| Bruce Boxleitner | ... | Capt. John J. Sheridan | |
| Claudia Christian | ... | Susan Ivanova | |
| Mira Furlan | ... | Delenn | |
| Richard Biggs | ... | Stephen Franklin, M.D. | |
| Jeff Conaway | ... | Zack Allen | |
| Stephen Furst | ... | Vir Cotto | |
| Patricia Tallman | ... | Lyta Alexander | |
| Clyde Kusatsu | ... | Bill Morishi | |
| Shari Belafonte | ... | Elizabeth Trent | |
| William Sanderson | ... | Deuce | |
| Kip King | ... | Leo | |
| Floyd Levine | ... | Alex | |
| Jeffrey Anderson-Gunter | ... | Merchant | |
| Joshua Cox | ... | Lt. David Corwin | |
| Judson Mills | ... | Delta Seven | |
| Adam G. | ... | Guard (as G. Adam Gifford) | |
| Jerry Kernion | ... | Builder | |
| Valerie Red-Horse | ... | Technician | |
| rest of cast listed alphabetically: | |||
| Andrew Frankel | ... | Starship mechanic (uncredited) | |
| Mark Ginther | ... | Security Guard #1 (uncredited) | |
Directed by | |||
| Jesús Salvador Treviño | |||
Writing credits | ||
| J. Michael Straczynski | (creator) | |
| J. Michael Straczynski | (written by) | |
Produced by | |||
| John Copeland | .... | producer | |
| Douglas Netter | .... | executive producer | |
| Susan Norkin | .... | associate producer | |
| J. Michael Straczynski | .... | executive producer | |
Original Music by | |||
| Christopher Franke | |||
Cinematography by | |||
| John C. Flinn III | |||
Film Editing by | |||
| David W. Foster | |||
Casting by | |||
| Fern Champion | |||
| Mark Paladini | |||
| Mary Jo Slater | |||
Production Design by | |||
| John Iacovelli | |||
Art Direction by | |||
| Mark Walters | (as Mark-Louis Walters) | ||
Set Decoration by | |||
| Jason Howard | |||
Costume Design by | |||
| Ann Bruice | (as Ann Bruice Aling) | ||
Makeup Department | |||
| Manny Case | .... | special makeup effects artist | |
| Gabriel De Cunto | .... | special makeup effects artist | |
| Glen Eisner | .... | makeup effects sculptor | |
| Jeffrey S. Farley | .... | makeup effects supervisor | |
| Kim M. Ferry | .... | hair stylist | |
| Kim M. Ferry | .... | makeup artist | |
| Mark Garbarino | .... | makeup effects supervisor | |
| Jerry Gergely | .... | special makeup effects artist | |
| John Vulich | .... | makeup effects creator | |
| John Wheaton | .... | makeup effects sculptor | |
| Barbara Wilder | .... | key hair stylist (as Barbara Wilder Pearlman) | |
| Cinzia Zanetti | .... | key makeup artist | |
Production Management | |||
| Skip Beaudine | .... | unit production manager | |
Art Department | |||
| Dark Hoffman | .... | property master | |
| Alan Kobayashi | .... | graphic designer | |
| Curtis Laseter | .... | construction coordinator | |
| Matthew W. Plummer | .... | scenic artist | |
| Wayne D. Barlowe | .... | concept artist (uncredited) | |
| Lilly Frank | .... | paint foreman (uncredited) | |
| Jerome Johnson | .... | props (uncredited) | |
| Garry McEvoy | .... | painter (uncredited) | |
Sound Department | |||
| Larry Benjamin | .... | sound re-recording mixer | |
| Harry Cohen | .... | sound designer | |
| Elisabeth Flaum | .... | sound effects editor | |
| Don H. Matthews | .... | sound mixer | |
| Michael Payne | .... | sound supervisor (as Mike Payne) | |
| Zeke Salas | .... | sound re-recording mixer | |
| Ann Scibelli | .... | sound effects editor | |
| Liz Sroka | .... | sound re-recording mixer | |
| Jeffrey R. Whitcher | .... | co-sound supervisor (as Jeff Whitcher) | |
| Jeffrey R. Whitcher | .... | sound effects editor (as Jeff Whitcher) | |
Special Effects by | |||
| Jaroslava Fernandez | .... | special effects | |
| Dayton Osmond | .... | special effects supervisor | |
| Alan McFarland | .... | special effects electronics (uncredited) | |
Visual Effects by | |||
| Timothy Albee | .... | computer graphics animator (as Tim Albee) | |
| Kim Anderson | .... | compositor | |
| Ken Busick | .... | compositor | |
| Tim Everitt | .... | computer graphics animator | |
| Tim Everitt | .... | computer graphics designer | |
| Phillip Giles | .... | compositor | |
| Tom Helmers | .... | computer graphics animator | |
| Tom Helmers | .... | computer graphics designer | |
| Harry Hendrickson | .... | computer graphics animator | |
| Harry Hendrickson | .... | computer graphics designer | |
| Rich Jeffreys III | .... | computer graphics animator | |
| Rich Jeffreys III | .... | computer graphics designer | |
| Jeff Montray | .... | computer graphics animator | |
| Jeff Montray | .... | computer graphics designer | |
| Don Neudecker | .... | computer graphics animator | |
| Don Neudecker | .... | computer graphics designer | |
| Josh Prikryl | .... | computer graphics animator | |
| Josh Prikryl | .... | computer graphics designer | |
Stunts | |||
| Kerry Rossall | .... | stunt coordinator | |
| Jimmy Ortega | .... | stunts (uncredited) | |
| Steve Rizzo | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Robert Blair | .... | key grip (as Robert D. Blair) | |
| Peter B. Kowalski | .... | camera operator | |
| Charles Lantz | .... | dolly grip (as Charles S. Lantz Jr.) | |
| Chris Nagle | .... | best boy grip | |
| John Smith | .... | gaffer | |
| Wally Sweeterman | .... | first assistant camera | |
| Carlos M. Torres | .... | best boy grip | |
Animation Department | |||
| Shant Jordan | .... | senior animator | |
| Patrick Perez | .... | senior animator | |
Costume and Wardrobe Department | |||
| Kim M. Holly | .... | costume supervisor | |
| Linda Huse | .... | key costumer | |
Editorial Department | |||
| Kathie Burr | .... | first assistant editor | |
| John Burrus | .... | assistant editor | |
| Pam Oseransky | .... | post-production coordinator | |
Other crew | |||
| Timothy M. Earls | .... | concept designer | |
| Harlan Ellison | .... | conceptual consultant | |
| Heidi Erl | .... | production coordinator | |
| Tracie Esparza | .... | assistant to executive producer | |
| Kenneth Gilbert | .... | script supervisor (as Ken Gilbert) | |
| Jonathan Gording | .... | special effect contact lens consultant | |
| Karen Harrell | .... | assistant to executive producer | |
| Carol Henry | .... | script coordinator | |
| Joanne Higgins | .... | assistant to executive producer | |
| Mike Hoover | .... | production accountant | |
| Luc Mayrand | .... | concept designer | |
| Jeffrey Willerth | .... | associate to producer | |
| Celeste Healy | .... | production coordinator (uncredited) | |
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| Babylon 5: A Call to Arms | Babylon 5: In the Beginning | Babylon 5: The Gathering | Star Wars | Babylon 5: The River of Souls |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section |
A reasonable outing.
B5 - and JMS writing in particular - works better when not contained to standalone episodes. Give him space to breathe, and his musing flows far better. He has room to comment, moralise and philosophise beautifully. Give him a single story and he tries to cram in too many explanations and plot movements which start to clog up the script. This is a pity as the script is what he is good at.
So a nice story, but a little uneven. Sometimes continually underlines the same plot points over and over killing room for nice stand alone dialogue or character exposition. Other times, the character scenes (the lift scene ) are too long an neither help the story or offer any depth for their duration.
That said, the SFX is very nice, the music from Franke is far more classically orientated than before and it's a nice chance to try and highlight some of the minor characters. The story idea is reasonable, if a little unusual in scifi tone for B5 (befitting Trek more) and it lacks some of the regular B5 heavyweight actors (G'Kar and Londo are sadly missing and Delenn has few scenes).
Nevertheless, an enjoyable if a little vacuous compared to what one comes to expect from B5. The aural and visual experiences are good, the actors are solid and the story good enough to standalone. Not perfect, but still a good slice of pulp scifi action.