Fun-loving Bobby is a mail boy in a big firm, but he has a trump card, his best friend Waymon, a "white" African-American who is almost a partner in the firm. They make a deal: Waymon will ... See full summary »
Joseph C. Phillips,
This biography of Dorothy Dandridge follows her career through early days on the club circuit with her sister to her turn in movies, including becoming the first black actress to win a Best... See full summary »
Klaus Maria Brandauer
A rich man's wife finds she has a bad prenuptial agreement with an even worse husband. Over drinks with a stranger, she fantasizes about doing her husband in to void the prenupt. The ... See full summary »
Amy Holden Jones
Darius Lovehall is a young black poet in Chicago who starts dating Nina Moseley, a beautiful and talented photographer. While trying to figure out if they've got a "love thing" or are just ... See full summary »
In 1976, Drew Tate is a young teenager who has trouble dealing with life after he accidentally sets his house on fire. His parents Kenny and Brenda decide to go to Martha's Vineyard to ... See full summary »
The story of a young man who must confront his own fears about love as well as his relationships with family and friends. Allen Payne (I) plays Jason, a sales clerk at a T.V. store. He ... See full summary »
Jada Pinkett Smith,
A drama set in the 1920s, where free-spirited Janie Crawford's search for happiness leads her through several different marriages, challenging the morals of her small town. Based on the novel by Zora Neale Hurston.
In the mid-1980s, three women (each with an attorney) arrive at the office of New York entertainment manager Morris Levy. One is a singer from Los Angeles, formerly of the Platters; one is a petty thief from Philadelphia; one teaches high school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three widows come together and establish their own bond. Written by
Toni Braxton was set for a role in the film, but dropped out due to scheduling conflicts. See more »
When Mickey is telling her story about how she met Frankie, she attended a concert in which Frankie was to perform. When Frankie is out on stage singing, the microphone switches positions from the middle of the stage on a black square, to the middle of the stage on a white square, and then to the front of the stage on a white square. See more »
Do you love him?
I told you, Frankie. He's a nice, good man...
I didn't ask that! I asked you do you love him?
YES! I love him, okay?
Oh, no, no... You said that marriage would tie you down. You just didn't want to be tied down to me.
No, I never said that, Frankie.
Oh, yeah, that's what you said. Now, let me tell you something. You gonna always be tied down to me. Whether you like it ot not. We're like magnets...
[forcefully kisses Zola]
[pushes Frankie away]
Mm-mmm. Don't do this to me, Frankie...
[...] See more »
I enjoyed a lot of this movie but I would have liked a tad more insight into the life of Frankie Lyman. In one scene, he talks about his abusive father, but other than that, there was little revealed about him. I understand it was mostly from his wives point-of-view, but it have helped the story along. In addition, you couldn't tell which of the wives was spinning a tale in order to get a larger settlement.
The large cast was very talented and I especially appreciated that the make-up on the three women was not overdone to make them age. All in all, I enjoyed it very much, but it could have been much better.
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