A decidedly odd couple with ulterior motives convince Dr. Alan Grant to go to Isla Sorna (the second InGen dinosaur lab.), resulting in an unexpected landing...and unexpected new inhabitants on the island.
Captain Picard and his crew pursue the Borg back in time to stop them from preventing Earth's first contact with an alien species. They also make sure that Zefram Cochrane makes his famous maiden flight at warp speed.
After Zane Ziminski is found dead five people received envelopes with details of an alien invasion. This group of five includes 3 scientists, Zane's brother Jack, and a reporter. Quickly, the group is down to three and then Jack and Bridget, the reporter. With a small piece of alien technology, they must escape from the aliens, who take human form, and try to convince others of the existence of aliens. Written by
Tony Fontana <email@example.com>
This sequel to the box office hit The Arrival (1996) was reportedly produced on a budget that was only one-fourth of the cost of the original. See more »
Early in the film, it is established that the continent is undergoing an unprecedented heatwave. Throughout the movie, though, people can be observed wearing coats, stocking caps, scarves, and long-sleeved shirts. See more »
This time around Zane's Canadian step-brother--who's a wizard of a computer geek underneath that '80s looking hairdo--must pick up the pieces from where his distant, paranoid relative left off in a similar DIY investigative fashion for, that's right, humanity's sake. Except he's laid back, shows late for work and would rather run from a situation than get his hands dirty, especially about theories concerning covert extraterrestials. Yeah, those guys...and now gals.
The pacing is along the lines of a made-for-TV mystery with a few thrills to grease the wheels. Production expenses are tighter, so in turn, there are a number of scenes that are overdrawn. The acting isn't expected to be award winning but with the flow being at slower speeds than its predecessor, it makes what comes out of their mouths forced and far from giving the believable sense of actually being there in this state of looming danger. Not to mention the one-dimensional villains that are just shy of being animated over and turned into cartoon characters.
The first film, while not mind-blowing, was fresher with ideas. "The Arrival 2" retreads similar mechanics and the story meddles on with superficial attempts to personalize the experience with little quips, along with token love interests and by-now dated gizmos. Overall, this feels straightforward, anticlimactic and, aside from a few redeeming qualities to keep it afloat, a waste of a sequel.
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