Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.
Set back in the late 1800s in a Victorian village, a man and woman by the names of Victor Van Dort and Victoria Everglot are betrothed because the Everglots need the money or else they'll be living on the streets and the Van Dorts want to be high in society. But when things go wrong at the wedding rehearsal, Victor goes into the woods to practice his vows. Just as soon as he gets them right, he finds himself married to Emily, the corpse bride. While Victoria waits on the other side, there's a rich newcomer that may take Victor's place. So two brides, one groom, who will Victor pick? Written by
Corpse Bride works for me on so many levels but outstanding is the integration of music and words. The musical that blended the words and music to such a level that one could hardly imagine the film without the composer's contribution. This should be advertised as Danny's production as was the practice of Rogers and Hammerstein, or Irving Berlin or Cole Porter. We have a new art form here: the animated opera. Music is alive and well in the world of the dead. The music in the titles presents themes which continue into the film. An important part of the love story is the interest of the main characters and their methods of expression of emotion via piano music. The characters exist in an aura of sound. Imagine a Russian epic without the Lara Theme or Rick's place without Sam's piano. This film has achieved an identity that says this is music and this is what the movies has to say. All awards to those involved!
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