Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
After hiding his loot and getting thrown in jail, Ruby, a brooding outlaw encounters Quentin, a dim-witted and garrulous giant who befriends him. After Quentin botches a solo escape attempt... See full summary »
Two New Yorkers are accused of murder in rural Alabama while on their way back to college, and one of their cousins--an inexperienced, loudmouth lawyer not accustomed to Southern rules and manners--comes in to defend them.
Ben Sobol, Psychiatrist, has a few problems: His son spies on his patients when they open up their heart, his parents don't want to attend his upcoming wedding and his patients' problems don't challenge him at all. Paul Vitti, Godfather, has a few problems as well: Sudden anxiety attacks in public, a certain disability to kill people and his best part ceasing service when needed. One day, Ben unfortunately crashes into one of Vitti's cars. The exchange of Ben's business card is followed by a business visit of Don Paul Vitti himself, who wants to be free of inner conflict within two weeks, before all the Mafia Dons meet. Now, Ben Sobol feels somewhat challenged, as his wedding is soon, his only patient keeps him busy by regarding Ben's duty as a 24 hour standby and the feds keep forcing him to spy on Paul Vitti. And how do you treat a patient who usually solves problems with a gun? Written by
Julian Reischl <email@example.com>
It was very important to Robert De Niro that the movie felt authentic. He and director Harold Ramis would drive around Little Italy in New York looking for real people to cast for the movie. See more »
Vitti's two children disappear immediately after he introduces them. See more »
Robert De Niro and Billy Crystal square off in `Analyze This,' a satirical look at `family' life from director Harold Ramis. After witnessing a hit on a colleague outside a restaurant (and narrowly escaping the same fate himself, thanks to the need of a toothpick), mob boss Paul Vitti (De Niro) finds himself overcome with panic attacks. He sweats, cries at the drop of a hat, and can't breathe. With a vital meeting only two weeks away, he realizes he needs help, quickly, and sends one of his men, Jelly (Joe Viterelli), in search of a `shrink.' Coincidentally, Jelly has just been rear-ended in traffic by Dr. Ben Sobol (Crystal), who just happens to be a psychiatrist. And Jelly has his business card. Unable to discourage the adamant Vitti, Sobol acquiesces and agrees to treat him exclusively for two weeks, though he is less than enthusiastic about being pressed into the service of a well-known criminal; even less enthused, however, is his fiancee, Laura (Lisa Kudrow). The ensuing repartee between Vitti and Sobol, served up with snappy dialogue and impeccable timing, takes this comedy, artistically and otherwise, to the highest level. De Niro and Crystal are absolutely outstanding, infusing their characters with every possible nuance, while successfully avoiding the stereotypes that lesser actors may have relied upon here. The two play so well off of one another that the humor virtually seems to explode spontaneously. All the while, the likable Kudrow more than holds her own with her co-stars, proving, unequivocally, that there is so much more to her than just being a great `Friend.' Credit must go to Ramis, as well, for keeping things on an even keel throughout. There's funny scenes aplenty in this film, especially the ones in which the loyal but somewhat thick-headed thug, Jelly, or the winsome Laura take part. The most memorable, though, is one in which Dr. Sobol dreams that he is Don Vito Corleone in the movie `The Godfather,' when he is shot while buying some fruit. This is parody at its finest. Written by Ramis, Ken Lonergan and Peter Tolan, and with a supporting cast that includes Chazz Palminteri (Primo), Richard C. Castellano (Jimmy), Kyle Sabihy (Ben's son, Michael) , Molly Shannon (Caroline) and Elizabeth Bracco (Marie Vitti), `Analyze This' will keep you laughing and `doing lines' (`You...you're good, yes, you are...yes, you are!') long after the credits have faded from the screen. I rate this one 10/10.
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