Socially inept garbage man Simon is befriended by Henry Fool, a witty roguish, but talent-less novelist. Henry opens a magical world of literature to Simon who turns his hand to writing the... See full summary »
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When high school dropout Maria Coughlin announces her pregnancy to her parents, her father drops dead on the floor. Her mother kicks her out of the house and her boyfriend dumps her, so ... See full summary »
Director:
Hal Hartley
Stars:
Adrienne Shelly,
Martin Donovan,
Rebecca Nelson
Insightful look at an unattractive 7th grader as she struggles to cope with un-attentive parents, snobbish classmates, a smart older brother, an attractive younger sister, and her own insecurities.
Director:
Todd Solondz
Stars:
Heather Matarazzo,
Victoria Davis,
Christina Brucato
After serving time for murder, Josh Hutton returns to his home town where me meets Audry Hugo. No one can remember exactly what Josh did, but they are all wary of him, especially Audry's ... See full summary »
Director:
Hal Hartley
Stars:
Adrienne Shelly,
Robert John Burke,
Chris Cooke
When his only friend dies, a man born with dwarfism moves to rural New Jersey to live a life of solitude, only to meet a chatty hot dog vendor and a woman dealing with her own personal loss.
Director:
Thomas McCarthy
Stars:
Peter Dinklage,
Paul Benjamin,
Bobby Cannavale
Socially inept garbage man Simon is befriended by Henry Fool, a witty roguish, but talent-less novelist. Henry opens a magical world of literature to Simon who turns his hand to writing the 'great American poem'. As Simon begins his controversial ascent to the dizzying heights of Nobel Prize winning poet, Henry sinks to a life of drinking in low-life bars. The two friends fall out and lose touch until Henry's criminal past catches up with him and he needs Simon's help to flee the country. Written by
Josh Mueller <jomuelle@mailbox.syr.edu>
It's a shame that "Henry Fool" remains relatively overlooked and underrated. In large part because it's such a departure from his earlier films, Hal Hartley purists couldn't stomach the epic scale and thematic shift of the film, and audiences who would likely appreciate the movie never even saw it. In my opinion though, Henry Fool is a true masterpiece of American cinema and one of the best films of the 1990s. If you look at films like "Trust", "Simple Men" and "Amateur" as early, developmental works in Hal Hartley's maturation as a filmmaker, and then see "Flirt" as his attempt to identify himself more as a "director" than a "writer", then "Henry Fool" is the fruit of that labor - not only is it precisely, minimalistically and efficiently directed, but it's far and away his best writing yet. His favorite themes are expanded and blown up within a mythic frame, and his casting here of stage actors (especially the hefty presence of Thomas Jay Ryan) separates the film from Hartley's earlier work. However, it retains the philosophical tone, the inner musings of character, and the precision of their actions. This time, however, Hartley accomplishes this by expanding the frame with which he grapples with friendship, family, ambition, achievement and betrayal, and ends up with a shattering parable about who we choose to be in our lives. The film is about greatness, and thanks to Hartley's fearlessness in envisioning his characters' conceptions of greatness, it is truly great.
(Where's the DVD version?)
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It's a shame that "Henry Fool" remains relatively overlooked and underrated. In large part because it's such a departure from his earlier films, Hal Hartley purists couldn't stomach the epic scale and thematic shift of the film, and audiences who would likely appreciate the movie never even saw it. In my opinion though, Henry Fool is a true masterpiece of American cinema and one of the best films of the 1990s. If you look at films like "Trust", "Simple Men" and "Amateur" as early, developmental works in Hal Hartley's maturation as a filmmaker, and then see "Flirt" as his attempt to identify himself more as a "director" than a "writer", then "Henry Fool" is the fruit of that labor - not only is it precisely, minimalistically and efficiently directed, but it's far and away his best writing yet. His favorite themes are expanded and blown up within a mythic frame, and his casting here of stage actors (especially the hefty presence of Thomas Jay Ryan) separates the film from Hartley's earlier work. However, it retains the philosophical tone, the inner musings of character, and the precision of their actions. This time, however, Hartley accomplishes this by expanding the frame with which he grapples with friendship, family, ambition, achievement and betrayal, and ends up with a shattering parable about who we choose to be in our lives. The film is about greatness, and thanks to Hartley's fearlessness in envisioning his characters' conceptions of greatness, it is truly great.
(Where's the DVD version?)