A rich man's wife finds she has a bad prenuptial agreement with an even worse husband. Over drinks with a stranger, she fantasizes about doing her husband in to void the prenupt. The ... See full summary »
Amy Holden Jones
A bunch of high school misfits in Hawaii, introduced by their new teacher, attend a science fair in which they draw up inspiration to build their own solar car and win a trip to compete in ... See full summary »
This biography of Dorothy Dandridge follows her career through early days on the club circuit with her sister to her turn in movies, including becoming the first black actress to win a Best... See full summary »
Klaus Maria Brandauer
Fun-loving Bobby is a mail boy in a big firm, but he has a trump card, his best friend Waymon, a "white" African-American who is almost a partner in the firm. They make a deal: Waymon will ... See full summary »
Joseph C. Phillips,
A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
Two brothers in their early 20s, one black, one white, each the other's keeper since their family was torn apart by a decade old tragedy. Neville is a comedian struggling with his comedy, ... See full summary »
In the mid-1980s, three women (each with an attorney) arrive at the office of New York entertainment manager Morris Levy. One is a singer from Los Angeles, formerly of the Platters; one is a petty thief from Philadelphia; one teaches high school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three widows come together and establish their own bond. Written by
Toni Braxton was set for a role in the film, but dropped out due to scheduling conflicts. See more »
Elizabeth Waters testified in court that she first met Frankie in 1961, but in the flashback to their first meeting, the music playing on the department store stereo is "Walk On The Wild Side", not released in 1962. See more »
How come you keep stepping on my heart?
You prefer I pee on it? That's what's going to happen if you don't let me off this bus.
See more »
The filmmakers know you've heard this tale before - true life chronicle of a young singing star's rise and tragic fall - and so they wisely downplay the standard bio trappings and instead focus on a raucously entertaining ride through Frankie Lymon's woman troubles. The smart screenplay revolves around the court battle of Lymon's three wives (yes, three!) over song royalties, leading to vivid (and often humorously contradictory) flashbacks of their lives with the singer. Larenz Tate is magnetic playing the many different sides of the ever-changing lead character, but the film ultimately belongs to Halle Berry, Vivica A. Fox and Lela Rochon as the wives. Each is allowed to shine as the trio portrays 30 years of changes in the women's lives, with Fox drop-dead hilarious as the most outrageous of the three. There's beautifully detailed '60s-era cinematography, sets, costuming and musical numbers, plus a side-splitting turn by Miguel Nunez as a young Little Richard. Major issues (such as '60s race relations) are barely glanced at, but what this film lacks in depth, it makes up for ten-fold in entertainment value. A winner!
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