A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ... See full summary »
"Sugar" Ray is the owner of an illegal casino, who contend with the pressures of vicious gangster and corrupt policemen who want to see him go out of business. In the world of organized ... See full summary »
Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out... See full summary »
Nick Beam's life couldn't get any worse. He discovers he has been living a lie and is on the verge of a nervous breakdown. So when T. Paul, a carjacker, attempts to rob him, it is the last ... See full summary »
John C. McGinley
In the mid-1990s, two inmates bury the burned bodies of two lifers at Mississippi's infamous Parchman Farm; a third old-timer relates their story. They'd served 65 years for a murder they didn't commit, framed by a local sheriff while buying moonshine whiskey for a Manhattan club owner to whom they owed money. In flashbacks we see this odd couple thrown together (Ray is a fast-talking con man, and Claude is a serious man about to start work as a bank teller), the loss of Ray's watch (sterling silver, from his daddy), the murder and trial, the hardships of Parchman, and the love-hate relationship of Claude and Ray as they spend 65 years bickering and looking for a way to escape. Written by
When Rayford (Eddie Murphy) is getting beat up in a fight, he says: "I know a bitch named Della who hits harder than you." This is a reference to Harlem Nights (1989), in which Murphy's character is beat up in a fight with a madame played by Della Reese. See more »
When Winston Hancock cuts Sheriff Pike's face, the cut goes from his ear towards his mouth. Later, when the sheriff meets Ray and Claude, the bandage is vertical, going from below his eye to the side of his jaw. See more »
[on seeing a body bag being wheeled past]
Looks like Jonesy got his walking papers.
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Bloopers are shown during the closing credits. See more »
I found this film funny and inventive. Two adjectives that I have not been able to use for an Eddie Murphy film for a long time.
With a story line as good as this one, it was up to Eddie to see how he could develop it. If this film had a flaw, I think this was it. I believe had Mr Murphy decided to look really deeply into the role of Rayford Gibson, it could have been a possible "Oscar" role for him.
There are no doubts regarding Eddie Murphy's acting ability, yet sometimes I think he sacrifices the script and his role for a cheap laugh when it's not really necessary. It is possible that he is caught up in his own 'identity creation' of "Eddie Murphy: Comedy first, drama...maybe not!"
That said, Eddie Murphy and his worthy partner, Martin Lawrence successfully produce a comedy worth watching. I just hope that Eddie Murphy continues in this same vein. Please no more films like Beverly Hills Flop 3 and Holy Man!
Finally, a general point, which needs to be addressed, is that it is so strange how comedy films with far more substance, fail to do well financially. Moreover, there are films which fall short in quality, that can generate $100M+ for substandard, regurgitated, "comedy". "Life" which is struggling to reach the $65M mark falls into the former category. "Austin Powers: The Spy who Shagged Me" and "Big Daddy" definitely fall in the latter. The mind boggles!
Anyway, for those who have not seen "Life", go and see, you won't regret watching it.
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