A French lieutenant makes a bet that he can seduce any woman in town in the two weeks before his regiment leaves for maneuvers, but his chosen target (a Parisian divorcée) isn't like other girls he's known.
In a small Mediterranean port, Lionel, a kind-hearted athlete, saves a young woman in dire straits who was about to kill herself. He is assisted by William Chaminade, a vet whose business ... See full summary »
Since the death of his mother, Pascal, ten years old, spends his holidays with his father, the rich Laurent Segur. One day, when diving near the shores of Corse, an aircraft falls into the ... See full summary »
After viewing an unusual film about murder and the irony of fate, a man deliberately steps in front of a slow-moving vehicle, planning to use the minor accident which should result as an ... See full summary »
The first to die in an epidemic of meningitis in Vera Cruz is a French tourist. His wife Nellie, detached and indifferent, feels little grief and realizes that her coldness is her own doom.... See full summary »
Rafael E. Portas
Carlos López Moctezuma
In ancient Rome a love story blossoms between Fabiola, daughter of a senator, and Rhual, a gallic gladiator. When Fabiola's father is killed, the Romans blame the Christians and the ... See full summary »
An RAF squadron is brought down over occupied France. The flyers get to Paris in spite of the fact that the youngest, Baby, is injured. He must be hidden and his wounds cared for. The Gestapo has already issued orders for their arrest.
Charles Rouvier, a lawyer, is in jail for trying to save one of his clients, Hedwige. He decides to be revenged on women and his inmates teach him how to seduce and exploit them.As soon as ... See full summary »
By far the best thing about this wonderful film is that it was made in 1960 right at the apex of the much vaunted new wave, the one that had pseuds and academics creaming in their pants and the one that lasted all of five minutes. Here Alex Joffe, little more than a journeyman writer- director reminds us that REAL film making is about PEOPLE and grammar - Master Shot, Long Shot, Mid Shot, Two-Shot, Close Shot, Close Up, Fade In, Fade Out, Dissolve, not shooting on the streets with a couple of mates and a hand-held camera, having your leading actor walk up the boulevard and then walk down again for no reason, crudely jump cutting because you don't know what a movieola is. It would be difficult to nominate two acting styles as disparate as Michele Morgan and Bourvil - Charles Laughton and Celia Johnson perhaps, or Dorothy McGuire and Rod Steiger. No matter, here the two leads manage to meld perfectly. As if to rub it in Joffe is going back 20 years to the Occupation and Morgan gets to wear the beret she wore in Quai des brumes. It's one of those very human stories with everything in, laughter, tears, tragedy, melodrama and it all works beautifully. In a touch of the Green Cards, Morgan is a middle-class lady with two young children and a husband involved with the Resistance who has been arrested. Bourvil is a poacher one rabbit short of a good night's work. Schoolteacher Gaby Morlay - another great pre-New Wave actress in an affecting cameo - brings them together, arranges fake papers including a marriage license and packs them off to Toulouse in the 'Free' Zone. There they sit out the war forging a bond not only with each other but also with the Jewish family who live next door. Inevitably there is only one ending; the war ends and Bourvil leaves. Bittersweet? In spades.
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