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Three twisted tales from the seamy side of Scotland and the mind of Irvine Welsh. The Granton Star Cause: in the same day a young Leith lad is dumped by his football team, his girlfriend and his parents, arrested and beaten up by the police and turned into a fly by God, whom he meets in a pub. The Soft Touch: a man is too soft to do anything when his wife moves in with the thug upstairs. The Acid House: while tripping on acid, Coco Bryce is struck by lightning, causing him to switch bodies with a newborn baby. Written by
Alexander Lum <email@example.com>
Instant Review: Great, Brilliant, Oh God make it stop.
The Acid House: 8/10: A collection of three films strung together with wildly different results.
The first film (The Granton Star Cause 8/10) is a pleasant surprise and high comedy. It is a take on Franz Kafka's Metamorphosis mixed with God, elderly S and M, and a football team. Outrageous and funny it is great black comedy involving a bloke named Boab who is having a very bad day indeed. And as God lovingly points out it is his own lazy incompetence that is basically responsible for his troubles.
The second film (The Soft Touch 10/10) is a top-notch drama that, for me at least, hit close to home. Kevin McKidd portrays a get along cuckolded husband with perfection while Gary McCormick, as Larry is stunning as the upstairs neighbor. American audiences are not used to seeing their protagonists pushed this far without pushing back but to this ear it rang realistic and very sadly true. The third film
(The Acid House 2/10) is a very overlong train wreck that may have worked on paper but fails miserably in film. It includes such Trainspotting regulars as that horrible mechanical baby (Like a demented Chucky) and brainless Coco who amuses for about five minutes before becoming tiresome. Add horrendous dialog, endless poop jokes and an acid trip left over from a Peter Fonda film and you have one great mess. As a five-minute bit it could have worked but time seems to stand still while it drags its bloated carcass on the screen.
God (who appears in all 3 segments wonderfully played by Maurice Roeves) may seem vengeful in the first film and carelessly sadistic in the second, but this viewer was praying to him during the third segment to make the pain go away.
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