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Damned in Venice (1978)
"Nero veneziano" (original title)

5.7
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Ratings: 5.7/10 from 219 users  
Reviews: 10 user | 8 critic

A blind boy receives a vision that warn him of the birth of the anti-christ.

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, (screenplay), 3 more credits »
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Title: Damned in Venice (1978)

Damned in Venice (1978) on IMDb 5.7/10

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Cast

Cast overview, first billed only:
Renato Cestiè ...
Mark
Rena Niehaus ...
Christine
...
Dan
Fabio Gamma ...
Giorgio
José Quaglio ...
Father Stefani
Ely Galleani ...
Christine's Friend
Angela Covello ...
Christine's Friend
Lorraine De Selle ...
Christine's Friend
Florence Barnes ...
Christine's Friend
Olga Karlatos ...
Madeleine Winters / Vicky's Mother / The Midwife on the ferry
Bettine Milne ...
Grandmother
Tom Felleghy ...
Martin Winters
Linda Larsen
Jacqueline Kluger
Francesca Bosco
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Storyline

A blind boy receives a vision that warn him of the birth of the anti-christ.

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Plot Keywords:

blind boy | boy | vision | italy | priest | See more »

Genres:

Horror | Mystery

Certificate:

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Details

Country:

Language:

Release Date:

18 February 1978 (Italy)  »

Also Known As:

Nero veneziano  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Telecolor)
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User Reviews

 
this could be the best looking Venice on film
9 March 2014 | by (Greenwich - London) – See all my reviews

My third Ugo Liberamore film and it seems unlikely I'll get the chance to see any more. These three, The Sex Of Angels, May Morning and this were hard enough to get hold of but all very much worth a search. If this Venice set horror is not quite up to the other two, it isn't far off and I enjoyed it. My print was pretty degraded and the film shot in Venice in the winter but I still reckon this could be the best looking Venice on film. Creepy and unsettling with moments of true horror, this intrigues from the very start with the blind boy being led down the narrow alleyways and across the tiny bridges. The music helps keep things from becoming too ordinary and Playboy 'playmate', Rena Niehaus a welcome distraction from some of the more grisly terrors. I've seen this described as a giallo, which it is not and moreover, I have to say, it doesn't crack along like some wild thriller but with Rosemary's Baby and Don't Look Now merely as undertones this is a very different vision of satanism.


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