Germain is a trucker experience. When involved in an accident that causes the death of a woman, her world stops spinning and falls into a worrying state. Consumed by guilt, Germain has not ... See full summary »
The story is an odyssey of a little man through Poland of 1930 to 1950. It shows his attempts to cope with a changing world which seems to have no place for him. He has no consciousness of ... See full summary »
50 year old Giulio (Tognazzi) and his 17 year old goddaughter, Vincenzina (Muti) fall madly in love with each other and soon are wed. Unfortunately for Giulio he walks in on his friend and ... See full summary »
Quirino fa il "tombarolo" e vivacchia con quello che trova. E' violento e picchia Faustina, la moglie. Un giorno crede di fare il colpo grosso: trova una tomba etrusca con una mummia. ... See full summary »
for many Romano-Catholics, the figure, the facts, experience and testimony of Faustyna Kowalska are not unknown. her life is one of the pillars of West Christian popular sensitivity. so, that film reminds old truth. and its fundamental virtue is not to present a biography but to do that in a delicate, gentle, precise manner. story of a meeting, it is not a manifesto or faith demonstration. it is a beautiful confession about the fight of a young nun who transforms her vision about The Savior in the axis of life. the life of her but, more important, the life of her Church. as Greek- Orthodox, I admit, the subject seems be always strange. but the movie has the rare gift to use not only right style to show the story but the right actress, Dorota Segda , who has the science to reflect new nuances to a legendary Catholic saints.than, important thing is the image who reminds the spirit of a lost Central Europe. another good point - the language. because it is a Polish story. not only geographical but spiritual. and the dialog becomes the useful detail for open new dimensions to the portrait of Faustina.
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