An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist's ... See full summary »
Three twisted tales from the seamy side of Scotland and the mind of Irvine Welsh. The Granton Star Cause: in the same day a young Leith lad is dumped by his football team, his girlfriend and his parents, arrested and beaten up by the police and turned into a fly by God, whom he meets in a pub. The Soft Touch: a man is too soft to do anything when his wife moves in with the thug upstairs. The Acid House: while tripping on acid, Coco Bryce is struck by lightning, causing him to switch bodies with a newborn baby. Written by
Alexander Lum <email@example.com>
The film was deemed deeply offensive by the UK tabloid press for its inclusion of a swearing, foul-mouthed God. See more »
[Larry is beating Jonny]
Blooter that bastard! Kill the fuckin' cunt! Ya fuckin' knob! He's got our fuckin' electricity! He's got ma fuckin' bairn! Go back to your ma! Lick your ma's fuckin' piss-flaps, ya fuckin' cunt!
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I don't give a rat's a$$ whether the social commentary is accurate or not or what this film's "artistic sensibilities" are supposed to be. This movie is a riot. It's romp through the ugliest, most politically incorrect depths of everyone's subconscious. This film needs to be watched during a particularly bad hangover, wearing only underpants with holes in them, while eating cold pizza from the night before and sucking on your first hair-of-the-dog beer.
The second segment is the best one, and also the most realistic one. A pathetic, hopeless man living a grim, hopeless life has his become accustomed to his misery, until a neighbor from hell makes his existence even more intolerable than before. This segment is definitely an allegory of every working class life.
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