An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel. An English language lesson turns into a killing of a ... See full summary »
A spoiled rich girl hatches a plot with her hippie boyfriend and his friends to "kidnap" her so they can get a large ransom from her wealthy father. However, she didn't count on her ... See full summary »
...is his best, which doesn't say all that much. It's a mixture of futuristic science fiction woven into a corny love story that probably would have worked, but for the script, which contained so much constant nudity and sex that mainstream actors would have been highly unlikely to accept the roles. Add to that budget constraints - Groom, as producer of this one, would not have had access to the funds he has now (although the Australian Film Corporation gets a plug here) - and what we're left with is an Australian foray into very soft porn that has trouble finding a mainstream audience because of the acting quality. Just who the hell are Kylie Foster and Paul Trahair? A quick search on IMDb tells us that Trahair's only other role was as a young detective in SQUIZZY TAYLOR. Foster is much more travelled: she had character roles in the TV series PRISONER and SKYWAYS, and then found parts in KITTY AND THE BAGMAN, MELVIN and QUIGLEY DOWN UNDER - though how is a mystery, noting her acting "talent" in CENTRESPREAD. Indeed, while CENTRESPREAD could have become an Australian cinematic landmark akin to MAD MAX, the best parts remain the opening and closing themes, the former of which could easily have become a mainstream pop classic. Rating: 5/10
0 of 0 people found this review helpful.
Was this review helpful to you?