It's 1934, and the evil local land baron forecloses on Angie's place, and she and her two daughters must leave and continue their life of crime. A reporter witnesses their heist of a bank, ... See full summary »
A lonely tow-truck driver gets caught in a deadly struggle between a pair of bank robbers with a beautiful hostage, local cops, and a monster that has come down from the Arizona mountains ... See full summary »
Steven R. Monroe
Il Maestro del Terrore è il regista Vincent Omen, originario della Romania, e che ha fatto fortuna dirigendo film dell'orrore. Vive con la moglie e la figlia in una bella villa isolata. Ma ... See full summary »
A tomb robber steals artifacts from an unmarked tomb in Egypt and sells them to different archeologists in America. This displeases the immortal woman whose tomb has been desecrated, so she... See full summary »
Fred Olen Ray
Young and attractive Cherry decides to hide in Las Vegas after robbed the employer, the boss of a mafia. But that sends on its traces of bandits which have to deliver it back to Los Angeles... See full summary »
Kira Reed Lorsch,
...is his best, which doesn't say all that much. It's a mixture of futuristic science fiction woven into a corny love story that probably would have worked, but for the script, which contained so much constant nudity and sex that mainstream actors would have been highly unlikely to accept the roles. Add to that budget constraints - Groom, as producer of this one, would not have had access to the funds he has now (although the Australian Film Corporation gets a plug here) - and what we're left with is an Australian foray into very soft porn that has trouble finding a mainstream audience because of the acting quality. Just who the hell are Kylie Foster and Paul Trahair? A quick search on IMDb tells us that Trahair's only other role was as a young detective in SQUIZZY TAYLOR. Foster is much more travelled: she had character roles in the TV series PRISONER and SKYWAYS, and then found parts in KITTY AND THE BAGMAN, MELVIN and QUIGLEY DOWN UNDER - though how is a mystery, noting her acting "talent" in CENTRESPREAD. Indeed, while CENTRESPREAD could have become an Australian cinematic landmark akin to MAD MAX, the best parts remain the opening and closing themes, the former of which could easily have become a mainstream pop classic. Rating: 5/10
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