After three years of fighting in the Clone Wars, Anakin Skywalker falls prey to the Sith Lord's lies and makes an enemy of the Jedi and those he loves, concluding his journey to the Dark Side.
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Director:
Andrew Stanton
Stars:
Taylor Kitsch,
Lynn Collins,
Samantha Morton
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It is three years after the Clone Wars. The leader of the droid army, General Grievous, has captured Chancellor Palpatine on board his ship, the Invisible Hand. Jedi Master Obi-Wan Kenobi and Jedi Knight Anakin Skywalker must fly through Coruscant safely, and enter the Invisible Hand so that they can rescue the captive Chancellor. Just when Palpatine is about to be released, Count Dooku shows up. Obi-Wan and Anakin both battle it out with him, but Obi-Wan ends up unconscious. Anakin slices off his head and kills him. Anakin carries Obi-Wan, and Palpatine follows him. They meet General Grievous face to face, and Anakin tries to fly the last half of the ship so that they can safely land on Coruscant. Later, Palpatine starts acting strange, constantly manipulating Anakin into believing that the Jedi Council is against him. Eventually, it is found out that he is the Dark Lord of the Sith. Jedi Master Mace Windu fights him, along with three other Jedi that accompany Windu. They all fail. ... Written by
Super Slash
'Aiden Barton', the toddler who portrayed the infant Luke Skywalker and Leia Organa, is the son of crew member Roger Barton. See more »
Goofs
At the start of the film when Palpatine is captive he says "Count Dooku" to draw the heroes attention to the villain whom has just entered the room. But Palpatine's lips are saying something else. See more »
Quotes
[first lines]
[R2-D2 bleeps]
Anakin Skywalker:
Lock on to him R2.
[R2-D2 responds with more bleeping]
Anakin Skywalker:
Master, General Grievous's ship is directly ahead. The one crawling with Vulture droids.
Obi-Wan:
Oh, I see it. Oh, this is going to be easy.
See more »
Crazy Credits
The opening logo for 20th Century Fox is static (to match the opening of Episodes 4, 5 and 6), instead of the animated 3-D logo used in Fox films at the time. See more »
For several years now, it's been a rather uneasy proposition to be known as a STAR WARS fan. First, we had to put up with the great embarrassment of the clownish Jar Jar and the gut wrenching "acting" from the muppet known as Jake Lloyd in PHANTOM MENACE. Then came the laughably stilted dialog and the clumsily told love story from ATTACK OF THE CLONES. Fans far and wide were wondering what George Lucas had done to their beloved STAR WARS franchise! Something that once was so rollicking and without peer was being transformed into kiddie-pandering, muppet populated, CGI over-loaded dreck!
Mr. Lucas, all is forgiven. Welcome back. REVENGE OF THE SITH is the prequel installment we've been hoping for all along. Gone is the overly wooden acting and the ridiculously petrified dialog. In there place is a logical and believable storyline. Anakin's transformation is inexorably sensible. It is natural and not forced into shape by wooden dialog. Scenes between Anakin and Padme, are heartfelt and honest- a far cry from their nearly unwatchable scenes in ATTACK OF THE CLONES.
The same can be said of scenes between Anakin and Obi Wan Kenobi (Ewan McGregor is legitimately great in this film. He gives Kenobi real depth and the viewer thoroughly believes that he grows up to become Alec Guiness). There exists a real bond of deep feeling the viewer can feel between master and apprentice thus making Anakin's fate all the more tragic, as he slowly becomes more and more entangled in Palpatine's (Ian McDiarmid, in a joyfully malevolent turn) web of deception and evil.
Visuals have never been an issue in the prequel films and this is most certainly the case with REVENGE OF THE SITH. The opening sequence is a jaw-dropping collage of ships in movement, dazzling colors, and frenetic combat. Additionally, the technology used to create Yoda seems to have grown exponentially over the already impressive wizardry used to animate Yoda in CLONES. Front to back, the vistas Lucas shows us are entirely believable and staggering joys to behold.
George Lucas goes right for the jugular in this film (the PG-13 rating is well earned! Parents be advised!!). This is a very well-told story of a fall from grace told in an unflinching manner. And yet, the hope for the future is so firmly in place as this film rolls to an end, a tear will roll down your cheek if you've lived with this series of films as long as I have. STAR WARS is back. It's cool to be a fan again.
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For several years now, it's been a rather uneasy proposition to be known as a STAR WARS fan. First, we had to put up with the great embarrassment of the clownish Jar Jar and the gut wrenching "acting" from the muppet known as Jake Lloyd in PHANTOM MENACE. Then came the laughably stilted dialog and the clumsily told love story from ATTACK OF THE CLONES. Fans far and wide were wondering what George Lucas had done to their beloved STAR WARS franchise! Something that once was so rollicking and without peer was being transformed into kiddie-pandering, muppet populated, CGI over-loaded dreck!
Mr. Lucas, all is forgiven. Welcome back. REVENGE OF THE SITH is the prequel installment we've been hoping for all along. Gone is the overly wooden acting and the ridiculously petrified dialog. In there place is a logical and believable storyline. Anakin's transformation is inexorably sensible. It is natural and not forced into shape by wooden dialog. Scenes between Anakin and Padme, are heartfelt and honest- a far cry from their nearly unwatchable scenes in ATTACK OF THE CLONES.
The same can be said of scenes between Anakin and Obi Wan Kenobi (Ewan McGregor is legitimately great in this film. He gives Kenobi real depth and the viewer thoroughly believes that he grows up to become Alec Guiness). There exists a real bond of deep feeling the viewer can feel between master and apprentice thus making Anakin's fate all the more tragic, as he slowly becomes more and more entangled in Palpatine's (Ian McDiarmid, in a joyfully malevolent turn) web of deception and evil.
Visuals have never been an issue in the prequel films and this is most certainly the case with REVENGE OF THE SITH. The opening sequence is a jaw-dropping collage of ships in movement, dazzling colors, and frenetic combat. Additionally, the technology used to create Yoda seems to have grown exponentially over the already impressive wizardry used to animate Yoda in CLONES. Front to back, the vistas Lucas shows us are entirely believable and staggering joys to behold.
George Lucas goes right for the jugular in this film (the PG-13 rating is well earned! Parents be advised!!). This is a very well-told story of a fall from grace told in an unflinching manner. And yet, the hope for the future is so firmly in place as this film rolls to an end, a tear will roll down your cheek if you've lived with this series of films as long as I have. STAR WARS is back. It's cool to be a fan again.