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Centrespread (1981)

5.4
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The Story of a photographer's struggle in the glamorous world of nude modeling.

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Title: Centrespread (1981)

Centrespread (1981) on IMDb 5.4/10

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Cast

Cast overview, first billed only:
Kylie Foster ...
Niki
Paul Trahair ...
Gerard
Mark Watson ...
Mark
Ivor Louis ...
Editor
Jack Neate ...
Old Man
Edson Annan ...
Boss
Paula Carter ...
Waitress
Colin Moglia ...
Droog
Carmen J. McCall ...
House Model
Helina McCall ...
Bald Lady
Mark Bonnet ...
Rapist
Nicci Lane ...
Motorbike Girl (as Brenda Knowles)
Simon Boyce ...
Seducer
Julie Christy ...
Seducer
Amber ...
Paint Girl
Edit

Storyline

The Story of a photographer's struggle in the glamorous world of nude modeling.

Plot Summary | Add Synopsis

Taglines:

I'm a Goddess, I'm a Princess in a satin bed, I'm your Centrespread See more »

Genres:

Drama | Sci-Fi

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

15 October 1981 (Australia)  »

Box Office

Budget:

AUD 600,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

(Eastmancolor)
See  »
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Did You Know?

Trivia

This film is considered an "Ozploitation" (Australian exploitation) picture. See more »


Soundtracks

Power
Performed by Lisa Edwards
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User Reviews

Incompetent sexploitation in the guise of a corny sci-fi yarn.
10 January 2000 | by (Sydney, Australia) – See all my reviews

There's precious little to like in this dumb flick. The female lead is a centrefold model who shows no evidence of having been to acting school and thankfully hasn't been heard of since. The male leads plays his camp character as dislikable, pretentious and effete.

There is a vague sci-fi plot supported by some truly ridiculous futuristic camera gear.

As an exploitation flick it doesn't get off the ground because the heroine can't project any erotic heat and simpering innocence won't carry the day. And contrary to expectations she doesn't disrobe much. As a sci-fi yarn it sinks without trace because of the low budget sets and props.

It was made at a time when tax breaks were the main motive for much film financing in Australia. The quality of the product was secondary, as in second rate. Just like here.


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