Fun-loving Bobby is a mail boy in a big firm, but he has a trump card, his best friend Waymon, a "white" African-American who is almost a partner in the firm. They make a deal: Waymon will ... See full summary »
Joseph C. Phillips,
A rich man's wife finds she has a bad prenuptial agreement with an even worse husband. Over drinks with a stranger, she fantasizes about doing her husband in to void the prenupt. The ... See full summary »
Amy Holden Jones
This biography of Dorothy Dandridge follows her career through early days on the club circuit with her sister to her turn in movies, including becoming the first black actress to win a Best... See full summary »
Klaus Maria Brandauer
Darius Lovehall is a young black poet in Chicago who starts dating Nina Moseley, a beautiful and talented photographer. While trying to figure out if they've got a "love thing" or are just ... See full summary »
A drama set in the 1920s, where free-spirited Janie Crawford's search for happiness leads her through several different marriages, challenging the morals of her small town. Based on the novel by Zora Neale Hurston.
A bunch of high school misfits in Hawaii, introduced by their new teacher, attend a science fair in which they draw up inspiration to build their own solar car and win a trip to compete in the 1990 World Solar Challenge in Australia.
The story of a young man who must confront his own fears about love as well as his relationships with family and friends. Allen Payne (I) plays Jason, a sales clerk at a T.V. store. He ... See full summary »
Jada Pinkett Smith,
In 1976, Drew Tate is a young teenager who has trouble dealing with life after he accidentally sets his house on fire. His parents Kenny and Brenda decide to go to Martha's Vineyard to ... See full summary »
In the mid-1980s, three women (each with an attorney) arrive at the office of New York entertainment manager Morris Levy. One is a singer from Los Angeles, formerly of the Platters; one is a petty thief from Philadelphia; one teaches high school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three widows come together and establish their own bond. Written by
When Mickey is telling her story about how she met Frankie, she attended a concert in which Frankie was to perform. When Frankie is out on stage singing, the microphone switches positions from the middle of the stage on a black square, to the middle of the stage on a white square, and then to the front of the stage on a white square. See more »
Frankie and I were married, 1967 in Augusta, Georgia. I paid for his funeral. And I don't recall seeing any of you there.
Elizabeth 'Mickey' Waters:
Oh, please. Don't even play me. Comin' up in here wearing white *after* Labor Day looking like a down-home schoolmarm!
YES, I am a down-home schoolmarm. I teach English in high school. A class you obviously skipped.
See more »
The filmmakers know you've heard this tale before - true life chronicle of a young singing star's rise and tragic fall - and so they wisely downplay the standard bio trappings and instead focus on a raucously entertaining ride through Frankie Lymon's woman troubles. The smart screenplay revolves around the court battle of Lymon's three wives (yes, three!) over song royalties, leading to vivid (and often humorously contradictory) flashbacks of their lives with the singer. Larenz Tate is magnetic playing the many different sides of the ever-changing lead character, but the film ultimately belongs to Halle Berry, Vivica A. Fox and Lela Rochon as the wives. Each is allowed to shine as the trio portrays 30 years of changes in the women's lives, with Fox drop-dead hilarious as the most outrageous of the three. There's beautifully detailed '60s-era cinematography, sets, costuming and musical numbers, plus a side-splitting turn by Miguel Nunez as a young Little Richard. Major issues (such as '60s race relations) are barely glanced at, but what this film lacks in depth, it makes up for ten-fold in entertainment value. A winner!
10 of 10 people found this review helpful.
Was this review helpful to you?