Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé, while Obi-Wan investigates an assassination attempt on the Senator and discovers a secret clone army crafted for the Jedi.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the universe from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Transplanted to Mars, a Civil War vet discovers a lush planet inhabited by 12-foot tall barbarians. Finding himself a prisoner of these creatures, he escapes, only to encounter a princess who is in desperate need of a savior.
It is three years after the Clone Wars. The leader of the droid army, General Grievous, has captured Chancellor Palpatine on board his ship, the Invisible Hand. Jedi Master Obi-Wan Kenobi and Jedi Knight Anakin Skywalker must fly through Coruscant safely, and enter the Invisible Hand so that they can rescue the captive Chancellor. Just when Palpatine is about to be released, Count Dooku shows up. Obi-Wan and Anakin both battle it out with him, but Obi-Wan ends up unconscious. Anakin slices off his head and kills him. Anakin carries Obi-Wan, and Palpatine follows him. They meet General Grievous face to face, and Anakin tries to fly the last half of the ship so that they can safely land on Coruscant. Later, Palpatine starts acting strange, constantly manipulating Anakin into believing that the Jedi Council is against him. Eventually, it is found out that he is the Dark Lord of the Sith. Jedi Master Mace Windu fights him, along with three other Jedi that accompany Windu. They all fail. ... Written by
George Lucas allowed his friend Steven Spielberg to help design some sequences during pre-production. This was partly because Spielberg wanted the experience of using the 'pre-visualisation' techniques pioneered by ILM as he was going to use them for War of the Worlds (2005). It was also because Lucas felt that his roles as Writer, Director, Executive Producer and Financier were taking up too much of his time and he needed another director to bounce ideas off. Spielberg's main contribution was in the climactic lightsaber duel between Obi-Wan and Anakin. See more »
After Grievous breaks the bridge's windows and Anakin is trying to 'pilot' the cruiser, the windows that were covered magically show back up. See more »
Lock on to him R2.
[R2-D2 responds with more bleeping]
Master, General Grievous's ship is directly ahead. The one crawling with Vulture droids.
Oh, I see it. Oh, this is going to be easy.
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For several years now, it's been a rather uneasy proposition to be known as a STAR WARS fan. First, we had to put up with the great embarrassment of the clownish Jar Jar and the gut wrenching "acting" from the muppet known as Jake Lloyd in PHANTOM MENACE. Then came the laughably stilted dialog and the clumsily told love story from ATTACK OF THE CLONES. Fans far and wide were wondering what George Lucas had done to their beloved STAR WARS franchise! Something that once was so rollicking and without peer was being transformed into kiddie-pandering, muppet populated, CGI over-loaded dreck!
Mr. Lucas, all is forgiven. Welcome back. REVENGE OF THE SITH is the prequel installment we've been hoping for all along. Gone is the overly wooden acting and the ridiculously petrified dialog. In there place is a logical and believable storyline. Anakin's transformation is inexorably sensible. It is natural and not forced into shape by wooden dialog. Scenes between Anakin and Padme, are heartfelt and honest- a far cry from their nearly unwatchable scenes in ATTACK OF THE CLONES.
The same can be said of scenes between Anakin and Obi Wan Kenobi (Ewan McGregor is legitimately great in this film. He gives Kenobi real depth and the viewer thoroughly believes that he grows up to become Alec Guiness). There exists a real bond of deep feeling the viewer can feel between master and apprentice thus making Anakin's fate all the more tragic, as he slowly becomes more and more entangled in Palpatine's (Ian McDiarmid, in a joyfully malevolent turn) web of deception and evil.
Visuals have never been an issue in the prequel films and this is most certainly the case with REVENGE OF THE SITH. The opening sequence is a jaw-dropping collage of ships in movement, dazzling colors, and frenetic combat. Additionally, the technology used to create Yoda seems to have grown exponentially over the already impressive wizardry used to animate Yoda in CLONES. Front to back, the vistas Lucas shows us are entirely believable and staggering joys to behold.
George Lucas goes right for the jugular in this film (the PG-13 rating is well earned! Parents be advised!!). This is a very well-told story of a fall from grace told in an unflinching manner. And yet, the hope for the future is so firmly in place as this film rolls to an end, a tear will roll down your cheek if you've lived with this series of films as long as I have. STAR WARS is back. It's cool to be a fan again.
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