Emmanuelle returns to her husband in Hong Kong and proceeds to have several extramarital affairs -- with his knowledge, of course. Her husband's lover and American guest are both very ... See full summary »
Emmanuelle and her architect husband continue their amoral lifestyle in the Seychelles. But when a casual dilliance between her and a film director starts to turn serious her husband shows ... See full summary »
In order to escape from her former lover Marc, Sylvia goes to Brazil where Dr. Santamo transforms her into the beautiful Emmanuelle. With this new identity comes a sexual awakening which is... See full summary »
Journey with Emmanuelle and the world's most exquisite models deep into the Amazon jungle to the heart of paradise. Beauty can be dangerous and the women soon find themselves captive to a ... See full summary »
[American version.] Emmanuelle has a streak of bad luck that starts when she is stripped by a mob of adoring fans at the Cannes Film Festival. Her rotten luck continues when the dictator of... See full summary »
Dana Burns Westburg
Lise Cohen is taken to a special prisoner-of-war camp for female Jews, a camp run as a bordello to entertain the German officers and troops going in to battle. The camp is run with an iron ... See full summary »
Gonzales, a Spaniard living in Istanbul, reports the disappearance of La Rossa, a beautiful woman living with a mad painter, John Ward. Convinced that Ward has killed her, Gonzales sets out to trap him.
To some extent, "Io, Emmanuelle" can be considered a film of historical significance, if only because it marks the first screen appearance of the infamous Emmanuelle character later immortalized by the likes of Sylvia Kristel, Krista Allen and also Laura Gemser in the offshoot, single "M" Emanuelle series. Here, the free-spirited beauty is played by Italian Euro-Goddess, Erika Blanc, best known as the succulent succubus in Jean Brismée's "La Plus Longue Nuit du Diable" (aka "The Devil's Nightmare"). However, apart from its title, this film shares little in common with the erotic exploits of the Kristel/Allen series, nor does it much resemble the all out exploitation efforts starring Laura Gemser (and most often directed by Joe D'Amato). Instead, this is basically an artsy, Euro treatment with very little story or character development and seems mainly an excuse to have Blanc cavort about in various states of dress and undress. Surprising since it was directed by Cesare Canevari, who would later helm the Nazi-exploitation classic, "Gestapo's Last Orgy." Interesting as a curiosity, but that's about it. For Emmanuelle collectors and Erica Blanc fetishists only.
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