The Jacksons are your average working-class family in Gary, Indiana; but when their father discovers the kids have an extraordinary musical talent they form a band. Winning talent show ... See full summary »
Holly Robinson Peete
This biography of Dorothy Dandridge follows her career through early days on the club circuit with her sister to her turn in movies, including becoming the first black actress to win a Best... See full summary »
Klaus Maria Brandauer
Born in St. Louis, Missouri, Josephine Baker was born poor, but achieved fame and fortune through her sizzlingly exotic and erotic performances. Starting life on the American Vaudeville ... See full summary »
Fun-loving Bobby is a mail boy in a big firm, but he has a trump card, his best friend Waymon, a "white" African-American who is almost a partner in the firm. They make a deal: Waymon will ... See full summary »
Joseph C. Phillips,
Based on the novel by Gloria Naylor, which deals with several strong-willed women who live in a rundown housing project on Brewster Place in an unidentified eastern city; across three ... See full summary »
The story of Little Richard Penniman, from his poor Southern upbringing to dealing with the trials and tribulations of being a black singer in the 1950s, to his born-again phase and brief "retirement" from rock and roll.
Darius Lovehall is a young black poet in Chicago who starts dating Nina Moseley, a beautiful and talented photographer. While trying to figure out if they've got a "love thing" or are just ... See full summary »
In the mid-1980s, three women (each with an attorney) arrive at the office of New York entertainment manager Morris Levy. One is a singer from Los Angeles, formerly of the Platters; one is a petty thief from Philadelphia; one teaches high school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three widows come together and establish their own bond. Written by
Toni Braxton was set for a role in the film, but dropped out due to scheduling conflicts. See more »
When the scenes changes to Lamberton Prison in 1985, Diana Ross' version of "Why Do Fools" is more than once referred to as a new hit, when in fact, it was released in 1981. See more »
[after receiving a restaurant bill]
You better let me take care of this. Cause if you haven't heard, my record's #3!
[Teenagers yell in agreement]
No, you better let ME take of this. Cause if you haven't heard, MY record's #1!
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"Why Do Fools Fall in Love" is somewhat flawed and takes quite a lot of artistic liberties, but it's always fun to watch. Larenz Tate isn't entirely convincing as Frankie Lymon--I guess they just cast him because he's real short. The concert scenes and TV appearances where he sings are noticeably lip-synched and look pretty cheesy. But acting-wise Tate did a fine job. Obviously, they didn't really delve into his drug addiction, to keep with its light-hearted feel. So we don't get to experience the heavy drama of Lymon's short life. The actresses were good--Halle Berry, Vivica A. Fox and Lela Rochon. Their performances were equally effective and amusing. The great Little Richard has some spirited cameos. He definitely brought the mood of the film to an all-time high. I just wish he could've been in it for longer than 10 minutes. The whole movie basically concentrates on the romantic-comedy portions of Lymon's life--some true, some fabricated. There were some dramatic moments, but they occur mostly towards the end. But I got a lot of laughs and the film just has a fitfully satisfying upbeat tone. Of course, I LOVED the music. I have to admit that was one of the main reasons I enjoyed it so much.
"Why Do Fools Fall in Love" is a moderately loose portrayal of Lymon's life, but it makes great entertainment.
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