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Star Wars: Episode II - Attack of the Clones (2002)

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Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé, while Obi-Wan investigates an assassination attempt on the Senator and discovers a secret clone army crafted for the Jedi.

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Cast

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Storyline

Ten years after the invasion of Naboo, the Galactic Republic is facing a Separatist movement and the former queen and now Senator Padmé Amidala travels to Coruscant to vote on a project to create an army to help the Jedi to protect the Republic. Upon arrival, she escapes from an attempt to kill her, and Obi-Wan Kenobi and his Padawan Anakin Skywalker are assigned to protect her. They chase the shape-shifter Zam Wessell but she is killed by a poisoned dart before revealing who hired her. The Jedi Council assigns Obi-Wan Kenobi to discover who has tried to kill Amidala and Anakin to protect her in Naboo. Obi-Wan discovers that the dart is from the planet Kamino, and he heads to the remote planet. He finds an army of clones that has been under production for years for the Republic and that the bounty hunter Jango Fett was the matrix for the clones. Meanwhile Anakin and Amidala fall in love with each other, and he has nightmarish visions of his mother. They travel to his home planet, ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

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The Clones Are Coming See more »


Motion Picture Rating (MPAA)

Rated PG for sustained sequences of sci-fi action/violence | See all certifications »

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Details

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Release Date:

16 May 2002 (USA)  »

Also Known As:

Attack of the Clones  »

Filming Locations:

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Box Office

Budget:

$115,000,000 (estimated)

Opening Weekend:

£11,386,209 (UK) (17 May 2002)

Gross:

$310,675,583 (USA) (25 April 2003)
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1.78 : 1 / (high definition)
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Did You Know?

Trivia

According to Rick McCallum, a scene was shot with Obi-Wan and Amidala swinging from one area to another, much like Luke and Leia in Star Wars: Episode IV - A New Hope (1977), but the scene was cut. See more »

Goofs

At the end, when Anakin is marrying Padme, they are shown taking each others hands twice. First when the camera zooms in as the priest marries them. Then when the camera cuts to a closeup, they are taking each others hands again. See more »

Quotes

[first lines]
Naboo lieutenant: Senator, we're making our final approach into Coruscant.
CordÈ: Very good, Lieutenant.
See more »

Crazy Credits

The opening logo for 20th Century Fox is static (to match the opening of Episodes 4, 5 and 6), instead of the animated 3-D logo used in Fox films at the time. See more »

Connections

Spoofed in Duck Dodgers in Attack of the Drones (2004) See more »

Soundtracks

Star Wars Main Title and Ambush on Coruscant
Composed by John Williams
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Magic is Gone
23 November 2002 | by (United Kingdom) – See all my reviews

There used to be a time when Star Wars was the best thing since sliced bread. Of course I was about 7 then but nonetheless it was the ultimate for many people of my generation, and then we grew up but perhaps it is that I have grown up that I didn't enjoy this one wanting a film for adults. I entered the cinema expecting some good old fashioned galatic action despite the let down of the Phantom Menace but instead what I got was two hours of largely tedium.

At base level all the ingredients were there but there was nothing else, this film was completely empty at heart. What the original movies had in charm, in script and in the endearing performance of their cast (even Mark Hamill pulled it off in the end) was largely lacking here. The two leads of Christensen and Portman cannot act to save their lives, sadly in this movie their lives were saved and we'll have to experience more of their slushy badly scripted romance in the third. They have all the physical chemistry onscreen of a couple of neutered dogs.

The depth of their romance which is one of the central planks of the movie is comparable to an infants swimming pool, clearly George Lucas has been reading too much Mills and Boon and spent way too long on his special effects computers to remember just how humans work.

The supporting cast headed by Macgregor are patchy too though Macgregor is head and shoulders above the two teenage leads and at times manage to act with some gusto. Much has been said about Christopher Lee and Samuel L Jackson but they are just playing themselves being competent enough actors to just turn up for work and perform regardless of what he director says. Compared to their past performances they are both underwhelming too.

I've already mentioned the love aspect of the story, this was also supposed to be a dark plot with plenty of evil and of course Anakin turning to the dark-side. For what is supposed to be the defining moment of the entire series we get a whole three minutes of screentime where he kills people. As to get a PG rating the slaughter is glossed over and barely shown on camera it's left to the actor to communicate what happened but the evil growing in him is completely skirted around with a little bit of sobby stuff that simply isn't convincing - at no time do we see someone being corrupted by power which is really a lost opportunity.

Lost opportunities is what this film is full of though, inside is a really good story struggling to get out but the issues are dumbed down to make them suitable for children to understand. The lack of invention in it is also stunning, why introduce Jango Fett at all except to cash in on the popularity of Boba Fett, why have Kenobi hide behind an asteroid like Han Solo does in Empire Strikes Back with a star destroyer? Why did we get those terrible C3PO puns and what was it with Yoda ever having a walking stick if he can fight like a whirling dervish on speed? Why does a changeling keep it's face and not get a new one then try to kill Kenobi.

The only part of the script I did appreciate was the ever annoying Jar Jar being the cause of the rise of the Empire, ooh the irony. Script aside Star Wars has always been something of an effects movie but these days it's simply not impressive enough when compared to Lord of the Rings. The saturation of the colours throughout the film make it all look cartoony, and the CGI does look like CGI although it is much improved on the previous film with Yoda at last looking real. I imagine this is where the majority of the work went on the film but it's just not good enough. I do wish that Lucas would get back to the gritty colour tones used in the first two films, they certainly added to the realism but the Disney look seems to have infected the franchise too deeply.

Not only are many of the effects lacking any believability but Lucas can't direct action, something that is a major flaw in a film that has perhaps half of it as action scenes. We get lasers zapping everywhere but there is no coherence with the editing and it all ends up a bit confusing with none of the excitement that should be there.

The problem with editing recurs throughout the film with the love story intercut with the discovery of the clone army badly done, why do we keep coming back from an interesting story to one that just turns people off, something that was obvious in the cinema as you could hear people groan everytime the teenage lovers were on.

The sound though is superb, watching at home on my Dolby 5:1 did make it a bit more of an experience but if you are relying on technical details to carry a film then you really shouldn't be making it to start with. Anyone can buy a decent sound engineer for a movie, and just be limited by budget but not anyone can get a good performance out of an actor, then the limit is talent.

Let's face it that George Lucas is nothing more than a glorified technician being way past his limits is trading on the goodwill of fans from movies he did 25 years ago. He's no great director or writer and should leave that to others, perhaps then we can get the Star Wars movies that we all want, and perhaps he can come to rival the grosses of the old films again but I fear the magic will have gone by then. score - 4/10 for sentimental reasons.


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