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Why Do Fools Fall in Love (1998)

Three women each claim to be the widow of 1950s doo-wop singer Frankie Lymon, claiming legal rights to his estate.

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Cast

Cast overview, first billed only:
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Morris Levy
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Herman Santiago
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Peter Markowitz
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Young Little Richard (as Miguel A. Nunez Jr.)
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Lawrence Roberts
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Richard Barrett
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Paula King
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Drug Dealer
Norris Young ...
Jimmy
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Storyline

In the mid-1980s, three women (each with an attorney) arrive at the office of New York entertainment manager Morris Levy. One is a singer from Los Angeles, formerly of the Platters; one is a petty thief from Philadelphia; one teaches high school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three widows come together and establish their own bond. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

widow | doo wop | singer | estate | money | See All (70) »

Taglines:

Three different women married Frankie Lymon. Now as they fight to get a piece of his millions, They will have to prove who married him first and who loved him most. See more »

Genres:

Biography | Drama | Music

Motion Picture Rating (MPAA)

Rated R for language and some sexuality | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

28 August 1998 (USA)  »

Also Known As:

A tres bandas  »

Filming Locations:

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Box Office

Opening Weekend USA:

$3,946,382, 30 August 1998, Wide Release

Gross USA:

$12,413,650, 1 November 1998
See more on IMDbPro »

Company Credits

Production Co:

,  »
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Technical Specs

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Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The dog that is dropped out of the window also appeared in As Good as It Gets (1997). See more »

Goofs

When the scenes changes to Lamberton Prison in 1985, Diana Ross' version of "Why Do Fools" is more than once referred to as a new hit, when in fact, it was released in 1981. See more »

Quotes

Frankie Lymon: Do you love him?
Zola Taylor: I told you, Frankie. He's a nice, good man...
Frankie Lymon: I didn't ask that! I asked you do you love him?
Zola Taylor: YES! I love him, okay?
Frankie Lymon: Oh, no, no... You said that marriage would tie you down. You just didn't want to be tied down to me.
Zola Taylor: No, I never said that, Frankie.
Frankie Lymon: Oh, yeah, that's what you said. Now, let me tell you something. You gonna always be tied down to me. Whether you like it ot not. We're like magnets...
[forcefully kisses Zola]
Zola Taylor: [pushes Frankie away] Mm-mmm. Don't do this to me, Frankie...
Frankie Lymon:
[...]
See more »

Connections

References What's My Line? (1950) See more »

Soundtracks

Mambo 2000
Written by Leo Acosta
See more »

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User Reviews

 
"Fools" hits some high notes, but most are sour
26 January 2005 | by See all my reviews

Director Gregory Nava misunderstands the complex, drug-addicted Frankie Lymon getting some of it right and much of it wrong.

His fatal mistake from beginning to end is playing Frankie as a late teen instead of the 13 teen year old he was. This deprives one and all of seeing the simple true source of Frankie's problems. Too much fame, too fast and too young. Larenz Tate struggles with the role where he sometimes looks more like a young Sammy Davis than Frankie. The singing and dancing sequences are acceptable and Tate brings the music off adequately.

The racial issues, which the film deals with, have some truth, but the details are inaccurate. In 1957 audiences in some venues were segregated, but in others were mixed and not a problem. The idea that this music helped end segregation is mentioned, but not really seen, except for the incredible scene of Frankie dancing with a white girl on 'The Big Beat'. This big surprise is very effectively handled and has major impact.

I don't think Nava understands doo-wop or the relationship of the lead singer to the backups. There is a big difference between the Platters, essentially a white pop adultish Ink Spots type group and the Teenagers who were rock 'n' roll, appealing to those under 21. This just never comes across.

Nava does do some clever things, pointed out in the director's cut (not recommended, way too 'Goody, Goody') as he uses a continuous roll camera to suck you in and wrap you around the scene he is filming.

The attempts to stylize 'Fools' mostly works. The theme of creating the four main characters as Earth (Lela Rochon as Emira Eagle), Fire (Halle Berry as Zola Taylor), Water (Vivca Fox as Elizabeth Waters) as the 3 wives to play off Wind (Tate-Frankie) is clever and consistent. The use of scatchy 8MM flash backs is a bit over done, but gets the point of flashbacks across.

All three of the parts of the wives suffer from being overly dramatic (and over acted)with the need to fit truth to the story, rather than the other way around.

Most disturbing is the handling of Frankie's music. Its hard to tell his solo work from his Teenagers stuff and the sequencing of the music is out of order. At least Nava makes it clear Frankie was not a 'One hit wonder' and he had four years of outstanding singles and (not mentioned at all) some super albums, mostly as a solo. As one of the wives mentions, above all "he could sing my panties off". If you don't think so, play Frankie's version of "Why Do Fools Fall in Love" followed by the weak, sad Diana Ross version.

Next time Mr. Gregory Nava when doing an autobiography spend as much time keeping your facts straight and in order, as you do with clever stylization.

Not recommended unless your a fan of any of the elements involved. Wanna a good music bio from more or less the same period and effectively dealing with drug addiction, watch "Ray" the magnificent Ray Charles story.


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