of comedy and tragedy. Another comparison story is "Death Comes for the Archbishop" by Willa Cather, in which Ms. Cather shows how two priests, also in a spartan situation (a desert pastorate in New Mexico) and without the usual trappings of success, make meaningful lives for themselves while living sacrificially for others.
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