During the near end of the clone wars, Darth Sidious has revealed himself and is ready to execute the last part of his plan to rule the Galaxy. Sidious is ready for his new apprentice, Lord...
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Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé, while Obi-Wan investigates an assassination attempt on the Senator and discovers a secret clone army crafted for the Jedi.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the galaxy from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
A skirmish in Shanghai puts archaeologist Indiana Jones, his partner Short Round and singer Willie Scott crossing paths with an Indian village desperate to reclaim a rock stolen by a secret cult beneath the catacombs of an ancient palace.
Jonathan Ke Quan
During the near end of the clone wars, Darth Sidious has revealed himself and is ready to execute the last part of his plan to rule the Galaxy. Sidious is ready for his new apprentice, Lord Vader, to step into action and kill the remaining Jedi. Vader, however, struggles to choose the dark side and save his wife or remain loyal to the Jedi order.
In the german dubbed version, the Super Battle Droid that gets electrified by R2-D2 has added dialog. Right before he kicks R2-D2, he utters the line "Du spinnst wohl!" ("Are you crazy?"), making the scene more humorous and child-friendly. See more »
Anakin's scar on his right eye changes, the part below his eye moves slightly down and lengthens. Also, on the DVD box cover, Anakin clearly doesn't have a scar, but posters have artistic license. See more »
Lock on to him R2.
[R2-D2 responds with more bleeping]
Master, General Grievous's ship is directly ahead. The one crawling with Vulture droids.
Oh, I see it. Oh, this is going to be easy.
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The opening logo for 20th Century Fox is static (to match the opening of Episodes 4, 5 and 6), instead of the animated 3-D logo used in Fox films at the time. See more »
For several years now, it's been a rather uneasy proposition to be known as a STAR WARS fan. First, we had to put up with the great embarrassment of the clownish Jar Jar and the gut wrenching "acting" from the muppet known as Jake Lloyd in PHANTOM MENACE. Then came the laughably stilted dialog and the clumsily told love story from ATTACK OF THE CLONES. Fans far and wide were wondering what George Lucas had done to their beloved STAR WARS franchise! Something that once was so rollicking and without peer was being transformed into kiddie-pandering, muppet populated, CGI over-loaded dreck!
Mr. Lucas, all is forgiven. Welcome back. REVENGE OF THE SITH is the prequel installment we've been hoping for all along. Gone is the overly wooden acting and the ridiculously petrified dialog. In there place is a logical and believable storyline. Anakin's transformation is inexorably sensible. It is natural and not forced into shape by wooden dialog. Scenes between Anakin and Padme, are heartfelt and honest- a far cry from their nearly unwatchable scenes in ATTACK OF THE CLONES.
The same can be said of scenes between Anakin and Obi Wan Kenobi (Ewan McGregor is legitimately great in this film. He gives Kenobi real depth and the viewer thoroughly believes that he grows up to become Alec Guiness). There exists a real bond of deep feeling the viewer can feel between master and apprentice thus making Anakin's fate all the more tragic, as he slowly becomes more and more entangled in Palpatine's (Ian McDiarmid, in a joyfully malevolent turn) web of deception and evil.
Visuals have never been an issue in the prequel films and this is most certainly the case with REVENGE OF THE SITH. The opening sequence is a jaw-dropping collage of ships in movement, dazzling colors, and frenetic combat. Additionally, the technology used to create Yoda seems to have grown exponentially over the already impressive wizardry used to animate Yoda in CLONES. Front to back, the vistas Lucas shows us are entirely believable and staggering joys to behold.
George Lucas goes right for the jugular in this film (the PG-13 rating is well earned! Parents be advised!!). This is a very well-told story of a fall from grace told in an unflinching manner. And yet, the hope for the future is so firmly in place as this film rolls to an end, a tear will roll down your cheek if you've lived with this series of films as long as I have. STAR WARS is back. It's cool to be a fan again.
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