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Narcotic (1933)

 |  Biography, Drama  |  March 1934 (USA)
3.7
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Ratings: 3.7/10 from 199 users  
Reviews: 9 user | 5 critic

As the opening scroll tells us, Narcotic was "presented in the hope that the public may become aware of the terrific struggle to rid the world of drug addiction." The movie itself is a ... See full summary »

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(story), (screenplay), 1 more credit »
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Title: Narcotic (1933)

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Cast

Cast overview:
Harry Cording ...
Joan Dix ...
Patricia Farley ...
Mae
...
Lena (as Jean Lacey)
J. Stuart Blackton Jr. ...
Gee Wu
Paul Panzer ...
Cashier
Miami Alvarez ...
Drug addict
Charles Bennett ...
Hand wrestler
Josef Swickard ...
Federal narcotics agent
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Storyline

As the opening scroll tells us, Narcotic was "presented in the hope that the public may become aware of the terrific struggle to rid the world of drug addiction." The movie itself is a salacious plunge into a world of sordid pleasures. It tells us the story of Dr. William G. Davies, an infamous snake-oil salesman who started his career as a promising medical student. In the opening sequence he saves an unborn baby by performing a cesarean operation after the mother was killed in an automobile accident. Stock medical footage shows a woman's stomach being sliced open like a ripe watermelon and the baby popping out like a jack-in-a-box. But the allure of opium proves too strong for the doctor to resist. After a single night of relaxation in a Chinatown opium den, Davies becomes a slave to drugs. As his medical practice deteriorates, he shifts his attention to "selling medicine by demonstration." He says to his nurse/fiancee, "I can't see anything wrong if my preparation has merit." ... Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

One night of bliss... A thousand nights of hell..!

Genres:

Biography | Drama

Parents Guide:

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Details

Country:

Language:

Release Date:

March 1934 (USA)  »

Also Known As:

Narcotic Racket  »

Filming Locations:


Box Office

Budget:

$8,900 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Writer Hildegarde Stadie based the script on true events. She had gone on tour with a great uncle as a little girl when he worked the medicine show circuit selling the elixir Tiger Fat. The film is actually considered to be a very accurate and unexaggerated retelling of his life. See more »

Goofs

When Davies is persuading his wife that his plan will work, the boom shadow falls the wall behind them. Also, the mike dips briefly into the shot and, and the camera moves forward, the shadow of the accordion-style apparatus used to hoist the mike is also visible, almost distractingly so, on the wall, right behind the wife. See more »

Quotes

Drug addict: Now he's talking about money.
Party Girl: Mmm. The bees and the honey!
Drug addict: Too much talk about large sums of money.
See more »

Connections

Referenced in Schlock! The Secret History of American Movies (2001) See more »

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User Reviews

 
So-so film that's definitely worth watching at least once
26 August 2006 | by (New York City) – See all my reviews

Watching Narcotic as a film for its own sake--as an artwork or a piece of entertainment, that is--at this point in time is not entirely satisfactory. For one, it's very choppy. Scenes are missing or truncated oddly, but this is the best print known at the moment. But even if the missing footage were replaced, the film is still uneven. Director Dwain Esper and his wife, writer Hildegarde Stadie, have a bizarre sense of dramatic construction only rivaled by Ed Wood. Esper inserts odd shots for symbolism (such as poisonous snakes, skunks and such near the end), inserts odd intertitles at odd times, and so on. And a lot of the performances intermittently go off the rails. Yet as a historical and sociological oddity, Narcotic is fascinating. Any film buff worth his or her weight in Fassbinder posters should be familiar with it, as should anyone interested in sociology or cultural theory.

I'm not sure if this is the first paranoid anti-drug film, but it must be one of the earlier ones. It beat Esper's similar and more famous Reefer Madness by three years. Additionally, this is much broader in scope than that later film. It's not quite as black and white or ridiculously propagandistic, and it's supposedly based on a true story--a real equivalent to Dr. William G. Davis (played here by Harry Cording), who went on the road hawking "Tiger Fat" (a name only mentioned in intertitles here as far as I could tell), and who was a drug addict stuck in a depressing downward spiral.

The content, which focuses on explicit drug use (including scenes of drug preparation), violence--both accidental and intentional--that remains morally unrectified, serious relationship problems, drug-induced and illicit sexual behavior, and a fantastic, nihilistic ending, may sound like a perfect recipe for a Cheech and Chong film, but in 1933, it was all very challenging. So challenging that the film was rejected twice (once on appeal) by the New York State Film Board. Documentation about this is an interesting special feature on the Kino DVD.

I certainly do not agree with censorship, but the New York State Film Board was astute in some of its criticism of the film. Although viewers could hardly desire ending up like Dr. Davis in the end, many of the scenes are not clearly anti-drug and debauchery. Many scenes seem pro drug and debauchery instead, especially to someone with a hedonistic, libertarian bent, such as myself. They also show basic preparation and administration techniques for drugs.

Although it doesn't seem consistent with their filmographies, Esper and Stadie seem to show pretty explicitly that they're not clearly anti-drug in the comments from "Chinese" character Gee Wu (J. Stuart Blackton, Jr.). Wu presents a pro-opium view early in the film, and through the character, Esper and Stadie suggest that the problem with drugs lies more with cultural differences than in the drugs themselves, even though they seem to backpeddle a bit further into the film.

It's beneficial to keep these kinds of things in mind while watching Narcotic--they'll keep you interested and help stave off Morpheus.


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