Wilson Pomade, a totally insignificant but pleasant young man, has gone through life unnoticed and unrecognized by others until one day when he encounters the beautiful and elegant Marian ... See full summary »
James Michael Tyler,
Christian Jules Le Blanc
A serial killer armed with a crossbow pistol is murdering people from their own rooftops. When three young coworkers at a poorly-attended slumber party start hearing footsteps on the roof, they fear the worst.
Mark Tapio Kines
Mary Lynn Rajskub
Madame Ranevskaya (Rampling) is a spoiled aging aristocratic lady, who returns from a trip to Paris to face the loss of her magnificent Cherry Orchard estate after a default on the mortgage... See full summary »
The loyalty of a tight group of friends is put to the test when there's a date rape within the circle. They close ranks to prevent the secret from getting out. The victim of the rape ... See full summary »
In Modern Music we follow an ad-hoc family (label, band, and management) as they navigate the ever changing music business. The results are a hilarious look at a struggling art form and the... See full summary »
James Michael Tyler
When martial arts champion Pinoy travels to America, his fighting skills are put to the test when he finds himself in the middle of a violent gang war. Forced into sudden street combat ... See full summary »
Michael Hendershott (Andy Martinez) believes he is taking the next major step in his life - starting a family with his wife, Megan (Jes Meza). Disaster strikes when he discovers that she ... See full summary »
Andy Martinez Jr.,
James Michael Tyler
Director Mark Tapio Kines ran out of funds shortly after filming wrapped in August 1997, leaving him unable to complete post-production. Thanks to his experience as a web designer he was able to create an official website for the film ("forcor.com") to spark interest among the Internet community. A year later the director had received $90,000 in investments from complete strangers (including fans of principal star Melanie Lynskey) and a further $60,000 from friends and acquaintances, enabling the film to finally be completed. The makers of The Blair Witch Project later employed a similar technique of using the Internet to market their film. See more »
My sentiments about this film remain much as my earlier comments indicate. However, the director, Mark Kines, was kind enough respect my right to the opinions I offered, while pointing out -- via the IMDb -- that, factually, Melanie Lynskey did NOT have to pay her way to the US from New Zealand. She was treated rather well here, glad to have an opportunity to be near Hollywood to explore possible future roles, make contacts with major studios, etc. She also knew the script in advance of coming. Kines had the smarts to seek her out and ask for her -- and PAY her! He deserves credit for that and more. I am sorry to have misled people. Was it fair to characterize her role as Melody as being "a wallflower"? A few other viewers' comments have been even less kind; still, "wallflower" probably was the wrong word. Melody knows what she's about; she's no push-over. She may be unhappy, yet never desperate or desolate. My problem remains: it's just not very dynamic. I'm not asking for gunfire, or weeping and running about. So-called quiet films often appeal to me for their very quietness. And, as I said before, there's much to enjoy about "Foreign Correspondents." I'm happy to say it again. What Kines attempted with her plot-line was extremely difficult -- and maybe film schools should post signs in big letters: Don't try this! Having Michael J. Fox play a coke-head in "Bright Lights, Big City" comes to mind. Not for a minute was he convincing in that role. (Loved him in "Doc Hollywood.") Kines' error was of a much lesser magnitude. And... my expectations for Lynskey and her part were sky-high, up in the clouds. I would accept no less than another "Heavenly Creatures" turn. And why not add in some startling b&w images from old Orson Welles' films, too -- and those terrific dancing mud-creatures -- what happened to them? All of which made it difficult to see and appreciate "Foreign Correspondents" in its own right; so I apologize.
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