Tail Lights Fade (1999)
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- R
- 1h 27min
- Action, Comedy
- 03 Dec 1999 (Canada)
- Movie
Photos and Videos
Cast verified as complete
Jaimz Woolvett | ... |
Ben
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Breckin Meyer | ... |
Cole
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Jake Busey | ... |
Bruce
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Elizabeth Berkley | ... |
Eve
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Tanya Allen | ... |
Angie
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Ben Derrick | ... |
Cutlass Mike
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Doug Hardwick | ... |
Accountant Tom
(as Douglas Hardwick)
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Denise Richards | ... |
Wendy
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Marcus Hondro | ... |
Shadley
(as Marcus Hondros)
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Tristin Leffler | ... |
Hemp Girl
(as Tristen Leffler)
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Tyler Labine | ... |
Grower Brian
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Matthew Gissing | ... |
Thug #1
(as Matt Gissing)
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Darryl Quon | ... |
Thug #2
(as Darryl Quan)
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Gordie Giroux | ... |
Boy
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Lisa Marie | ... |
Kitty
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Sean Campbell | ... |
Onlooker
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John J.D. Dryden | ... |
Friend
(as John Dryden)
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Chris Hagel | ... |
Terrence
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Rest of cast listed alphabetically: | |||
Max Martini | ... |
Det. Pierce (uncredited)
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Elizabeth McCarthy Meek | ... |
Mother (uncredited)
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Jason Mewes | ... |
(uncredited)
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Directed by
Malcolm Ingram |
Written by
Matthew Gissing | ... | (story) (as Matt Gissing) & |
Malcolm Ingram | ... | (story) |
Matthew Gissing | ... | (written by) (as Matt Gissing) |
Produced by
Daegan Fryklind | ... | associate producer (uncredited) |
Christine Haebler | ... | producer |
Doug Hardwick | ... | line producer (as Douglas Hardwick) |
Scott Kennedy | ... | executive producer |
Jennifer Moore | ... | associate producer (uncredited) |
Scott Mosier | ... | executive producer (uncredited) |
Karen Powell | ... | co-producer |
Kevin Smith | ... | executive producer (uncredited) |
Shawn Williamson | ... | co-producer |
Music by
Neil Weisensel |
Cinematography by
Brian Pearson | ... | director of photography |
Editing by
Reg Harkema | ... | (as Reginald Harkema) |
Editorial Department
Daegan Fryklind | ... | post-production coordinator |
Dana Neville | ... | color timer |
Ingrid Rosen | ... | negative cutter |
Helen Siwak | ... | assistant editor |
Casting By
Corinne Clark | ||
Wendy O'Brien | ... | (as a different name) |
John Papsidera | ... | casting director: USA |
Production Design by
Doug Hardwick | ... | (as Douglas Hardwick) |
Art Direction by
Patrick Banister |
Set Decoration by
Tonya Soules |
Costume Design by
Margaret Lovenuik |
Makeup Department
Tracy Bentley | ... | hair stylist: second unit, Toronto (as Tracy Bently) / makeup artist: second unit, Toronto (as Tracy Bently) |
Melanie Burke | ... | assistant hair stylist / assistant makeup artist |
Haley Miller | ... | third assistant makeup artist |
Tara Pollard | ... | second assistant makeup artist |
Adina Shore | ... | key hair stylist |
Monique Venier | ... | first assistant makeup artist |
Carey Williams | ... | key makeup artist |
Production Management
Bonnie R. Benwick | ... | production manager |
James Gabriel | ... | post-production supervisor |
Reg Harkema | ... | post-production supervisor (as Reginald Harkema) |
Louise Valgardson | ... | production manager: second unit, Calgary/Vancouver |
Second Unit Director or Assistant Director
Caroline Battista | ... | trainee assistant director (as Caroline Andress) |
Greg Fawcett | ... | first assistant director (as Greg 'Chunky' Fawcett) |
Darius McKinney | ... | second assistant director |
John Mein | ... | second assistant director: prep |
Jeff Mosuk | ... | third assistant director |
Berengaria Tomkies | ... | third assistant director |
Art Department
David Beetham | ... | painter (as David Beethan) |
Gregory Black | ... | scenic carpenter |
Darren Brewer | ... | lead carpenter (as Darren C. Brewer) |
Johnny Darrell | ... | additional graphics |
Carmelita Fowler | ... | set decorator trainee |
Salmon Harris | ... | storyboard artist |
Janette Hyland | ... | scenic artist |
John Lavell | ... | carpenter |
Lauchlin MacDonald | ... | carpenter (as Lachlan MacDonald) |
Lisa Mitchell | ... | on-set dresser |
Aleya Naiman | ... | props assistant |
Curtis Shokoples | ... | set decorator trainee |
Rob Smith | ... | construction coordinator |
Jeremy Stanbridge | ... | assistant set decorator |
Nevin Swain | ... | property master |
Robin Thomas | ... | head painter |
Sean Will | ... | scenic painter |
Staschia Zahuta | ... | set dresser |
Renata Zaleska | ... | set decorator trainee |
Sound Department
Francesca Benedetti | ... | adr editor |
Ken Cade | ... | sound supervisor |
Marc Chiasson | ... | supervising adr editor (as Marc Chaisson) / supervising dialogue editor (as Marc Chaisson) |
Jonas Crawley | ... | foley recordist |
Lisa Doyle | ... | sound effects editor |
Martin Fossum | ... | sound mixer |
Marc Greenwald | ... | boom operator: second unit, New Jersey |
Michael Hawley | ... | sound mixer |
Brad Hillman | ... | re-recording mixer |
Shane Humphrey | ... | re-recording mixer |
Jesse Lyon | ... | foley editor |
Bill Mellow | ... | re-recording mixer |
Martin Mitchell | ... | boom operator |
Tony Poulsen | ... | boom operator (as Tony Poulson) |
Paul A. Sharpe | ... | re-recording mixer |
Shane Shemko | ... | foley artist (as Shane Semko) |
Peter Taub | ... | audio slave: second unit, New Jersey |
Cam Wagner | ... | foley artist |
Marshall Winn | ... | sound effects editor |
Curtis Wright | ... | assistant foley editor |
Dario DiSanto | ... | foley assistant (uncredited) |
Special Effects by
Todd Bilawchuk | ... | special effects technician |
Tony Lazarowich | ... | special effects coordinator |
W.A. Andrew Sculthorp | ... | special effects best boy (as Andrew Sculthorp) |
Visual Effects by
Jamie Hallett | ... | digital artist |
Jason Kolodziejczak | ... | digital compositor |
Stunts
Marc Akerstream | ... | stunt coordinator |
James Bamford | ... | stunt player |
Darryl Scheelar | ... | stunt player |
Trish Schill | ... | stunt player (as Patricia Schill) |
Melissa R. Stubbs | ... | stunt player (as Melissa Stubs) |
Lauro David Chartrand-Del Valle | ... | stunt player (as Lauro Chartrand) |
Owen Walstrom | ... | stunt performer |
James Bamford | ... | stunt double: Jake Busey (uncredited) |
Freddie Joe Farnsworth | ... | stunts (uncredited) |
Camera and Electrical Department
Matt Almas | ... | best boy grip / bestboy grip |
Allison Beda | ... | second assistant camera |
David Bercovici-Artieda | ... | second assistant camera (as David Bercovici) |
Michael Bickel | ... | key grip: second unit, Toronto (as Michael Bickle) |
Trevor Butt | ... | first assistant camera: second unit, Calgary/Vancouver / focus puller: second unit, Calgary/Vancouver |
Matt Coble | ... | lamp operator (as Matthew Coble) |
Rob de Haan | ... | generator operator |
John J.D. Dryden | ... | grip (as John Dryden) |
Neil Every | ... | second assistant camera |
Ryan Gillard | ... | second assistant camera (as a different name) |
Lou Gruzelier | ... | Steadicam operator / camera operator: "b" camera |
Liane Hentscher | ... | still photographer |
Simon Ho | ... | second assistant camera |
Cliff Hokanson | ... | camera operator: "b" camera / steadicam operator |
Trevor Holbrook | ... | first assistant camera: "a" camera |
David Hutton | ... | key grip / key grip: second unit, Calgary/Vancouver |
Marcus James | ... | first assistant camera |
Finn King | ... | dolly grip |
Rob Lee | ... | electrician |
Ted Lehane | ... | key grip: second unit, New Jersey |
Stephen Maier | ... | first assistant camera: second unit, Calgary/Vancouver (as Steve Maier) |
Vincent Mangano | ... | grip: second unit, New Jersey (as Vince Mangano) |
Kaelin McCowan | ... | focus puller: second unit, Toronto (as Kalin McCowan) |
Doug Mitarewski | ... | grip: second unit, Calgary/Vancouver |
Dean Morris | ... | best boy electric |
Doug Nelson | ... | first assistant camera |
Shinpei Otsuki | ... | second assistant camera |
Chris Parry | ... | epk videographer (as Chris 'Oz' Parry) |
Shaun Pollinger | ... | second assistant camera |
Jennifer Sinclair | ... | camera trainee |
Paul Slatter | ... | gaffer |
Karin Sutherland | ... | additional grip |
Michael Taschereau | ... | grip (as Michael 'Spike' Taschereau) |
Samantha Travers | ... | additional grip |
Lee Vickery | ... | first assistant camera: second unit, New Jersey (as Lee B. Vickery) |
Darek Wyszynski | ... | second assistant camera |
Sid Zanforlin | ... | grip: second unit, Calgary/Vancouver (as Sidney Zanforlin) |
Casting Department
Asha Gill | ... | casting associate |
Linda LaBelle | ... | extras casting (as Linda Labelle) |
Jennifer Page | ... | casting assistant: Vancouver |
Marissa Richmond | ... | casting: Toronto |
Costume and Wardrobe Department
Kristen Bond | ... | set costumer (as Kristen Nicole Bond) |
Angela Cruikshank | ... | costumer |
Candace Cruikshank | ... | assistant costume designer |
Location Management
Douglas Berquist | ... | location manager: second unit, Calgary/Vancouver (as Doug Berquist) |
Jessica Blackbourn | ... | location production assistant |
Robyn Gelka | ... | location production assistant |
Eric Horsting | ... | location production assistant |
Aaron Johnson | ... | location production assistant |
Fausto Mazzuto | ... | location production assistant |
Wayne McDonell | ... | location scout |
Susan Peck | ... | location scout |
David Pink | ... | assistant location manager |
J.P. Sinnott | ... | location production assistant |
Regan Steele | ... | location production assistant (as Regan M. Steele) |
Peter Stewart | ... | location manager |
Music Department
John Bissell | ... | music supervisor |
Nicholas Coulter | ... | musician |
David Danylchuk | ... | musician |
Sean Dillon | ... | musician |
Richard Dolmat | ... | musician |
Graham Hargrove | ... | musician |
Vincent Loveletter | ... | musician |
Neil Weisensel | ... | music producer |
Script and Continuity Department
Sabrina Temblett | ... | script supervisor |
Transportation Department
Dave Byerley | ... | driver: honeywagon (as David Byerley) / transportation co-captain (as David Byerley) |
Wayne Cartwright | ... | driver: cast |
Ben Derrick | ... | transportation coordinator |
Bruce Gordon | ... | additional driver |
Ian-Peter Jacobi | ... | additional driver / driver / transportation coordinator: second unit, Calgary/Vancouver |
Ed Macintosh | ... | driver: star trailer / picture car wrangler |
Tom Mascotto | ... | driver: hair/make-up/wardrobe |
Rod McDonald | ... | driver: cable truck |
Laurie Morris | ... | transportation captain |
Charles Pinkus | ... | additional driver |
Fred Stephens | ... | driver: cast |
Terence Walker | ... | additional driver |
Kevin Weber | ... | additional driver |
Additional Crew
Laura Arcangeli | ... | chef |
Patricia Baun | ... | first assistant production coordinator |
Barb Beebe | ... | craft service / first aid |
K.C. Bransford | ... | story editor |
Wayne Burke | ... | security officer |
Melanie Cadham | ... | assistant to writer |
Patty Carmichael | ... | craft service / first aid |
Al Farman | ... | security coordinator |
Freddie Joe Farnsworth | ... | assistant: Mr. Busey |
John Frizzell | ... | story editor |
Rick Griffiths | ... | auditor |
Chris Grismer | ... | idiot savant: second unit, Toronto |
Bruce C. Jones | ... | assistant security coordinator (as Bruce Jones) |
Taunya Kenney | ... | stand-in |
David Lawrence | ... | production accountant |
Heidi Lingren | ... | assistant to co-producer |
Sarabeth Litt | ... | all-around superb person: second unit, New Jersey |
Philip McAlary | ... | stand-in (as Philip A. McAlary) |
Bliss McDonald | ... | second assistant production coordinator |
Fawn McDonald | ... | production coordinator |
Mark Musselman | ... | legal counsel |
Irene Richards | ... | chef |
Ingrid Severson | ... | chef |
Kevin Smith | ... | executive advisor |
Zorana Svedic | ... | assistant production accountant |
Werner Thomas | ... | production assistant: second unit, Calgary/Vancouver |
Cheryl van der Schyf | ... | post-production accountant |
Wendy Veysey | ... | pre-production accountant (as Wendy Ladret) |
Christina Walshaw | ... | chef |
Paul Zimmerman | ... | publicist |
Chris Parry | ... | assistant to director (uncredited) |
Thanks
Marc Akerstream | ... | dedicatee |
Tanya Allen | ... | the director wishes to thank: for the Toronto debacle (as Tanya) |
John Bissell | ... | the director wishes to thank: for the music |
Scott Bloom | ... | the director wishes to thank |
Diane Boehme | ... | the producers wish to thank: CHUM/Citytv |
Doug Bolton | ... | the producers wish to thank: Goodman, Phillips & Vineberg |
David Bouck | ... | the director wishes to thank |
Martin Brooks | ... | the producers wish to thank: CPF LineSitter |
Jake Busey | ... | the director wishes to thank: for the Toronto debacle (as Jake) |
Corinne Clark | ... | the director wishes to thank |
Collette Coleman | ... | the producers wish to thank: Dolphin World Travel |
Anne Crosbie | ... | the director wishes to thank |
Jim Crosbie | ... | the director wishes to thank |
Lynn Crosbie | ... | the director wishes to thank: for being something to aspire to |
Sharleen Davis | ... | the producers wish to thank: Telefilm Canada |
John Dippong | ... | the producers wish to thank: Telefilm Canada |
Diane Dube | ... | the producers wish to thank: Banque Nationale de Paris (as Diane Dubé) |
Dean English | ... | the director wishes to thank |
Paul Federbush | ... | the director wishes to thank |
Elizabeth Friesen | ... | the producers wish to thank: Telefilm Canada |
Daegan Fryklind | ... | the director wishes to thank |
Matthew Gissing | ... | the director wishes to thank (as Matt Gissing) |
Jim Granger | ... | the producers wish to thank: CPF LineSitter |
Chris Green | ... | the producers wish to thank |
Chris Grismer | ... | the director wishes to thank: 'cos this list needed a Nancy |
Christine Haebler | ... | the director wishes to thank: for being a lot more than just a facilitator (as Christine) |
Monica Hampton | ... | the director wishes to thank |
Doug Hardwick | ... | the director wishes to thank: for the advice [and the sets] |
Reg Harkema | ... | the director wishes to thank: for being the best cutman...in and out of the ring |
Pat Healey | ... | the director wishes to thank |
Greg Henley | ... | the producers wish to thank: Porn Star Clothing |
Phil Houston | ... | the producers wish to thank: CPF LineSitter |
Renée Humphrey | ... | the director wishes to thank (as Renee Humphrey) |
Monica Keen | ... | the producers wish to thank: Telefilm Canada |
David Keeps | ... | the director wishes to thank |
Scott Kennedy | ... | the director wishes to thank |
Tracey Kennedy | ... | the producers wish to thank: Goodman, Phillips & Vineberg |
Jay Kent | ... | the producers wish to thank: Cannell PSI |
Margot Kidder | ... | the producers wish to thank: for being so talented, dedicated and, in the end, so understanding |
Karen Lam | ... | the producers wish to thank: British Columbia Film |
Rosie Levine | ... | the director wishes to thank |
Kimberly Loughran | ... | the director wishes to thank (as Kim Loughran) |
George Margellos | ... | the producers wish to thank: William F. White |
Max Martini | ... | the producers wish to thank: for being such a great and talented fellow and for taking it all in stride |
Bruce McDonald | ... | the director wishes to thank: for paving the road |
Jason Mewes | ... | the director wishes to thank |
Breckin Meyer | ... | the director wishes to thank: for the Toronto debacle (as Breckin) |
Susan Minas | ... | the director wishes to thank |
Stacie Mistysyn | ... | the director wishes to thank |
Jennifer Moore | ... | the producers wish to thank: Associate Producer at Cadence Entertainment |
Scott Mosier | ... | the director wishes to thank |
Danny Nowak | ... | the producers wish to thank: ace cinematographer |
Wendy O'Brien | ... | the director wishes to thank: you sure smell flowery |
Diane Patrick O'Connor | ... | the director wishes to thank |
John Papsidera | ... | the director wishes to thank: for patience and the great cast |
Joan Pearce | ... | the producers wish to thank: Pearce Research Associates |
Brian Pearson | ... | the director wishes to thank |
Karen Powell | ... | the director wishes to thank |
Christian Prohom | ... | the producers wish to thank: CPF LineSitter |
Julie Rekai | ... | the director wishes to thank |
Julia Rosenberg | ... | the director wishes to thank |
Stephen Sassen | ... | the producers wish to thank: Cannell PSI (as Steve Sassen) |
Kevin Smith | ... | the director wishes to thank: for believing |
Jennifer Snyder | ... | the producers wish to thank: British Columbia Film |
Ethan Suplee | ... | the director wishes to thank |
Yoni Tabac | ... | special thanks |
Stuart Tarbuck | ... | the producers wish to thank |
Fredrik Thorsen | ... | the producers wish to thank: Comet Post Production (as Fred Thorsen) |
Matt Wall | ... | the director wishes to thank |
Marilyn Waye | ... | the producers wish to thank |
Erik Whittaker | ... | the director wishes to thank (as Eric Whittaker) |
Robert Wong | ... | the producers wish to thank: British Columbia Film |
Paul Zimmerman | ... | the director wishes to thank |
Production Companies
- Gold Load Productions
- Highwire Entertainment
- British Columbia Film (produced with assistance from)
- CITY-TV (produced in association with)
- Canadian Film or Video Production Tax Credit (CPTC) (produced with the assistance/participation of)
- Canadian Television Fund (produced with the participation of)
- Film Incentive B.C. (produced with the financial assistance of)
- Telefilm Canada - Equity Investment Program (produced with the participation of)
- The Harold Greenberg Fund (developed with the assistance of)
- Téléfilm Canada (produced with the participation of)
Distributors
- Columbia TriStar Home Video (2000) (Canada) (DVD)
- Motion International (1999) (Canada)
- Trimark Home Video (1999) (United States) (VHS)
- Trimark Pictures (1999) (United States) (DVD)
- Xscapade Pictures Ltd. (United Kingdom)
Special Effects
Other Companies
- Cannell PSI (the producers wish to thank)
- City of Glendon, Alberta (the producers wish to thank) (home of the Big Pyrogi)
- City of Sudbury (the producers wish to thank)
- Completion Guarantors (TGC) (completion bond provided by)
- Directors Guild of Canada (acknowledgment)
- Directors Sound & Editorial Services (audio post-production facilities: Los Angeles)
- Edible Planet Catering (catering)
- Film Effects (titles and opticals)
- Film Guard Services Inc. (security)
- Fuji Photo Film (film stock)
- Gizmo Enterprises (audio post-production facilities: New York)
- Goodman Phillips & Vineberg (legal counsel)
- I.A.T.S.E. Local 669 (acknowledgment)
- L & H Apparel (the producers wish to thank)
- Line 21 Media Services (closed captioning)
- Northwest Film Center (the producers wish to thank)
- Original Conforming Services (negative cutting)
- Panavision (cameras and lenses)
- PriceWaterhouseCoopers (auditor)
- Rainmaker Digital Pictures (film laboratory)
- Ritz Diner (the producers wish to thank)
- Sedgwick Insurance (insurance provided by)
- Sharpe Sound Studios (audio post-production facilities: Vancouver)
- Sharpe Sound Studios (sound re-recording)
- Side Bar Lounge (the director wishes to thank)
- Soundelux (audio post-production facilities: Los Angeles)
- Stellar Earth Music Studios (music recorded at)
- Teamsters Local 155 (acknowledgment)
- The Loop Group (walla group)
- Union of B.C. Performers (acknowledgment)
- University of British Columbia (the producers wish to thank)
- VICE Magazine (the producers wish to thank)
- View Askew Productions (the producers wish to thank)
- Vin Mara Graphix (the producers wish to thank)
- Western Post Productions (audio post production facilities: Vancouver)
- Western Post Productions (post-production sound services)
- William F. White International (grip and electrical equipment)
Storyline
Plot Summary |
Ben just got busted in Vancouver on a possession charge. The cops are not the only ones looking for Ben's grow-house full of pot. Ben calls his girlfriend from jail; she calls Ben's sister Angie, who contacts her boyfriend Cole at work, a vintage-car repair-shop outside Toronto he runs (at a loss) with Bruce. Bruce decides to race across Canada to Vancouver against Cole, each with their convertible and girlfriend, with 8 landmarks to photograph on the way, making it into a road trip too. Will they get to Vancouver, and can they help Ben? Written by Scott Filtenborg |
Plot Keywords | |
Taglines | Welcome to life in the fast lane See more » |
Genres | |
Parents Guide | View content advisory » |
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Did You Know?
Trivia | In an interview for website IGN, writer/director Malcolm Ingram described the experience as being very unpleasant to handle. "But it wasn't in the cards. The Producer was insane, The Production company was lame, I was too green to deal with such insanity as the schedule being cut down by 12 days two weeks before we went to camera. On that film our Producer actually made offers to two separate actresses (Lisa Marie and Elizabeth Berkeley) at the same time. They both accepted and my poor screenwriter had to tear chunks of the script out and create a role to accommodate both actors. They were both great, and I wasn't complaining to have two incredible ladies in my film... but that is an example of the level of professionalism I was dealing with. I also remember we had a bare bones crew doing pick up shots for free to try and make up for the days we lost. God bless 'em. We were shooting a highly illegal scene involving fake cop cars and high speeds. No one really wanted to be there, But... It had to be done. The Producer (the one who f***ed us for days and left us in this highly precarious situation) didn't even stick around to show support, saying, "I'll say a prayer for you guys" as she bolted away from the travesty she was responsible for. The real shame is that I think that the actors really gave the goods... and the crew worked their hearts out. In the end... it wasn't what I had envisioned. However I'm still proud of the actors... and forever grateful to the crew... Wish I could have given 'em something to be a little prouder." See more » |
Soundtracks | History Lesson Part II See more » |
Crazy Credits | The Director Wishes to Thank: JESUS CHRIST See more » |