With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
A veteran policeman, Murtaugh, is partnered with a younger, suicidal officer, Riggs. They both have one thing in common: hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
When a multimillionaire man's son is kidnapped, he cooperates with the police at first but then turns the tables on the kidnappers when he uses the ransom money as a reward for the capture of the kidnappers.
Martin Riggs and Roger Murtaugh, after escaping death from the previous movies are put on a hit list by The Triads. When blood thirsty mercenaries are on their tail they team up again with Leo Getz and Lorna Cole, a newcomer (Chris Rock) to finally put an end to the Triads for good. Written by
Brian H <email@example.com>
The second locomotive that strikes the bad guys' car in the second railroad crossing scene is the same former Alaskan Railroad GP7-type locomotive No.1804, which was at the front of the Grand Continental train in Under Siege 2: Dark Territory (1995). It has the same livery, with the Grand Continental names removed. See more »
The scratches on Leo's face come and go in the final scenes. See more »
I read somewhere when the DVD of this film came out that it would be a good "demo" model for dealers trying to sell DVD players and surround-sound equipment. Well, they were right; it's awesome, or at least it was back in '99 when the disc came out, back when not everyone had a DVD player. It's still top-of-line for picture and sound. When bullets are flying around, you hear them from all five speakers. It here it almost seven years later and we still find many films without this kind of excellent surround- speaker participation.
The Lethal Weapon series, this being the fourth and last of them, was popular because of the combination of action, comedy, suspense, romance and drama. For me, they wore thin because the characters were too loud - always shouting at each other, too profane, too smug, too much Liberal-agenda and there was too much action. Things needed to slow down here and there, and give the viewer a break now and then.
This sequel is no exception, although it was a little tamer than the first three Lethal Weapons, that is until going berserk again in the final few scenes, one of which - the hospital scene - was totally unnecessary. To be honest, some of the action scenes in this movie were amazing even if they had no credibility. You just have to suspend belief and enjoy some of the outrageous scenes in here.
As usual, there are the left-wing agenda plugs, unwarranted cheap shots at the NRA, it's okay-to-have-a-baby-out-of-wedlock, etc. etc. Although the couple does finally get married, a rabbi performs an irreverent quickie ceremony, another slam on the seriousness of marriage.
With all that goes on in this film, as in the three previous LWs, you are worn out by the end. If you are a fan of this serious, this last sequel should please. I thought it was the best of them.
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