| Marlin Perkins | ... | Himself - Host / ... (6 episodes, 1963-1985) | |
| Jim Fowler | ... | Himself (2 episodes, 1963-1964) |
Series Directed by | |||
| Don Meier | (4 episodes, 1980-1983) | ||
Series Writing credits | ||
| Allan Eckert | (3 episodes, 1979-1981) | |
| Don Meier | (unknown episodes) | |
Series Produced by | |||
| Don Meier | .... | producer (6 episodes, 1979-1984) | |
| Robert W. Davison | .... | associate producer (2 episodes, 1968-1979) | |
| Richard Reinauer | .... | associate producer (unknown episodes) | |
Series Original Music by | |||
| Richard A. Girvin | (3 episodes, 1979-1981) | ||
Series Cinematography by | |||
| Robert W. Davison | (7 episodes, 1965-1984) | ||
| Rod Allin | (unknown episodes) | ||
| Warren Garst | (unknown episodes) | ||
| Fred R. Krug | (unknown episodes) | ||
| Ralph Nelson | (unknown episodes) | ||
Series Film Editing by | |||
| Bernard Braham | (5 episodes, 1979-1984) | ||
Series Sound Department | |||
| Jim Moore | .... | sound effects / foley mixer (6 episodes, 1979-1984) | |
| Michelle Landes | .... | foley artist (unknown episodes, 1980-1985) | |
| Greg Curda | .... | sound editor (unknown episodes) | |
Series Other crew | |||
| Carol Riggins | .... | animal trainer (unknown episodes) | |
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| Jane Goodall's Wild Chimpanzees | Cats: Caressing the Tiger | Running Free | Nature's Half Acre | DMT: The Spirit Molecule |
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| External reviews | News articles | IMDb TV section |
| IMDb Documentary section | IMDb USA section |
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I would like to second Huck's comments.
"Wild Kingdom" was my first show and the beginning of my career. I was one of those guys in the the offices on Chicago's Miracle Mile. I was a young lad, hired as an apprentice sound editor by the late, great Jim Bourgeois, my mentor and Master. Jim's company, Sync Marc, which included editors Richard Albrecht and Denny Hough was subcontracted by Don Meier to do sound editing.
"Wild Kingdom" was very well done, and in a way spoiled me because I thought all shows would be that good, both technically and creatively. It set my standard. Production was, in deed, a well oiled machine and post followed suit.
I fondly remember my frequent trips to Zenith for mag transfers of SFX, BGs, and MX. We are in the digital age with many advances, but "Wild Kingdom" taught me about the power of FILM, physical FILM, in my hand.
The toss I always liked was, "Just like the Giant Antellope, you too need protection. Mutual of Omaha..." well....I think he said that....Or did I just cut a new one from trims?
Here's to a great show and a personal milestone.