This biography of Dorothy Dandridge follows her career through early days on the club circuit with her sister to her turn in movies, including becoming the first black actress to win a Best... See full summary »
Klaus Maria Brandauer
The Jacksons are your average working-class family in Gary, Indiana; but when their father discovers the kids have an extraordinary musical talent they form a band. Winning talent show ... See full summary »
Holly Robinson Peete
Born in St. Louis, Missouri, Josephine Baker was born poor, but achieved fame and fortune through her sizzlingly exotic and erotic performances. Starting life on the American Vaudeville ... See full summary »
A plantation owner's son falls in love with a slave named Easter and together they have a Mixed race daughter named Queen. As Queen grows up, she faces the struggle of trying to fit into ... See full summary »
Based on the novel by Gloria Naylor, which deals with several strong-willed women who live in a rundown housing project on Brewster Place in an unidentified eastern city; across three ... See full summary »
Darius Lovehall is a young black poet in Chicago who starts dating Nina Moseley, a beautiful and talented photographer. While trying to figure out if they've got a "love thing" or are just ... See full summary »
The story of a young man, Jason (Allen Payne) who must confront his trauma-induced insecurity about love, as well as a sense of owed responsibility to his mother and troubled brother Joshua... See full summary »
Jada Pinkett Smith,
The story of Little Richard Penniman, from his poor Southern upbringing to dealing with the trials and tribulations of being a black singer in the 1950s, to his born-again phase and brief "retirement" from rock and roll.
In the mid-1980s, three women (each with an attorney) arrive at the office of New York entertainment manager Morris Levy. One is a singer from Los Angeles, formerly of the Platters; one is a petty thief from Philadelphia; one teaches high school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three widows come together and establish their own bond. Written by
Toni Braxton was set for a role in the film, but dropped out due to scheduling conflicts. See more »
When Mickey is telling her story about how she met Frankie, she attended a concert in which Frankie was to perform. When Frankie is out on stage singing, the microphone switches positions from the middle of the stage on a black square, to the middle of the stage on a white square, and then to the front of the stage on a white square. See more »
Accurate Biography? Who knows? Entertaining film? You Betcha!
WHY DO FOOLS FALL IN LOVE? is a supremely entertaining biopic of the young singer Frankie Lyman, which unfolds in a clever variation on the traditional flashback form of storytelling. The film opens with three women arriving at Frankie's former manager's office after his death, trying to claim his estate, all claiming to be the legal widow of Lyman and it is during the trial to determine which of these ladies is Lyman's legal widow where Frankie's story unfolds. As with all movie biographies, you never know how much you're watching is based on fact and what has been enhanced or diluted for dramatic effect. In this screenplay, Frankie is a charismatic young singer, who apparently had no problem charming women out of their clothes and their money, the latter of which apparently went to support his drug habit. Frankie's drug use is somewhat glossed over and the screenplay tends to concentrate more on Frankie's manipulative ways with these three women and how he, at one time or another, managed to convince all three of them that there were the only women in the world. Baby-faced Larenz Tate plays Frankie with a sincerity and sexiness that possibly oversells Frankie's real womanizing, but he manages to keep Frankie likable despite some of the slimy things he does. The three women in Frankie's life are well played by Halle Berry, Viveca A. Fox, and Lela Rochon, with Fox a standout in probably the best performance of her career. The musical sequences are troublesome...Tate works hard at lip-syncing authentically, but I never bought the lip-syncing in the film...all of the musical sequences in the film come off sounding "canned." Still, Tate and the ladies commit to their roles and do make the movie worth watching. I don't know how accurate the film is as a biography of Frankie Lyman, but it is a very entertaining film that will effortlessly hold interest.
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