| Lynne Ramsay Jr. | ... | Lynne | |
| Martin Anderson | ... | Steven | |
| James Ramsay | ... | Da | |
| Denise Flannagan | ... | Ma | |
| Jackie Quinn | ... | Woman | |
| Lisa Taylor | ... | Girl | |
| Robert McEwan | ... | Boy |
Directed by | |||
| Lynne Ramsay | |||
Writing credits | ||
| Lynne Ramsay | (writer) | |
| Harold Manning | french adaptation | |
Produced by | |||
| Gavin Emerson | .... | producer | |
| Barbara McKissack | .... | executive producer | |
| Oscar van Heek | .... | executive producer | |
Cinematography by | |||
| Alwin H. Kuchler | |||
Film Editing by | |||
| Lucia Zucchetti | |||
Production Design by | |||
| Jane Morton | |||
Art Direction by | |||
| Chris Cull | |||
| Robina Nicholson | |||
Costume Design by | |||
| Gill Horn | |||
Makeup Department | |||
| Nikki Brannan | .... | makeup designer | |
Production Management | |||
| Karen McConnel | .... | production manager | |
Art Department | |||
| Andy Drummond | .... | art department assistant | |
| Vivien Mackay | .... | assistant art director | |
| Jamie MacWilliam | .... | art department assistant | |
| Tim Munro | .... | art department assistant | |
Sound Department | |||
| Kenny Allan | .... | boom operator | |
| Stuart Bruce | .... | sound recordist | |
Camera and Electrical Department | |||
| Lucien Grieve | .... | grip | |
| Ian Jackson | .... | gaffer | |
| Henrietta Larkin | .... | clapper loader | |
| Drew Mansell | .... | electrician | |
| David Taylor | .... | electrician (as Dave Taylor) | |
| Scott Ward | .... | focus puller | |
Other crew | |||
| Margaret Graham | .... | continuity | |
| Leigh Hurst | .... | production assistant | |
| Joan Johnston | .... | production assistant | |
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| The Kids Are All Right | Love Actually | The Holiday | Rat | Mansfield Park |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb UK section |
It's grim up north the old saying goes; Gasman by Lynne Ramsey won't change that stereotype but it does illustrate the talent of this director. This short film shares similarities with the both work of Mike Leigh and social realist 'kitchen sink' films of the sixties, in showing a slice of life story from the lower classes. Read; bleak setting and diegetic sound.
Set in an undisclosed Scottish city at Christmas, the story concerns a day in the life of lower class father (James Ramsey), daughter Lynne (Lynne Ramsey Jr) and son Steven (Martin Anderson) as they walk the tracks. En route, they mysteriously pick up more children from a woman (Jackie Quinn), Lisa (Lisa Taylor) and Robert (Robert McEwan).
Gasman is a powerful piece, due in no small part to the performance by Lynne Ramsey Jr. It is a powerful portrait of a working class young girl and the confusion she faces. When pretending to be Dorothy from the Wizard of Oz, you really believe that 'There's no place like home.' The supporting cast are also suitably bedraggled for their characters to be believable. There are some fine visual flourishes in this short piece; the close shots of people getting ready for their day out give the film a very intimate feel, as if you are really looking into their family life. There is appropriate use of light and dark contrast, in particular as they are in wide shot walking up the tracks. Also, the working club Christmas party is visual delight, with child POV shots, slow motion and chopped up editing.
At times the Scottish dialect is quite hard to follow with the sound quality being quite raw. My main issue with the film would be that Gasman doesn't have anything original to say. Gasman is suitably bleak according to genre convention but its essential message being that it's challenging growing up in a lower class environment has been a mainstay of social realist cinema since before Kes. Still grim it would seem.