Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed....
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In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him ... See full summary »
Director:
Gillian Armstrong
Stars:
Ralph Fiennes,
Cate Blanchett,
Ciarán Hinds
Fact-based recounting of a group of women who are imprisoned on the island of Sumatra by the Japanese during World War II and used music as a relief to their misery.
At 10, Fanny Price, a poor relation, goes to live at Mansfield Park, the estate of her aunt's husband, Sir Thomas. Clever, studious, and a writer with an ironic imagination and fine moral ... See full summary »
Director:
Patricia Rozema
Stars:
Frances O'Connor,
Jonny Lee Miller,
Alessandro Nivola
A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
Director:
Tom Tykwer
Stars:
Cate Blanchett,
Giovanni Ribisi,
Remo Girone
Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed. Sir Robert turns for help to his friend Lord Goring, an apparently idle philanderer and the despair of his father. Goring knows the lady of old, and, for him, takes the whole thing pretty seriously. Written by
Jeremy Perkins {J-26}
At Lord Goring's Club, a background character says "Come now, Bunbury!" Bunbury is an imaginary sick friend invented by a character in "The Importance of Being Earnest" as an excuse to visit the country. That play is performed in the background in several scenes of the movie. See more »
Goofs
Lord Goring's jacket is buttoned, then unbuttoned, then buttoned again as he explains Lady Chiltern's letter to Lord Chiltern, Mabel and Lady Chiltern herself near the end of the film. See more »
Quotes
Laura:
Do you know, Gertrude, I don't mind your talking morality a bit. Morality is simply the attitude we adopt towards people whom we personally dislike. You dislike me, I am quite aware of that, and I have always detested you.
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Crazy Credits
The credits list Oliver Parker, the director, as playing "Bunbury", one of the gentlemen that is seen playing cards with Lord Goring in the Men's Club when Lord Chiltern arrives. Bunbury is also a never-seen character in "The Importance of Being Earnest", the play which is performed in the background of several scenes of this film. See more »
One of the principal sources of humour in Wilde's plays comes from pricking at the inflated egos, pious humbug and ignorance of the upper classes. There is always a Wildean character to reverse a clicheed expression or invert conventional 'wisdom.' Unfortunately, by stripping most of his characters of their stiff formality and rigid social code, the writer and director have removed the butt of the joke and Wilde's comments on absurdity are left without a punchline. The attempt to work in anachronistic social relevance leaves us with a set of feeble characters who fall in love with each other for no obvious reason. Because Wilde's language has been sterilised the actors have to use mugging to express the personalities Wilde created. Result, a charmless and dated 'political' drama as credible as a Jeffery Archer novel. Gertrude is insecure and fretful where she should be smug and priggish- Mabel is arch where she should be caustic- Poor Oscar - gets no 'Oscar'!
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One of the principal sources of humour in Wilde's plays comes from pricking at the inflated egos, pious humbug and ignorance of the upper classes. There is always a Wildean character to reverse a clicheed expression or invert conventional 'wisdom.' Unfortunately, by stripping most of his characters of their stiff formality and rigid social code, the writer and director have removed the butt of the joke and Wilde's comments on absurdity are left without a punchline. The attempt to work in anachronistic social relevance leaves us with a set of feeble characters who fall in love with each other for no obvious reason. Because Wilde's language has been sterilised the actors have to use mugging to express the personalities Wilde created. Result, a charmless and dated 'political' drama as credible as a Jeffery Archer novel. Gertrude is insecure and fretful where she should be smug and priggish- Mabel is arch where she should be caustic- Poor Oscar - gets no 'Oscar'!