| Photos (See all 53 | slideshow) | Videos (see all 2) |
Directed by | |||
| Joe Dante | |||
Writing credits(WGA) | ||
| Gavin Scott | (written by) and | |
| Adam Rifkin | (written by) and | |
| Ted Elliott | (written by) & | |
| Terry Rossio | (written by) | |
Produced by | |||
| Paul Deason | .... | co-producer | |
| Michael Finnell | .... | producer | |
| Walter F. Parkes | .... | executive producer (as Walter Parkes) | |
| Colin Wilson | .... | producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Jamie Anderson | |||
Film Editing by | |||
| Marshall Harvey | |||
| Michael Thau | |||
Casting by | |||
| Denise Chamian | |||
Production Design by | |||
| William Sandell | |||
Art Direction by | |||
| Mark W. Mansbridge | (supervising art director) | ||
| Brad Ricker | (as Bradford Ricker) | ||
Set Decoration by | |||
| Rosemary Brandenburg | |||
Costume Design by | |||
| Carole Brown-James | |||
Makeup Department | |||
| Cynthia Barr | .... | assistant makeup artist (as Cynthia Barr-Bright) | |
| Judith A. Cory | .... | hair department head | |
| Karyn Huston | .... | assistant hair stylist | |
| Christina Smith | .... | makeup department head | |
| Brian Stiver | .... | mold department | |
Production Management | |||
| Paul Deason | .... | unit production manager | |
| Brad Goodman | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Benita Allen | .... | first assistant director (as Benita Allen-Honess) | |
| M. James Arnett | .... | second unit director (as Jim Arnett) | |
| C.C. Barnes | .... | first assistant director: second unit | |
| Dieter 'Dietman' Busch | .... | second assistant director (as Dieter Busch) | |
| Marisa Ferrey | .... | dga trainee | |
| Rebecca Strickland | .... | second assistant director | |
| Nancy L. Ventura | .... | second second assistant director | |
Special Effects by | |||
| Larz Anderson | .... | special effects leadman | |
| Felix Balbas | .... | special effects technical director/animator | |
| Darin Bouyssou | .... | key technician: Stan Winston Studio | |
| William Butler | .... | special effects technician | |
| John Calpin | .... | special effects crew | |
| Jim Charmatz | .... | character design: Stan Winston Studio | |
| David Covarrubias | .... | special effects technician | |
| Glenn Derry | .... | electronics designer: Stan Winston Studio | |
| Kim Derry | .... | special effects | |
| Lance Gilmer | .... | special effects technician | |
| Grady Holder | .... | lab technician: Stan Winston Studio | |
| Timothy Huizing | .... | puppet painter | |
| Mark Lilienthal | .... | special effects | |
| Lindsay MacGowan | .... | art department: Stan Winston Studio | |
| Bob Mano | .... | key animatronic designer: Stan Winston Studio | |
| Keith Marbory | .... | special effects supervisor | |
| Paul Mejias | .... | special effects artist and puppeteer | |
| Daniel P. Murphy | .... | special effects: second unit | |
| Tim Nordella | .... | fabricator | |
| Jane E. Pepiot | .... | special effects office coordinator | |
| Jeff Pepiot | .... | special effects | |
| Ken Pepiot | .... | special effects coordinator | |
| Gintar Repecka | .... | special effects foreman | |
| John Rosengrant | .... | makeup effects supervisor | |
| Joseph C. Sasgen | .... | special effects | |
| Frank Schepler | .... | special effects foreman | |
| Kirk Skodis | .... | animatronic designer: Stan Winston Studio | |
| Laura Stella | .... | mechanical department: Stan Winston Studio | |
| Douglas J. Stewart | .... | puppet painter | |
| Thomas R. Ward | .... | special effects | |
| Stan Winston | .... | animatronic design and effects | |
Visual Effects by | |||
| Alexandra Altrocchi | .... | visual effects coordinator | |
| David Andrews | .... | animation supervisor | |
| Joel Aron | .... | sequence supervisor | |
| Christopher S. Baird | .... | production visual effects editor (as Chris Baird) | |
| Leslie Barnett | .... | production visual effects coordinator | |
| Stewart Birnam | .... | software developer: ILM | |
| Rob Blue | .... | digital artist: main title | |
| Scott Bonnenfant | .... | texture artist | |
| Kim Bromley | .... | visual effects producer | |
| Ken Bryan | .... | digital modeler | |
| Beth D'Amato | .... | assistant concept artist | |
| Natasha Devaud | .... | digital artist | |
| James Doherty | .... | digital modeler | |
| Selwyn Eddy | .... | matchmove supervisor (as Selwyn Eddy III) | |
| Stefen Fangmeier | .... | visual effects supervisor | |
| Debbie Fought | .... | digital artist: ILM (as Deborah Fought) | |
| Scott Frankel | .... | compositing supervisor | |
| Todd Fulford | .... | digital artist | |
| Frank Gravatt | .... | modeller | |
| Tony Hudson | .... | digital model supervisor: ILM | |
| George Hull | .... | visual effects art director | |
| Jason Ivimey | .... | animator: ILM | |
| Randy Jonsson | .... | matchmover: ILM | |
| Heather Knight | .... | animator | |
| Marshall Richard Krasser | .... | lead digital compositor: ILM | |
| Martin L'Heureux | .... | animator | |
| David Latour | .... | animator: ILM | |
| Mohen Leo | .... | visual effects technical director | |
| Dawn Martin | .... | visual effects editorial | |
| Terrence Masson | .... | senior technical director | |
| Jeff Matakovich | .... | visual effects supervisor | |
| Mark 'Crash' McCreery | .... | character design | |
| Jennifer McKnew | .... | digital artist: ILM | |
| David Meny | .... | sequence supervisor | |
| Marty Luigi Miramontez | .... | computer systems engineering | |
| Amanda K. Montgomery | .... | visual effects coordinator: ILM | |
| Jim Morris | .... | senior staff: ILM | |
| Michelle Motta | .... | CG technical support: ILM | |
| Michael Olague | .... | visual effects gaffer | |
| David Parsons | .... | character animator | |
| Aaron Pfau | .... | technical director | |
| Cary Phillips | .... | software research and development | |
| Ellen Poon | .... | visual effects co-supervisor | |
| Bruce Powell | .... | digital artist | |
| Liz Radley | .... | computer graphics consultant | |
| Ari Rapkin | .... | production software engineer | |
| Kevin Reuter | .... | digital effects artist | |
| Susan Ross | .... | viewpaint supervisor | |
| Jason Rosson | .... | digital effects artist: ILM | |
| Jeff Saltzman | .... | matchmover: ILM | |
| Sean Schur | .... | sequence supervisor | |
| Jeff Shank | .... | digital effects: ILM | |
| H.B. Siegel | .... | senior staff: ILM | |
| Jason H. Snell | .... | digital plate restoration technician | |
| John Stillman | .... | digital artist | |
| Marcus Stokes | .... | visual effects | |
| Joe Takai | .... | production engineering supervisor | |
| Edward Taylor IV | .... | character modeller: ILM | |
| Paul Theren | .... | digital modeler | |
| Michael Thompson | .... | information systems | |
| Si Duy Tran | .... | character animator (as Si Tran) | |
| Chi Chung Tse | .... | digital character animator | |
| Michael Van Eps | .... | digital paint & rotoscope artist | |
| Paul Vega | .... | visual effects assistant editor | |
| Tim Waddy | .... | cg animator | |
| Matt Wallin | .... | digital artist | |
| R.D. Wegener | .... | 3D camera matchmove artist: ILM | |
| Ken Ziegler | .... | digital effects compositor | |
| Les Bernstien | .... | title sequence director of photography (uncredited) | |
| Mark Fiorenza | .... | visual effects (uncredited) | |
| Carl N. Frederick | .... | computer graphics supervisor (uncredited) | |
| Michael Meyers | .... | CGI modeler: production plant (uncredited) | |
Stunts | |||
| M. James Arnett | .... | stunt coordinator (as Jim Arnett) | |
| Seth Arnett | .... | utility stunts (as Seth James Arnett) | |
| Jared S. Eddo | .... | utility stunts | |
| Bob Herron | .... | stunts | |
| Cinda-Lin James | .... | stunt double: Kirsten Dunst | |
| Cinda-Lin James | .... | utility stunts | |
| Shawn Kautz | .... | stunts | |
| Michael Owen | .... | stunts | |
| Shawn Robinson | .... | utility stunts | |
| Pat Romano | .... | assistant stunt coordinator | |
| Jill Brown | .... | stunts (uncredited) | |
| Mark Aaron Wagner | .... | stunt double: Jay Mohr (uncredited) | |
Animation Department | |||
| Scott Benza | .... | animator | |
| Chuck Duke | .... | animator | |
| David Latour | .... | animator | |
| Steve Lee | .... | animator | |
| David Monzingo | .... | character designer | |
| Jacques Muller | .... | animator | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
| Kara Katsoulis | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Michael Burnett | .... | specialty costumes | |
| Chris Burrows | .... | key costumer | |
| Danna Edwards | .... | set costumer | |
| Kent James | .... | costume supervisor | |
| Marcie Olivi | .... | costumer | |
Editorial Department | |||
| Tracy Adams | .... | second assistant editor | |
| Dale Beldin | .... | additional editor | |
| Martin Cohen | .... | post-production executive | |
| Mo Henry | .... | negative cutter | |
| Gloria Kaiser | .... | color timer | |
| Jim Schulte | .... | first assistant editor | |
| Lisa Marie Serra | .... | post-production coordinator | |
Music Department | |||
| Romeo Antonio | .... | musician | |
| Robert Bayless | .... | assistant music editor | |
| Bruce Botnick | .... | music mixer | |
| Alexander Courage | .... | orchestrator | |
| Sandy DeCrescent | .... | music contractor | |
| Jerry Goldsmith | .... | conductor | |
| Darrell Hall | .... | music editor | |
| Todd Homme | .... | executive in charge of music | |
| John Rodd | .... | orchestral scoring recordist | |
| John Rotondi | .... | scoring engineer: Y4 | |
| Dennis Sager | .... | scoring engineer | |
| Steven L. Smith | .... | music preparation | |
| Nick Vidar | .... | music programmer | |
Transportation Department | |||
| Denny Caira | .... | transportation coordinator | |
| Don Haggerty | .... | production driver | |
| Mike Shannon | .... | transportation captain | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I had been aware of the gem, yes, gem, that is Small Soldiers ever since I was quite little. I had also always owned it, and had watched it on numerous occasions. Time went by without a watch for many, many years, as I lost interest in it for a awhile, and then later on, when I became more indulged in the film life, I saw it in my collection and decided it was time to freshen up on it. I popped it in and was ready to be overwhelmed with the memories of how great this film truly manages to hold up being over time.
I thought this movie was overall just a really great and enjoyable little film that even though it was just meant for entertainment, ended up being so lovable and cherished, much more than I thought I would love and cherish it. What was really that bad about it, folks? I have heard a lot of negativity directed at this film for being a weak Dreamworks animation with practically no depth or originality. Depth? Originality? You were honestly looking for those qualities with Small Soldiers? Maybe if you would lighten up on it, you'd enjoy it for the truly fun and enticing film it is. Some I bet were already even doubting it from the start, which that's no way to enter with a film as lighthearted and good-willed as Small Soldiers.
Most of the comedic antics were quite laughable, and that's laughable in the tasteful kind of way, especially the renovated Barbies and cowardliness of the Gorgonites. It completely entertains you, and it certainly keeps you interested through the whole movie with the fun characters and non-stop deliverance of toy warfare and excellent voice-overs. The fighting scenes were cool and amusing, and the script was pretty different and new, even though many think Dreamworks tries to silently and sneakily follow in the footsteps of previous Disney/Pixar films that are big hits, in this case, Toy Story.
I don't see why this movie has the rating it does, for I thought a lot more people would've liked it better than this, but I guess not everybody can spot a great film when they see one. If you haven't seen this movie yet, I completely recommend it, because it is a nice little movie that I am honored to own. It is getting too much harsh treatment. I had loads of fun watching it, always have, and I'm sure you will too, in the right mood. Plus, I love the usage of the song "Wannabe" at the right time in this film; forever a Spice Girl fan.