| Videos (see all 3) |
| Jayne Deely | ... | Emily | |
| Kevin Dewey | ... | Steve | |
| John Glover | ... | Sam | |
| Jill Hennessy | ... | Kate | |
| Arthur M. Jolly | ... | Police Diver | |
| Isabel Keating | ... | Forensics Specialist | |
| Christopher Lawford | ... | Joshua | |
| Danny Mastrogiorgio | ... | Veduccio (as Daniel Mastrogiorgio) | |
| Reginald Mervilus | ... | Police Officer | |
| Adam Seth Nelson | |||
| Tony Roberts | ... | Walter | |
| Cheryl Rogers | ... | Luanne | |
| Patricia Scanlon | ... | Frankie | |
| Paul Sorvino | ... | Harvey | |
| Leslie Lewis Sword | ... | EMT Technician (as Leslie Lewis) | |
| Justin Theroux | ... | James | |
| Nela Wagman | ... | Sherry |
Directed by | |||
| Edward Vilga | |||
Writing credits(in alphabetical order) | ||
| Edward Vilga | writer | |
Produced by | |||
| Andrew Charas | .... | co-producer | |
| Mia Choi | .... | co-producer | |
| Chris Craig | .... | co-associate producer | |
| Genevieve Lohman | .... | producer | |
| David Marcellino | .... | line producer | |
| Mark Ross | .... | associate producer | |
| Mark Sourian | .... | co-associate producer | |
| Thomas N. Staub | .... | producer | |
| Leslie Lewis Sword | .... | executive producer (as Leslie Lewis) | |
| Nela Wagman | .... | co-producer | |
Original Music by | |||
| Edward Bilous | |||
Cinematography by | |||
| Joaquín Baca-Asay | |||
Film Editing by | |||
| Youna Kwak | |||
| Gary Winick | |||
Casting by | |||
| Adrienne Stern | |||
Production Design by | |||
| George Xenos | |||
Costume Design by | |||
| Katherine Jane Bryant | |||
| Kristen Couchot | |||
Makeup Department | |||
| Necia Mullen | .... | assistant makeup artist | |
| Joanne Ottaviano | .... | key hair stylist | |
| Joanne Ottaviano | .... | key makeup artist | |
Second Unit Director or Assistant Director | |||
| Lisa C. Clark | .... | second second assistant director | |
| Jeremy Slutskin | .... | first assistant director | |
Sound Department | |||
| William Kozy | .... | production sound mixer | |
| Peter Roigk | .... | foley artist (as Peter Roik) | |
| Marcus Sujata | .... | sound editor | |
| Joe White | .... | boom operator | |
Stunts | |||
| Kyle Derek | .... | safety diver | |
| Arthur M. Jolly | .... | stunts | |
Camera and Electrical Department | |||
| Antonio Ponti | .... | a-camera assistant | |
Other crew | |||
| Liza Alhadeff | .... | production assistant | |
| Patrick Gibbons | .... | key production assistant | |
| Ryan Lifchitz | .... | production assistant | |
| Alex Panagakis | .... | unit publicist | |
| Miranda J. Smith | .... | production assistant | |
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| Deceiver | Love the Hard Way | Mini's First Time | Cellblock Sisters: Banished Behind Bars | The Onion Field |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section |
If you can enjoy a prolonged visit with low-life employees of a seedy collection agency, then you are likely to enjoy this film. The performances are all good, and some are truly memorable. Paul Sorvino says "youze" a lot and is completely believable as the gangsterish owner of the "Polite Persistence" collection agency. John Glover's not-quite-handsome and unshaven police detective is just grungy enough to fit right in with the "losers" he must interrogate. Kevin Dewey's performance as "Steve" reminds one of Jim Carrey at his most manic. And, above all, Patricia Scanlon as the "Doberman of Debt," Frankie, pretty much steals the movie with her vicious performance as every debtor's worst nightmare. Her telephone diatribes against her poor "customers" are truly hilarious. She even gets a topless outdoor sex scene, which is more likely to inspire fear rather than to titillate. This is awesome acting.
The main weakness of the movie is the plot. At one point Sam the detective remarks something like "We have eight motives here." Actually, we don't have any motives--because the police do not have a corpse and we do not know who the victim is. If we do not have a victim, we cannot formulate a plausible motive, nor can we surmise why the police would waste so much time delving into the private lives of the agency employees.
But in spite of the obvious plot weaknesses, this film has a real sense of style, and the characters are really fun to watch. I will be spinning this DVD repeatedly for the genuine pleasure of watching Patricia Scanlon's rabid performance.