A seasoned detective is called in to rescue a politician held hostage by a lunatic. In a brief moment of uncertainty, he misses the chance for action. Leaving his job and family without ... See full summary »
A detective investigates a series of murders. A possible serial killer might be on a rampage, since they all are in the same vicinity and by the same method, but as the evidence points ... See full summary »
Two young guys work in a plant that manufactures oshibori (those moist hand-towels found in some Japanese restaurants). Their weird bond is based on uncontrollable rage--something neither ... See full summary »
A psychic housewife and her husband become burdened with a kidnapped girl who escaped her assailant. Junko will not let her husband call the hospital or the police for purely selfish ... See full summary »
Reiko, a prize-winning writer, moves to a quiet isolated house to finish up her new novel. One night she sees the man next door transporting an object wrapped in cloth. She finds out he is ... See full summary »
A wave of gruesome murders is sweeping Tokyo. The only connection is a bloody X carved into the neck of each of the victims. In each case, the murderer is found near the victim and remembers nothing of the crime. Detective Takabe and psychologist Sakuma are called in to figure out the connection, but their investigation goes nowhere. An odd young man is arrested near the scene of the latest murder, who has a strange effect on everyone who comes into contact with him. Detective Takabe starts a series of interrogations to determine the man's connection with the killings. Written by
Todd K. Bowman <email@example.com>
Martin Scorcese said Cure was Kurosawa's "most terrifying movie." See more »
In Japan, they drive on the left side of the road and the steering wheel is on the right side of the car. In every scene in this picture that's the case - except one. When the detective leaves in his car to go to the hospital because Mimiya has turned up there, the steering wheel is on the left and he drives on the right side of the road. See more »
There are no opening credits, with the exception of the movie's title. See more »
The only time I can recall being as spooked by a film was when my parents took me to see "Hangover Square" - a gothic Jack the Ripper thriller - when I was 8 years old. I guess they couldn't find a baby-sitter. That took me about a year to get over, a low-key, all-too-realistic chiller about the banality of insanity.
"Cure" is such a perfect depiction of madness that just about every shot could be framed & hung in a gallery. You can't analyze this one, it doesn't follow a cartesian line of logic; nor does it blast you with halloweenish surprises in the style of Elm Street & its knock-offs. This has far deeper & subtler impact. I found as I relaxed into this film that images of recurring dreams & nightmares I've had since childhood arose & blended into what I was watching. Can't get much creepier than that.
That said, the images & emotions that this film evokes are on a very high level of poetic art. One of the most impressive elements of "Cure" is the director's ability to convey the magnetic manipulative appeal of Mamiya - surely one of the scariest things in real life & very difficult to convincingly convey on screen.
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