In the aftermath of World War II, a former Czech soldier takes charge of a manor formerly owned by a German family. He falls in love with the daughter, who is now a maid, and is forced to ...
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A poetic film about a dove getting lost on its way to Prague getting shot down by a paralyzed boy. An artist who finds the dove becomes friends with the boy. Together they take care of it bringing it back to recovery.
Ondrej, a young boy who loves bees and bats, is introduced to his new mother, a woman much younger than his father. He brings her a basketful of flowers which she starts to throw in the air... See full summary »
In the 1950's, Ludvik Jahn was expelled from the Communist Party and the University by his fellow students, because of a politically incorrect note he sent to his girlfriend. Fifteen years ... See full summary »
A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes ... See full summary »
Diamonds in the night is the tense, brutal story of two Jewish boys who escape from a train transporting them from one concentration camp to another. Ultimately, they are hunted down by a ... See full summary »
Husband (senior ministry official) and wife find their house is riddled with listening devices put there by his own ministry. A harrowing night follows (reminiscent of 'Who's Afraid Of ... See full summary »
The film depicts its protagonist, Joseph (Jan Nowicki), traveling through a dream-like world, taking a dilapidated train to visit his dying father in a sanatorium. When he arrives at the ... See full summary »
In the aftermath of World War II, a former Czech soldier takes charge of a manor formerly owned by a German family. He falls in love with the daughter, who is now a maid, and is forced to confront the stress between his love and his conscience when he discovers her sheltering her German-soldier brother. Written by
Fiona Kelleghan <firstname.lastname@example.org>
I saw this three years ago at a festival and I still recall it vividly. The film really lingers. Yes, it's about trust - and it's also about remembering and forgetting. The film really focusses on the dichotomy between "evidence" and what it represents. Evidence is seen to fall drastically short of the "truth" - which for Vlacil is something intangible but communicable by film.
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